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Queer Biopic in the AIDS Era [Minkštas viršelis]

(Director of Diversity, Equity, and Inclusion, University of Rochester Medical Center)
  • Formatas: Paperback / softback, 220 pages, aukštis x plotis x storis: 236x156x14 mm, weight: 327 g, 20 halftones
  • Išleidimo metai: 31-Mar-2022
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0197604048
  • ISBN-13: 9780197604045
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 220 pages, aukštis x plotis x storis: 236x156x14 mm, weight: 327 g, 20 halftones
  • Išleidimo metai: 31-Mar-2022
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0197604048
  • ISBN-13: 9780197604045
Kitos knygos pagal šią temą:
The Queer Biopic in the AIDS Era offers a new account of the AIDS crisis and the emergence of New Queer Cinema. Author Laura Stamm asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. Queer
filmmakers' engagement with the biopic evokes the genre's history of building life through the portrayal of lives worthy of admiration and emulation but it also points to another biopic history; that of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers
challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality. The Queer Biopic in the Aids Era features fresh readings of the cinema of Derek Jarman, John Greyson, Todd Haynes,
Barbara Hammer, and Tom Kalin. By calling for a reappraisal of the queer biopic, this book also calls for a reappraisal of New Queer-Cinema's legacy and its influence of contemporary queer film.

As a whole, this book pays particular attention to the biopic's queer resonances, opening up its historical connections to projects of education, public health, and social hygiene, along with the production of a shared history and national identity.

Recenzijos

This illuminating book addresses the intersection of the biopic with queer concerns and productively expands our understanding of both. Tracing the emergence of the queer biopic, Stamm considers how it ultimately offers moments of possibility taken up by queer filmmakers to rewrite themselves into history by engaging audiences' fascination with others. Adopting a provocative range of approaches from the psychoanalytic and biomedical to the historical and archival, Stamm offers a generative, lively discussion on the queer biopic's simultaneous preservation and reimagination of queer history. * Sarah Keller, Associate Professor of Art and Cinema Studies at University of Massachusetts Boston and author of Barbara Hammer: Pushing Out of the Frame * Stamm convincingly demonstrates the deep intersection of queer film and biographical narratives, significantly revising our previous understanding of both. We didn't know how long we had been waiting for this book, and now here it is. * Corey K. Creekmur, Associate Professor of Film Studies and Gender, Women's and Sexuality Studies at the University of Iowa * The Queer Biopic in the AIDS Era highlights the important contribution of the New Queer Cinema filmmakers to the genre; this study, by extension, also offers a new lens by which to perceive the project of those filmmakers. * Eric Hughes, European Journal of American Studies *

List of Figures
vii
Acknowledgments ix
Introduction: Queer Cinema and the Biopic Genre 1(17)
The Biopic Genre
2(7)
Emulatory Figures
9(3)
Queer Damage
12(2)
Mapping the Queer Biopic
14(4)
1 The Desire to See and Be Seen
18(26)
The Birth of Queer Culture during the AIDS Crisis
20(2)
New Queer Cinema and Radical Form: Bruce LaBruce's Re-Presentation of "The Homosexual"
22(3)
Superstar. Public Mourning and Imaginative Community Formations
25(6)
Zero Patience: Queer Bodies under the Microscope
31(2)
Optical Transformation in Zero Patience
33(6)
Imaginative Communities: Alterity, AIDS, and Visions for a Queer Future
39(5)
2 Proximal Relations in the Cinema of Tom Kalin
44(31)
Screening Life
48(3)
Life outside of the Laboratory
51(4)
Swoon's Restructuring of Vision
55(3)
Coming Unstitched
58(4)
Close Enough to Touch
62(7)
Sustaining Life
69(6)
3 Suspended in History: Rethinking Derek Jarman's Legacy
75(27)
Retrospective Gazes: New Queer Cinema and History
77(5)
Jarman's Portraits of Queer History
82(3)
Re-Painting Queer History: Delphinium's Life of Young Derek Jarman
85(5)
Caravaggio: Painting Life
90(5)
Edward Hs Queer Rebirth
95(3)
Jarman and Russell's Collaboration
98(2)
Inherited Sensibility and Intergenerational Conversation
100(2)
4 The Personal Is Archival: Barbara Hammer's Creation of Feminist History
102(26)
Investigating a Body's History
104(5)
Queer Archival Impulses and Barbara Hammer's Strategies of Essentialism
109(3)
Locating Lesbian Ghosts: Hammer's Politics of Naming
112(3)
Welcome to This House and the Question of a True Self
115(3)
Maya Deren's Sink: Swirling around the Drain of Feminist History
118(3)
Feminist Transpositions: Hammer's Layering of Lives and Selves
121(2)
"Under This Mask Is Another Mask"
123(5)
5 Reimagining the Face of HIV/AIDS
128(29)
Putting a Face to AIDS
130(5)
Nan Goldins Queer World
135(2)
Kia LaBeija's Body in Crisis: Queer History via Self-Inscription
137(3)
Creating a Face of AIDS
140(2)
"Motherless Child"
142(4)
Queer Body Archives: Building a New Consciousness
146(3)
Epidemiological Approaches to Queer Politics
149(4)
Conclusion: Speculative Futures
153(4)
Notes 157(30)
References 187(14)
Index 201
Laura Stamm is Director of Diversity, Equity, and Inclusion at University of Rochester Medical Center.