Introduction (2007) by Daniel Pinchbeck |
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I. GENERAL INTRODUCTION |
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A Tribute to W.Y. Evans-Wentz |
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A Tribute to Lama Anagarika Govinda |
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II. THE TIBETAN BOOK OF THE DEAD |
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First Bardo: The Period of Ego-Loss or Non-Game Ecstasy |
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Part one: The primary clear light |
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Part two: The secondary clear light |
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Second Bardo: The Period of Hallucinations |
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Explanation of the Second Bardo |
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The peaceful visionsVision 1: The source |
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Vision 2: The internal flow of archetypal processes |
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Vision 3: The fire-flow of internal unity |
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Vision 4: The wave-vibration structure of external forms |
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Vision 5: The vibratory waves of external unity |
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Vision 6: "The retinal circus" |
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Vision 7: "The magic theatre" |
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Conclusion of Second Bardo |
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Third Bardo: The Period of Re-Entry |
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General description of the Third Bardo |
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The all-determining influence of thought |
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Methods for preventing the re-entry |
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Method of choosing the post-session personality |
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III. SOME TECHNICAL COMMENTS ABOUT PSYCHEDELIC SESSIONS |
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V. INSTRUCTIONS FOR USE DURING A PSYCHEDELIC SESSION |
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Second Bardo Preliminary Instructions |
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Instructions for Vision 1 |
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Instructions for Physical Symptoms |
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Instructions for Vision 2 |
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Instructions for Vision 3 |
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Instructions for Vision 4 |
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Instructions for Vision 5 |
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Instructions for Vision 6 |
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Instructions for Vision 7 |
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Instructions for the wrathful visions |
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Third Bardo Preliminary Instructions |
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Instructions for the re-entry visions |
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Instructions for the influence of thought |
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Instructions for the judgment vision |
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Instructions for the sexual vision |
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Four methods of preventing re-entry |
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Concentration on good games |
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Instructions for choosing the post-session personality |
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