A must-read for anyone seeking to confront racist worldviews and make the world a better place for all. -- Paulette Steeves * Science * Redman tells the grim story of decades-long elite capture of Native cultures, while the US government and expansionist industries gained control of lands and waters from sea to sea. Decolonization requires recognition of the colonization process, and Redmans book is a landmark contribution to that effort. -- Barbara Miller * American Anthropologist * A sweeping overview of the history and continued legacy of salvage anthropology in the United StatesRedmans work connects the complex histories of these practices to their ongoing implications for museums today, offering a major contribution to how we recognize their legacies for todays efforts to decolonize collections, repatriate objects, and forge community partnerships. -- Reed Gochberg * American Nineteenth Century History * Prophets and Ghosts is a rich and eye-opening book, and Redman does not shy away from taking a hard look at the troubled and troubling legacy of salvage anthropology. Its deeply researched, beautifully writtena real pleasure to read. -- Lukas Rieppel * New Books Network * Redman nuances the history of salvage anthropology[ and] recounts the stories of individual collectors, humanizing these anthropologists, Indian agents, missionaries, and Native people, while stressing the seriousness and urgency of their often-obsessive collecting practices. -- Klinton Burgio-Ericson * Journal of Anthropological Research * EssentialFor any museum professional or anthropologist hoping to build an ethical and progress-oriented career, Prophets and Ghosts is an excellent guide to recognizing and reconciling with salvage anthropology. -- Sara Polk * Museum Studies Blog * An engaging account of the development of salvage anthropology in the United States during the nineteenth century[ Redman] does not shy away from the darker side of early acquisitions of Indigenous peoples culture in American museums. -- Crystal McColl * Fwd: Museums Journal * IlluminatingProphets and Ghosts would be a suitable introduction for many, and any of the individual chapters would provide a good background of where salvage anthropology came fromand where it could go. -- Jaime M. N. Lavallee * Journal of the Native American and Indigenous Studies Association * Prophets and Ghosts is [ Redmans] latest work to examine the intersection between the history of museums and the rise of anthropology as a disciplineHe argues that even with the problems inherent in early museums efforts to understand race and primitive civilizations, their attempts ultimately produced some unexpected and surprising results. -- Robert Cassanello * Journal of American History * Redman has not only become anthropologys leading historian but also its conscience. Through methodical research and insightful analysis, Prophets and Ghosts provides a window into the motives and practices of salvaging cultures often assumed to be on the precipice of destruction. It reveals all the disciplinary successes and failuresand moral contradictions and paradoxesin this moment that laid the groundwork for how the world thinks of cultures and Indigenous peoples. This is a history that is still resonant today. -- Chip Colwell, author of Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native Americas Culture An original, masterful work on a rich and important topic. Redman looks at the idea of salvage as both preservation and as part of a larger cultural phenomenonthe establishment of a diverse cultural history for the nationwith all the implications this had for the Indigenous peoples being studied and saved. -- Nancy J. Parezo, coauthor of Anthropology Goes to the Fair: The 1904 Louisiana Purchase Exposition Redman interrogates the origins of salvage anthropology by delving into the resonance of encounters and collections that, reflecting an emphasis on preservation at all costs, still haunt us today. He effectively exposes the entanglements among nationalistic impulses, colonial nostalgia, and assimilationist policies that shaped museum representations of the Indigenous well into the mid-twentieth century. -- Margaret M. Bruchac, author of Savage Kin: Indigenous Informants and American Anthropologists This book is a gem! Redman traces the nineteenth-century salvage anthropology movement in the United States, designed to preserve the material culture of Native Americans portrayed on the verge of extinction. Especially important are the many negative consequences of this movement, which last to this day. -- Laura Nader, author of Laura Nader: Letters to and from an Anthropologist The salvage of all things Indian was driven by scientific curiosity, but Redman shows how that curiosity was also driven by an insatiable obsession with objects rather than the people who produced them. This book provides a broad, often troubling, picture behind the impetus to collect everything before the Indians vanished. -- Joe Watkins, author of Indigenous Archaeology: American Indian Values and Scientific Practice Redman offers an impressive exploration of the strange history of salvage anthropology and its efforts to document Native cultures before their presumed disappearance before the forward march of history. With its detailed archival findings, clear writing, and comprehensive analysis, Prophets and Ghosts is a fine piece of scholarship. -- Orin Starn, author of Ishis Brain: In Search of Americas Last Wild Indian
