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El. knyga: Protagonist's Journey: An Introduction to Character-Driven Screenwriting and Storytelling

  • Formatas: PDF+DRM
  • Išleidimo metai: 26-Mar-2022
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030796822
Kitos knygos pagal šią temą:
Protagonist's Journey: An Introduction to Character-Driven Screenwriting and StorytellingDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Išleidimo metai: 26-Mar-2022
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030796822
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Character drives plot. Based on this principle, this book walks aspiring writers through the fascinating world of character-driven screenwriting. When a writer engages their characters, they start a process which naturally leads to the story’s structure and everything else that makes for a well-written narrative. Exploring the protagonist’s journey and their “unity arc,” Myers explains how a family of characters surrounds the protagonist and influences their transformation process. This easy-to-follow guide features activities that will help writers of any level develop their stories from concept to scene-by-scene outline. Based upon a popular workshop Myers has led with over a thousand writers at all levels of experience, this book is a must-have for screenwriting students, both undergraduate and graduate, and those looking at advanced story development.


Part I The Protagonist's Journey as Narrative Imperative
1 The Protagonist's Journey
3(16)
Further Study
17(2)
2 Character Arc
19(16)
The Protagonist: Change Agent
23(2)
The Protagonist: Refuse Change
25(3)
The Protagonist: Disintegration
28(5)
Further Study
33(2)
3 Disunity
35(20)
Disunity: Clarice Starling in The Silence of the Lambs
40(2)
Disunity: Walter White in Breaking Bad
42(2)
Disunity: William Shakespeare in Shakespeare in Love
44(2)
Disunity: Rebecca Bunch in Crazy Ex-Girlfriend
46(4)
Disunity: Miles Morales in Spider-Man: Into the Spider-Verse
50(1)
Summary
51(1)
Further Study
52(3)
4 Deconstruction
55(20)
Deconstruction Explored
56(3)
Deconstruction: Clarice Starling in The Silence of the Lambs
59(3)
Deconstruction: Walter White in Breaking Bad
62(2)
Deconstruction: William Shakespeare in Shakespeare in Love
64(2)
Deconstruction: Rebecca Bunch in Crazy Ex-Girlfriend
66(3)
Deconstruction: Miles Morales in Spider-Man: Into the Spider-Verse
69(3)
Summary
72(1)
Further Study
72(3)
5 Reconstruction
75(20)
Reconstruction Explored
76(4)
Reconstruction: Clarice Starling in The Silence of the Lambs
80(2)
Reconstruction: Walter White in Breaking Bad
82(3)
Reconstruction: William Shakespeare in Shakespeare in Love
85(2)
Reconstruction: Rebecca Bunch in Crazy Ex-Girlfriend
87(3)
Reconstruction: Miles Morales in Spider-Man: Into
the Spider-Verse
90(2)
Summary
92(2)
Further Study
94(1)
6 Unity
95(22)
Unity Explored
96(3)
Unity: Clarice Starling in The Silence of the Lambs
99(2)
Unity: Walter White in Breaking Bad
101(2)
Unity: William Shakespeare in Shakespeare in Love
103(3)
Unity: Rebecca Bunch in Crazy Ex-Girlfriend
106(4)
Unity: Miles Morales in Spider-Man: Into the Spider-Verse
110(3)
Summary
113(1)
Further Study
114(3)
7 The Screenplay Universe
117(14)
The External World and Internal World: Finding Nemo
119(6)
Summary
125(1)
Further Study
126(5)
Part II The Protagonist's Journey as Family of Characters
8 Primary Character Archetypes
131(14)
Primary Character Archetypes: Classic Movie Examples
133(1)
Primary Character Archetypes: Contemporary Movie Examples
134(3)
Primary Character Archetypes in Television Series
137(2)
Character Archetypes as "Masks"
139(3)
Primary Character Archetypes: The Family of Characters
142(1)
Further Study
143(2)
9 Nemesis
145(14)
Nemesis as Opposition
148(2)
Nemesis as Conflict
150(3)
Nemesis as Shadow
153(3)
Summary
156(1)
Further Study
157(2)
10 Attractor
159(16)
Attractor as Lover
162(3)
Attractor as Family and Friends
165(4)
Attractor as Inspiration
169(3)
Summary
172(1)
Further Study
173(2)
11 Mentor
175(18)
Mentor as Guide
179(5)
Mentor as Guardian
184(3)
Mentor as Insight
187(3)
Summary
190(1)
Further Study
191(2)
12 Trickster
193(16)
Trickster as Shapeshifter
197(5)
Trickster as Test
202(1)
Trickster as Will
203(3)
Summary
206(1)
Further Study
207(2)
13 Subplots
209(16)
Protagonist-Attractor Subplots
210(3)
Protagonist-Mentor Subplots
213(4)
Protagonist-Trickster Subplots
217(6)
Summary
223(1)
Further Study
223(2)
14 Character Map
225(16)
Constructing the Character Map
226(4)
Character Map: The Silence of the Lambs
230(3)
Character Map: Shakespeare in Love
233(1)
Character Map: Spider-Man: Into the Spider-Verse
234(2)
Summary
236(1)
Further Study
237(4)
Part III The Protagonist's Journey as Screenplay
15 Breaking Story I Protagonist Character Treatment
241(16)
Who Is the Protagonist?
242(1)
What Does the Protagonist Want?
243(2)
What Does the Protagonist Need?
245(1)
What Is the Resolution of the Protagonist's Want and Need?
246(1)
What Is at Stake for the Protagonist?
247(2)
Who or What Opposes the Protagonist?
249(1)
What Does the Protagonist Fear the Most?
250(1)
Why Does This Story Have to Happen to This Protagonist at This Time?
251(1)
Summary
252(3)
References
255(2)
16 Breaking Story II Master Brainstorming List
257(18)
Questionnaire
259(2)
Biography
261(1)
Free Scene
261(1)
Interview
262(1)
Monologue
262(1)
Stream of Consciousness
263(1)
Top Sheets
264(1)
Brainstorming Strategies
265(1)
Summary
266(8)
References
274(1)
17 Breaking Story III Four Primary Plodine Points
275(8)
Aristotle and Three Act Structure
276(1)
Joseph Campbell and the Hero's Journey
277(2)
Four Primary Plotline Points
279(1)
Summary
280(2)
References
282(1)
18 Breaking Story IV Four Themeline Movements
283(8)
Four Themeline Movements
285(3)
Summary
288(2)
References
290(1)
19 Breaking Story V Ten Major Plotline Points
291(12)
Ten Major Plotline Points
294(2)
Notes on Ten Major Plotline Points
296(3)
Summary
299(3)
References
302(1)
20 Breaking Story VI Scene-By-Scene Outline
303(14)
Working with Subplots
305(3)
Working with a Character Map
308(2)
Working with the Sequence Approach
310(1)
Working with Index Cards
311(1)
Scene-By-Scene Outline
312(3)
Summary
315(1)
References
316(1)
21 Writing the First Draft
317(6)
Attitude
318(1)
Strategies
319(1)
Tricks
320(1)
Two Final Pieces of Advice
321(2)
Index 323
Scott Myers has written thirty projects for nearly every major Hollywood studio and broadcast network. He hosts GoIntoTheStory.com, which Writers Digest named Best of the Best Scriptwriting Website. An assistant professor at DePaul University, USA, Scott is a graduate of the University of Virginia and Yale University Divinity School, USA.
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