[ Wilson's] own love for & insight into the work, & indeed into Puccini's individual approach to music drama, shine out....she deftly identifies the strong reasons why connoisseurs continue to delight in the piece. [ She] is scrupulous in addressing still-prevalent negative attitudes fully and fairly, while ultimately refuting them....measured and observant. * Opera Magazine * Wilson's exploration of La bohčme takes the reader on a thoroughly fascinating journey, which starts from an approachable, jargon-free reading of the opera and its cultural context, and then travels from late nineteenth-century Paris, where the opera is set, through diverse times and places.Balancing admirably between documents and interpretation, and paying due attention to popular culture and conceptual staging, this book is a model in its kind, and will engage readers who are looking for an entry point into a beloved masterpiece as well as those who are already familiar with La bohčme and in search of new insights and perspectives. * Francesco Izzo, Professor of Music University of Southampton and General Editor of The Works of Giuseppe Verdi * Wilson is one of a few truly innovative Puccini scholars writing today. In this fascinating new book she explains how against many odds and contrary to the expectations of early critics La bohčme became the work that still speaks to all of us, across generations and regardless of national, social and cultural boundaries. Her book is peppered with fascinating responses to Puccini's opera, from directors, critics and audiences. If we are to understand the success of Puccini's language, we have to look beyond conventional ideas of operatic italianitą. Wilson's book shows us how to do this. * Axel Körner, University College London *
