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El. knyga: Prosody Intervention for High-Functioning Adolescents and Adults with Autism Spectrum Disorder: Enhancing communication and social engagement through voice, rhythm, and pitch

  • Formatas: PDF+DRM
  • Išleidimo metai: 21-Nov-2016
  • Leidėjas: Jessica Kingsley Publishers
  • Kalba: eng
  • ISBN-13: 9781784502683
  • Formatas: PDF+DRM
  • Išleidimo metai: 21-Nov-2016
  • Leidėjas: Jessica Kingsley Publishers
  • Kalba: eng
  • ISBN-13: 9781784502683

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Providing lessons for prosody intervention in high-functioning adolescents and young adults with Autism Spectrum Disorder (ASD), this book helps to develop verbal and nonverbal skills to aid their transition into adulthood through a program of evidence-based lessons and resources. The authors offer a complete curriculum of lessons taking student from self-calming to fluency and conversational skills and thereby enhancing their communication skills and conversational competence, skills that are essential for the ability to get on in adult life, for example in the context of looking for a job. The curriculum includes lesson plans, handouts and homework, and builds on some of the characteristic traits of high-functioning autism, for example by setting up sets of rules for clarity. The program has been successfully used by the authors in their work with people on the autism spectrum and will be a life-changing resource for professionals as well as for parents and people on the autism spectrum wanting to improve their ability to communicate well.

Recenzijos

This is an absolutely wonderful and quite unique book for teaching skills in an area that is almost universal in autism: that of prosodic and related deficits. As pointed out early in the book, abnormal prosody gives 'a first impression of oddness' and interferes with ongoing social relationships. This readable, fascinating, and explicit book gives very specific lessons in all areas of what we usually include in 'prosody' (pacing, volume, pitch changes, word stressing), as well as in related pragmatic areas that are almost universally deficient in autism (conversing, narrating, gesture, eye contact, small talk, giving instructions). Lessons are spelled out in hierarchical fashion, and are detailed and explicit enough to be implemented by a variety of professionals (speech/language therapists, psychologists, teachers, behavior therapists). The authors also provide a clear and easy to use assessment tool for rating aspects of prosody, that does not require technical linguistic expertise, and which I intend to adopt for all the individuals I assess. Finally, the clinical and vocal expertise of these two authors (Dr. Dunn is a neuropsychologist specializing in autism and Mr. Harris is an opera singer) is very obvious in how they approach the whole endeavor, that is, by working first on helping the learner to be calm and reduce tension (which makes adjusting muscles easier and helps the learner to be ready to attend and learn). The intervention program in this book could change the social lives of many individuals with autism, which in turn could improve their academic attainments, vocational prospects and lifelong emotional fulfillment. -- Deborah Fein, Ph.D., Board of Trustees Distinguished Professor, University of Connecticut and author of The Neuropsychology of Autism and The Activity Kit for Babies and Toddlers at Risk

