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El. knyga: Props

(London), Series edited by (Royal Central School of Speech & Drama, University of London, UK)
  • Formatas: PDF+DRM
  • Serija: Readings in Theatre Practice
  • Išleidimo metai: 16-Sep-2017
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9781137413376
Kitos knygos pagal šią temą:
  • Formatas: PDF+DRM
  • Serija: Readings in Theatre Practice
  • Išleidimo metai: 16-Sep-2017
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9781137413376
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This diverse book brings together theoretical and practical viewpoints on objects in performance, how they can be part of theatre scenery, equal partners in performance, or autonomous things. Through close analysis of specific performances, Eleanor Margolies examines actor training, scenography, materials, construction techniques and object theatre. The text investigates a number of critical questions, including: what the difference is between a theatre prop and an everyday object; how audiences respond to the various ways that props are used by actors and designers; and whether devising with stuff affect the making process or the attitudes to materiality embodied in performance.

With discussions of papier māché and collapsing chairs, fake food and stage blood, Props is an essential sourcebook for students, practitioners and researchers of theatre, design and prop-making.
Series Preface vii
Acknowledgements ix
1 Introduction
1(26)
Prop, object, thing or puppet?
2(7)
The `action force' of a prop
9(3)
The prop as text and constraint
12(3)
The neglect of materiality
15(2)
Craft knowledge
17(2)
Beyond the visual and aural: phenomenological approaches
19(4)
The spectrum of animation
23(4)
2 The Object in Actor Training and Rehearsal
27(22)
Object as text: emotional memory
29(4)
In America: Lee Strasberg, Uta Hagen and the disappearance of the object
33(3)
Finding a sequence of physical actions
36(1)
The object as score recording social and material history: Brecht
37(2)
Object as constraint
39(10)
3 Improvising with Stuff
49(10)
Improbable Theatre: working with the material imagination
51(3)
Devising with Theatre de Complicite
54(2)
Improvising with tables
56(3)
4 An Abundance of Little Objects
59(17)
Cup and saucer drama
63(1)
Ibsen's timed explosions
64(1)
Revisiting realism in contemporary productions
65(5)
`Period. Question Mark?' Tobias Hoheisel
70(6)
5 Other Realities
76(23)
Ancient Greek performance
77(4)
Medieval mystery plays in England
81(2)
Early modern drama and Shakespeare
83(8)
Georgian spectacles
91(2)
Futurist playgrounds
93(1)
Brecht and designers
94(5)
6 Inside the Prop Workshop
99(24)
Who does what?
99(3)
Prop buying
102(2)
Making props: substitution, reproduction and imitation
104(4)
Plasticity
108(2)
Papier mache
110(3)
Polymer plastics
113(1)
Bakelite till kingdom come
114(1)
Implications for contemporary prop-making
115(5)
`Stage Properties' Dutton Cook
120(3)
7 Consumables and Breakaways
123(14)
`As if the point were to strike a match!'
123(3)
The phenomenological reappearance of the body
126(2)
Constructing reality
128(5)
Cooking for the audience
133(1)
Glamour and mess
134(3)
8 A Scenographic Approach to the Object
137(11)
Tadeusz Kantor: reality of the lowest rank
138(2)
Language as raw material
140(1)
Bio-Objects
141(2)
Richard Foreman: ontologies of objects
143(5)
9 Object Theatre
148(20)
Some practitioners: an incomplete list
149(5)
The antecedents of object theatre
154(2)
Playing with scale and the cinematic
156(1)
The ascetic gesture
157(1)
Objects as linguistic elements
158(2)
The real object
160(8)
10 Props without Actors
168(10)
The prop in the museum
168(2)
Immersive sets
170(4)
Touch tours
174(4)
11 The Props Cupboard
178(5)
`A human skull' Aoife Monks
179(4)
12 Conclusion
183(5)
An object that fits in the hand
184(2)
Objects too large to handle cleverly
186(2)
Notes 188(9)
Bibliography 197(11)
Index 208
Eleanor Margolies is an independent scholar and Research Associate of the Centre for Research into Objects and Puppets in Performance (CROPP) at the Central School of Speech and Drama. She is also a documenter for the Object Theatre Network at Nottingham Trent University. Eleanor works in theatre as a designer and director of puppetry, and founded Puppet Notebook, editing it until 2012.