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El. knyga: Puppet and Spirit: Ritual, Religion, and Performing Objects: Volume II Contemporary Branchings: Secular Benedictions, Activated Energies, Uncanny Faiths

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"This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume 1, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterialpresence. The flip side of the puppet's troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contemporary artistic work in various mediums? How do puppets open avenues for discussion in a world that seems to be increasingly polarized around religious values? How do we describe, analyze, and theorize the present moment? What new questions do puppets address for our times, and how does the puppet's continued entanglement with these concerns trouble or comfort us? The essays in this book, from scholars and practitioners, provide a range of useful models and critical vocabularies for addressing this aspect of puppet performance, further expanding the growing understanding and appreciation of puppetry generally. This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives"--

This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.



This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.

The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contemporary artistic work in various mediums? How do puppets open avenues for discussion in a world that seems to be increasingly polarized around religious values? How do we describe, analyze, and theorize the present moment? What new questions do puppets address for our times, and how does the puppet’s continued entanglement with these concerns trouble or comfort us? The essays in this book, from scholars and practitioners, provide a range of useful models and critical vocabularies for addressing this aspect of puppet performance, further expanding the growing understanding and appreciation of puppetry generally.

This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.

Part 1 Assuming Shamanic Roles
1. Consoling the Dead: Sim Usngs
Puppet Rituals for a Modern Korea
2. Spiritualist Material Performance,
Whiteness, and the Animist Other
3. Worth Her Salt: Zombification and
Liberation Theology in a Puppet Film
4. The Spirituality of the Mundane Part
2 Communitas Reclaimed
5. The Thing You Cant See: Bread and Puppet
Approaches Spirituality
6. Queer Puppet Saint: Nested Intuitions
7. Talking
about Lunch with Sonia: A Ritual for Departing by Loco7 Dance Puppet Theatre
Company Part 3 Faith in Secular Performance
8. "When the House Is in Ruins":
Tadeusz Kantors Archive as Reliquary and Tabernacle for CrossTemporal
Performing Objects
9. Children, Birds, FlowersA Minor Musical: Performance
as Prayer
10. Fabricating Tales of Spirit: A Conversation with Jill Joubert
11. Puppets and the Good News Part 4 Staging the Other World
12. Yrei and
Puppetry in Japanese Ghost Stories: (Mis)perception and Ambiguous Bodies in
Kaidan
13. Bardo! by Performers sem Fronteiras: A Reflection on Immateriality
in Shadow Theatre Part 5 Complex Sacrality in the Contemporary World
14.
Relics, Artifacts, and Bones: Activating Migrancys Traces Through
Performance
15. Restitution and Reawakening or Resurrection: The Return of 26
Royal Objects to Benin
16. Meat Puppets: Death, the Body, and the Museum
Claudia Orenstein is Professor of Theatre at Hunter College and the Graduate Center, CUNY. She has spent over a decade writing on contemporary and traditional puppetry in the US and Asia.

Tim Cusack is an Adjunct Lecturer in Theatre at Hunter College. He was the co-founder and artistic director of Theatre Askew, an independent theatre company dedicated to the exploration of representations of queerness onstage.