Daugiau informacijos

How to help young people with Autism Spectrum Disorder (ASD) develop, through the body's sensations, the communication skills to make a successful transition from education to the work environment
Introduction 13(13)
Prosody deficits in ASD
14(2)
The association of prosody deficits with communication and socialization
16(1)
Discussion: Implications for clinical practice
17(2)
Chapter content
19(5)
Structure of the lessons
24(1)
Note
25(1)
1 Assessment
26(8)
The future of prosody assessment
29(1)
The screening instrument
29(2)
Appendix: Qualitative Screening Assessment
31(3)
2 Emotional and Behavioral Modulation
34(29)
Introduction: Finding calm
34(2)
Lesson 1 Self-calming
36(6)
Lesson 2 Having a calm baseline: Mindfulness of breathing and internal triggers
42(5)
Lesson 3 Maintaining calm through mindfulness of emotions, thoughts, and behaviors
47(7)
Lesson 4 The importance of being calm: Understanding the consequences for your thinking
54(3)
Lesson 5 Communicating emotions and the need for help
57(6)
3 Voice: Creating a More Oral Timbre
63(84)
Introduction: The concept of the balanced mix
63(5)
Lesson 1 Learning about timbre
68(9)
Lesson 2 Oral timbre: Tongue position --- vowels 1
77(6)
Lesson 3 Oral timbre: Tongue position --- vowels 2
83(6)
Lesson 4 Oral timbre: Tongue position, vowels, consonants, and words
89(3)
Lesson 5 Oral timbre: Words and pre-formulated sentences
92(3)
Lesson 6 Oral timbre: Consonants in spontaneous speech
95(2)
Lesson 7 Oral timbre: Consonants P, T, and K in consonant--vowel syllables and words
97(3)
Lesson 8 Oral timbre: Consonants P, T, and K in pre-formulated sentences
100(5)
Lesson 9 Oral timbre: Consonants P, T, and K in spontaneously formulated sentences
105(1)
Lesson 10 Oral timbre: Consonants B, D, and G in consonant--vowel syllables and words
106(3)
Lesson 11 Oral timbre: Consonants B, D, and G in pre-formulated sentences
109(5)
Lesson 12 Oral timbre: Consonants B, D, and G in spontaneously formulated sentences
114(1)
Lesson 13 Oral timbre: Consonants M and N in consonant--vowel syllables and words
115(3)
Lesson 14 Oral timbre: Consonants M and N in pre-formulated sentences
118(4)
Lesson 15 Oral timbre: Consonants M and N in spontaneously formulated sentences
122(1)
Lesson 16 Oral timbre: Consonants J and ch in consonant--vowel syllables and words
123(3)
Lesson 17 Oral timbre: Consonants J and ch in pre-formulated sentences
126(5)
Lesson 18 Oral timbre: Consonants J and ch in spontaneously formulated sentences
131(1)
Lesson 19 Oral timbre: Consonants W, L, and R in consonant--vowel syllables and words
132(3)
Lesson 20 Oral timbre: Consonants W, L, and R in pre-formulated sentences
135(5)
Lesson 21 Oral timbre: Consonants W, L, and R in spontaneously formulated sentences
140(1)
Lesson 22 Oral timbre: Persistent problems
141(3)
Lesson 23 Oral timbre: Connected speech 1
144(2)
Lesson 24 Oral timbre: Connected speech 2
146(1)
4 Voice: Volume
147(111)
Introduction: Increasing volume
147(16)
Lesson 1 Nasal timbre: Introduction to discrimination, production, and anatomy
163(9)
Lesson 2 Nasal timbre: Tongue position for vowels
172(5)
Lesson 3 Nasal timbre: Tongue position - nasal and oral vowels
177(6)
Lesson 4 Nasal timbre: Tongue position for vowels, consonants, and words
183(2)
Lesson 5 Nasal timbre: Learning the sensations associated with directing airflow and sound through the nasal pharynx: "ah," "uh," and "awh"
185(4)
Lesson 6 Nasal timbre: Learning the sensations associated with directing airflow and sound through the nasal pharynx: "oh," "ow," and "ooh"
189(5)
Lesson 7 Breath support: Posture and expansion
194(4)
Lesson 8 Breath support: Optimal expansion and maintaining expansion
198(6)
Lesson 9 Modulating breath release: Learning the relationship between the speed of airflow and volume
204(3)
Lesson 10 Modulating breath release: Maintaining an expanded chest
207(3)
Lesson 11 Modulating breath release: Using the vocal cords as a valve
210(3)
Lesson 12 Modulating breath release: Regulating the volume of sustained sounds
213(6)
Lesson 13 Modulating release and increasing volume: Combining the Breath-Pause technique with nasal timbre
219(5)
Lesson 14 Regulating breath release: Mindfulness of sensations associated with Breath-Pause
224(3)
Lesson 15 Modulating breath release: Learn the Breath-Pause notation to practice management of breath release
227(6)
Lesson 16 Modulating breath release: Using the Breath-Pause technique and arc phrasing to increase volume in spontaneous connected speech
233(3)
Lesson 17 Open passage: Releasing tension in the jaw
236(3)
Lesson 18 Open passage: Releasing tension in the jaw and tongue
239(6)
Lesson 19 Putting it all together: Sound production with an open passage, in combination with nasal timbre and appropriate breath support 1
245(4)
