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El. knyga: Print Cultures: A Reader in Theory and Practice

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 23-Jul-2019
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781349930517
  • Formatas: EPUB+DRM
  • Išleidimo metai: 23-Jul-2019
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781349930517

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This reader is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that have shaped reading, writing and publishing, the selected extracts also examine the effect of printed and digital texts on society. Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation. 

Offering a concise survey of critical work, this volume is an essential companion for students of Literature or Publishing with an interest in the history of the book.

Recenzijos

This reader is the definitive introduction to the growing field of Publishing. Students new to the field or searching for a context for their own research will find everything they need here. * Helen Marshall, Anglia Ruskin University, UK * Print Cultures is a bold and generous gift to the field. Readers will find seminal essays juxtaposed with surprises in each of the nine carefully curated sections, making it ideal for the classroom. I look forward to discussing this magnificent compilation with our graduate students for years to come, and the future of the book is brighter because of it. * Kyle Schlesinger, University of Houston-Victoria, USA *

Daugiau informacijos

This anthology is the most comprehensive selection of key texts on twentieth and twenty-first century print culture yet compiled. Illuminating the networks and processes that shape reading, writing and publishing, the selected extracts examine the effect of printed and digital texts on society.
List of Figures and Tables
viii
Acknowledgements ix
1 Introduction
1(6)
Part One Publishing: Theory and Practice
7(52)
2 The Trials of a Publisher
11(6)
Stanley Unwin
3 The Market of Symbolic Goods
17(14)
Pierre Bourdieu
4 Paratexts: Thresholds of Interpretation
31(5)
Gerard Genette
5 Gatekeeping
36(9)
Lyme Spender
6 Merchants of Culture
45(6)
John B. Thompson
7 The Digital Context and Challenge
51(8)
Michael Bhaskar
Part Two Authorship
59(30)
8 Agents and the Field of Print Culture
63(4)
Mary Ann Gillies
9 Disembodied Images: Authors, Authorship and Celebrity
67(4)
Joe Moran
10 `What is an Author?' Contemporary Publishing Discourse and the Author Figure
71(7)
Juliet Gardiner
11 Who Are You Calling an Author? Changing Definitions of Career Legitimacy for Novelists in the Digital Era
78(5)
Laura Dietz
12 Reconfiguring the Author
83(6)
George Landow
Part Three Readership and the Literary Marketplace
89(26)
13 The Book Market
93(9)
Q. D. Leavis
14 A Publisher Looks at Booksellers
102(4)
Geoffrey Faber
15 The Scandal of the Middlebrow: The Professional-Managerial Class and the Exercise of Authority in the Literary Field
106(7)
Janice Radway
16 How the British Read
113(2)
Clive Bloom
Part Four Censorship and Print Culture
17 The Censor's New Clothes
117(9)
Sue Curry Jansen
18 Publishers as Gatekeepers of Ideas
126(7)
Lewis A. Coser
19 The Trials and Travels of Lady Chatterley's Lover
133(9)
Alistair McCleery
20 Combating Censorship and Making Space for Books
142(9)
Archie L. Dick
Part Five Books, Propaganda and War
151(36)
21 Setting up the Propaganda Machine
155(6)
Peter Buitenhuis
22 For Country, Conscience & Commerce: Publishers & Publishing, 1914-18
161(6)
Jane Potter
23 Publishing and the State: `Books of Propaganda Value'
167(6)
Valerie Holman
24 Books for the Forces
173(4)
Joe Pearson
25 The American Publisher's Series Goes to War, 1942-1946
177(10)
John B. Hench
Part Six Colonial and Postcolonial Print Culture
187(36)
26 World Literary Space
191(4)
Pascale Casanova
27 School Readers in the Empire and the Creation of Postcolonial Taste
195(8)
Robert Fraser
28 Kenyan Publishing: Independence and Dependence
203(7)
Henry Chakava
29 African Literature/Anthropological Exotic
210(7)
Graham Huggan
30 Africa Writes Back: Heinemann African Writers Series - A Publisher's Memoir
217(6)
James Currey
Part Seven Women and Print Culture
223(26)
31 A Room of One's Own
225(5)
Virginia Woolf
32 Feminist Publishing in the South
230(5)
Urvashi Butalia
Ritu Menon
33 `Books with Bite': Virago Press and the Politics of Feminist Conversion
235(8)
Simone Murray
34 She Needs a Website of Her Own: The `Indie' Woman Writer and Contemporary Publishing
243(6)
Mohanalakshmi Rajakumar
Rumsha Shahzad
Part Eight Literary Prize Culture
249(18)
35 Literary Prizes and the Media
251(3)
Richard Todd
36 How It All Began
254(2)
Tom Maschler
37 Genre in the Marketplace
256(4)
Claire Squires
38 Scandalous Currency
260(7)
James F. English
Part Nine Globalisation and the Book
267(44)
39 The Future of Publishing
271(5)
Andre Schiffrin
40 The Effect of Globalisation in Africa and the Choice of Language in Publishing
276(8)
Walter Bgoya
41 The Global Book
284(8)
Angus Phillips
42 The Globalization of Literature
292(9)
Suman Gupta
43 The Global Literary Field and Market Postcolonialism
301(10)
Sarah Brouillette
Works Cited 311(6)
Notes 317(34)
Index 351
Caroline Davis is senior lecturer at Oxford Brookes University, in the Oxford International Centre for Publishing Studies, where she teaches print culture, book history and publishing studies. She is the author of Creating Postcolonial Literature: African Writers and British Publishers (Palgrave, 2013) and the co-editor of The Book in Africa: Critical Debates (Palgrave, 2015). Her recent articles have appeared in the Journal of Southern African Studies, The Journal of Commonwealth Literature, The Journal of Postcolonial Writing and Book History. She previously worked at Oxford University Press and Oxford University Centre for Humanities Computing.