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x | |
Image credits |
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xii | |
Preface |
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xiii | |
Acknowledgements |
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xv | |
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1 Looking into a modern architect's sense of place |
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1 | (19) |
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A sense of place - a theoretical underpinning |
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5 | (9) |
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6 | (2) |
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Places as sources of meaning, and other factors leading to a sense of place |
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8 | (6) |
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Searching for evidence of phenomenological thinking |
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14 | (2) |
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Investigative cycles and narrative writing |
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16 | (4) |
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2 From Germany to the modern American metropolises, 1905-1927 |
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20 | (17) |
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Henry Klumb's pamphlet series: an introduction |
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21 | (1) |
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Klumb's German period, 1905-1927: the setting that began to shape a young modern architect |
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22 | (4) |
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Klumb, the early modernists, and higher values |
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26 | (2) |
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Klumb and the (un)natural modern city, 1927-1929 |
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28 | (9) |
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3 With Wright in Arizona and Taliesin, 1929-1933 |
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37 | (15) |
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39 | (5) |
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44 | (8) |
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4 Vernacular influences I: the Native American projects, 1938-1941 |
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52 | (16) |
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Respecting tradition, nature, and context in Native American architecture |
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53 | (1) |
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The Tulsa, Gallup, and San Francisco exhibits |
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54 | (5) |
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59 | (4) |
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Lasting impressions of the American Southwest and Klumb's experiences there |
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63 | (5) |
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5 Vernacular influences II: reimagining Puerto Rico's jibaro hut, 1944-1948 |
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68 | (26) |
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Klumb's Puerto Rico, February 1944 |
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69 | (5) |
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Puerto Rico's post-war modernist project in context |
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72 | (2) |
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The jibaro hut in Klumb's pamphlets |
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74 | (6) |
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The jibaro hut reimagined through the Teacher's Farms |
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80 | (6) |
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A return to the more traditional jibaro hut through the Low Cost Rural Houses |
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86 | (8) |
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6 The grid and the landscape: the Haeussler Residence, 1945 |
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94 | (20) |
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Klumb's orthogonal and triangular grids in Puerto Rico's terrain |
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98 | (8) |
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98 | (3) |
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101 | (2) |
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The Ewing, Fullana, Tugwell, and Foreman homes |
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103 | (3) |
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The grid and the landscape within a series of oppositions |
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106 | (8) |
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7 Open air rooms: the Emilio Rodriguez and Duchow residences, 1951 and 1958 |
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114 | (13) |
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Klumb's initial open air rooms in Puerto Rico - the patio |
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115 | (5) |
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The varied moods of nature at Klumb's terraces, verandas, cross-ventilated spaces, and breezeways |
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120 | (7) |
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8 Additional house types: houses in dense urban spaces and modern stilt houses |
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127 | (18) |
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Balancing nature with the burgeoning modern city |
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127 | (6) |
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128 | (1) |
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The Marrero and Velez houses |
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129 | (4) |
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Klumb's modern stilt houses |
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133 | (7) |
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The jibaro hut reimagined once more |
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134 | (6) |
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A career in its twilight, 1967-1984 |
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140 | (5) |
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9 A coda to a sense of place: the Klumb House, 1947-1984 |
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145 | (14) |
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Impressions of the Klumb House |
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146 | (1) |
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An early personal transition for Klumb in Puerto Rico |
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147 | (7) |
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Viewing the Klumb House through the architect's naturalistic worldview |
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154 | (5) |
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159 | (8) |
Appendix A Klumb's pamphlet series |
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167 | (5) |
Appendix B Henry Klumb's "Taliesin" |
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172 | (3) |
Appendix C Notes on Klumb's Houses |
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175 | (10) |
Index |
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185 | |