Introduction |
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1 | (6) |
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PART 1 The origins of the protected view: the view from Richmond Hill |
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7 | (74) |
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9 | (72) |
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9 | (1) |
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10 | (1) |
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Richmond Hill: the oblique aerial view |
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11 | (4) |
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15 | (2) |
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`Scopic regimes' and `Cartesian perspectivalism' |
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17 | (2) |
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Prince Henry, Solomon de Caus and the Renaissance gardens of Richmond-upon-Thames |
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19 | (3) |
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Perspective and the theatre: Richmond Hill theatre |
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22 | (1) |
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Theatre of human interaction: Richmond Hill pleasure garden |
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23 | (3) |
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26 | (2) |
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Alexander Pope and the naturalistic garden |
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28 | (5) |
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Kent, Burlington and the influence of the Italian landscape |
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33 | (2) |
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Richmond's poetic landscape |
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35 | (3) |
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Theorising a picturesque convention |
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38 | (6) |
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Gothic's absorption of the picturesque |
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44 | (3) |
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Centring the imperial landscape in Richmond |
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47 | (2) |
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The railway, suburbia and the persistence of the picturesque |
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49 | (12) |
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`Indignation': what man owns the glory that Turner painted? |
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61 | (9) |
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70 | (11) |
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PART 2 Translating images of Richmond |
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81 | (111) |
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83 | (4) |
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3 Two American Richmonds: `Richmond Hill', New York, and Richmond, Virginia |
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87 | (54) |
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`Richmond Hill', Manhattan Island, New York |
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88 | (3) |
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91 | (4) |
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The view as symbol of American nationalism: Church Hill, Richmond, Virginia |
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95 | (3) |
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The view, and its manipulation, in the work of Benjamin Henry Latrobe |
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98 | (2) |
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Latrobe and the picturesque |
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100 | (1) |
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Latrobe's Virginia villas |
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101 | (2) |
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Thomas Jefferson in Richmond |
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103 | (3) |
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Libby Hill's Greek Revival villas: Richmond as classic city |
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106 | (2) |
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The literary portrayal of Libby Hill and the visual construction of the `South' |
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108 | (2) |
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110 | (3) |
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Monumentalising the view: Libby Hill as memorial to the Confederate cause |
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113 | (2) |
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Windsor Farms: suburban projections of `Old England' |
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115 | (5) |
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William Lawrence Bottomley: re-imagining `colonial' Richmond |
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120 | (2) |
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The enduring re-inscription of Richmond's romantic image |
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122 | (2) |
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Cinematic itineraries in the nostalgic picturesque: Colonial Parkway |
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124 | (2) |
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The moving image: parkways and cinema |
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126 | (1) |
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Scenic byways: projecting the romantic vision |
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127 | (4) |
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Interstate image corridors: the persistence of parkway vision |
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131 | (3) |
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134 | (7) |
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141 | (26) |
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141 | (1) |
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142 | (1) |
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The picturesque and the panoramic |
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143 | (2) |
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145 | (2) |
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Developing the Hawkesbury landscape: Governors Grose and Macquarie |
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147 | (4) |
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151 | (1) |
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152 | (7) |
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The persistence of the Hawkesbury picturesque |
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159 | (1) |
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`No trucks through historic square!' |
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160 | (2) |
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162 | (5) |
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5 Richmond Hill, Port Elizabeth, South Africa |
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167 | (25) |
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168 | (5) |
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173 | (3) |
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Richmond Hill as emblematic gentrification |
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176 | (7) |
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Policing Richmond Hill: vision, surveillance and the SRA |
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183 | (4) |
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187 | (5) |
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192 | (14) |
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193 | (2) |
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The aesthetic convention of the picturesque |
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195 | (1) |
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Regional, cultural or national identity |
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196 | (2) |
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198 | (1) |
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The question of authenticity |
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199 | (4) |
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203 | (3) |
Bibliography |
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206 | (7) |
Index |
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213 | |