Lesson 20 Putting it all together: Sound production with an open passage, in combination with nasal timbre and appropriate breath support 2
249(4)
Lesson 21 Modulation of volume: Adjusting to situation
253(5)
5 Rhythm of Speech
258(95)
Introduction: Fluency and rate
258(6)
Lesson 1 Introducing the Breath-Pause technique for improving fluency and rate
264(10)
Lesson 2 Breath control associated with the Breath-Pause technique
274(2)
Lesson 3 Using the Breath-Pause technique with spontaneous single words and pre-formulated connected speech
276(4)
Lesson 4 How calming positively influences fluency and rate of speech
280(2)
Lesson 5 Staying calm and mindful to promote effective fluency through the Breath-Pause technique
282(2)
Lesson 6 Using the Breath-Pause technique with spontaneous questions and sentences
284(2)
Lesson 7 Using the Breath-Pause technique to speak spontaneous sentences fluently and at an appropriate rate
286(3)
Lesson 8 Shadow Vowel technique: Addressing misarticulation produced by muscle tension resulting from overly rapid speech or anxiety/overexcitement
289(4)
Lesson 9 Rules for answering others' questions about you
293(4)
Lesson 10 Graphic Organizer: Formulating a description of a person
297(5)
Lesson 11 Graphic Organizer: Using a book, periodical, or article
302(5)
Lesson 12 Sequential Graphic Organizer: Giving step-by-step instructions 1
307(3)
Lesson 13 Sequential Graphic Organizer: Giving step-by-step instructions 2
310(3)
Lesson 14 Web Graphic Organizer: My best day ever
313(3)
Lesson 15 Web Graphic Organizer: Description of a vacation
316(3)
Lesson 16 Plot Contour Graphic Organizer: Telling a good story
319(3)
Lesson 17 Web Graphic Organizer: Recounting what I learned from an article
322(4)
Lesson 18 Web Graphic Organizer: Recounting a fable and its significance
326(4)
Lesson 19 Learning to play the Conversation Game to develop fluency in conversation
330(3)
Lesson 20 Achieving fluency in spontaneously generated small talk
333(4)
Lesson 21 Using small talk to get to know someone
337(4)
Lesson 22 Learning the red card technique to monitor use of the Rules for Fluency
341(2)
Lesson 23 Fluently relating information and making a point about something you learned
343(8)
Lesson 24 Applying the Rules for Fluency to spontaneous conversation
351(2)
6 Pitch
353(30)
Introduction: Pitch modulation to convey meaning
353(2)
Lesson 1 Assessment/learning pitch modulation
355(4)
Lesson 2 Pitch modulation: Tones
359(4)
Lesson 3 Pitch stress and word meaning
363(2)
Lesson 4 Pitch stress in sentences
365(4)
Lesson 5 Pitch stress in poetry 1
369(3)
Lesson 6 Pitch stress in poetry 2
372(2)
Lesson 7 Pitch stress in narrative
374(3)
Lesson 8 Pitch stress in written text
377(2)
Lesson 9 Applying pitch notation to spontaneous speech
379(1)
Lesson 10 Talking about a topic using pitch inflection
380(3)
7 Stress
383(59)
Introduction: Using stress to convey meaning
383(3)
Lesson 1 Introduction to stress in spoken language
386(3)
Lesson 2 Grammatical stress in single words
389(3)
Lesson 3 Stressing words in sentences
392(9)
Lesson 4 Stressing words in sentences with a louder volume, using volume stress notation
401(6)
Lesson 5 Stressing words in sentences with a change in pitch
407(7)
Lesson 6 Stressing words in sentences with a change in rhythm, specifically an increase in duration
414(6)
Lesson 7 Stressing words in poetry to inform and share feelings
420(2)
Lesson 8 Stress notation on a famous speech to inform and share feelings
422(3)
Lesson 9 Telling a story from memory, applying all types of stress: Volume, pitch, rhythm (duration)
425(3)
Lesson 10 Telling a personal experience story, placing stress on important words
428(4)
Lesson 11 Talking about a topic, using appropriate stress
432(3)
Lesson 12 Planned discussion of a topic from memory, using all stress forms to inform and share feelings
435(1)
Lesson 13 PowerPoint presentation to inform: Part 1 - Deciding what to include
436(3)
Lesson 14 PowerPoint presentation to inform: Part 2 - Deciding which words to stress
439(2)
Lesson 15 Spontaneous speech in conversation, employing word stress to inform and share feelings
441(1)
Conclusion 442(3)
References 445(4)
Subject Index 449(6)
Author Index 455
Dr Michelle Dunn is the Director of the Montefiore Einstein Center for Autism and Communication Disorders, and Professor of Clinical Neurology at the Albert Einstein College of Medicine. Michelle is the author of S.O.S.: Social Skills in our Schools: A Social Skills program for children with Pervasive Developmental Disorders and their typical peers.

Larry Harris is a former NFL American Football player turned opera singer. He became a research assistant and vocal therapist at the Montefiore Einstein Center for Autism and Communication Disorders in 2012. Larry uses his experience in both sport and music to help young people understand the mechanics of their voices.