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Queer Episodes in Music and Modern Identity [Kietas viršelis]

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  • Formatas: Hardback, 336 pages, aukštis x plotis x storis: 229x152x32 mm, weight: 620 g, Illustrations
  • Išleidimo metai: 23-May-2002
  • Leidėjas: University of Illinois Press
  • ISBN-10: 025202740X
  • ISBN-13: 9780252027406
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 336 pages, aukštis x plotis x storis: 229x152x32 mm, weight: 620 g, Illustrations
  • Išleidimo metai: 23-May-2002
  • Leidėjas: University of Illinois Press
  • ISBN-10: 025202740X
  • ISBN-13: 9780252027406
Kitos knygos pagal šią temą:
"Queer Episodes in Music and Modern Identity" approaches modern sexuality by way of music. Through the hidden or lost stories of composers, scholars, patrons, performers, audiences, repertoires, venues, and specific works, this intriguing volume explores points of intersection between music and queerness in Europe and the United States in the years 1870 to 1950 - a period when dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past. Pursuing the shadowy, obscured tracks of queerness, contributors unravel connections among dissident identities and concrete aspects of musical style, gestures, and personae.On one end of the spectrum are intense, private connections and tantalizing details of musical expression: romantic correspondence between Eugenie Schumann (a daughter of Clara and Robert) and the singer Marie Fillunger; John Ireland's confessional letters to a close friend of an illicit passion for young choristers; 'closet formations' in the music of composers such as Maurice Ravel, Edward Elgar, and Camille Saint-Sens.At the other extreme are public, often flamboyant intimations of deviance and their repercussions: the craze for male impersonators in American vaudeville between 1870 and 1930; the politics of appropriation implicit in showy transcriptions by pianists such as Liberace; the increasingly homophobic reception accorded Tchaikovsky's music in the early twentieth century. The authors also explore how traces of queerness can mark communities, such as groups of German men who fashioned homosexual identities by way of the cult of Wagner or women musicians who were assigned suspect or deviant status by virtue of being jazz instrumentalists. Throughout these discussions, music provides the accompaniment for confrontations between disparate conventions of social propriety and diverse forms of sexual identity. These provocative essays open the consideration of music and sexuality to an exciting new sense of inbetweenness, passage, and diversion.

Recenzijos

"This superb collection of 12 essays offers much new research and makes a fine addition to queer musicology. The volume focuses on the intersection between music and queerness in Europe and the US from 1870 to 1950, a time of particular importance and change for formulations of queer identity and musical style. Many of the contributors explore subject matter previously overlooked, veiled, or suppressed, presenting significant new research that draws on primary documents." -- Choice

Acknowledgments ix
Introduction: Secret Passages 1(24)
Sophie Fuller
Lloyd Whitesell
PART 1: PRIVATE PERFORMANCE
``Desire Is Consuming Me'': The Life Partnership between Eugenie Schumann and Marie Fillunger
25(24)
Eva Rieger
Ravel's Way
49(30)
Lloyd Whitesell
``Devoted Attention'': Looking for Lesbian Musicians in Fin-de-Siecle Britain
79(26)
Sophie Fuller
PART 2: PUBLIC APPEARANCES
``He Isn't a Marrying Man'': Gender and Sexuality in the Repertoire of Male Impersonators, 1870-1930
105(29)
Gillian Rodger
Tchaikovsky and His Music in Anglo-American Criticism, 1890s-1950s
134(16)
Malcolm Hamrick Brown
Transcription, Transgression, and the (Pro)creative Urge
150(27)
Ivan Raykoff
Musicology and Sexuality: The Example of Edward J. Dent
177(14)
Philip Brett
PART 3: DOUBLE MEANINGS
Cross-Dressing in Saint-Sans's Le Rouet d'Omphale: Ambiguities of Gender and Politics
191(25)
Jann Pasler
The ``Dark Saying'' of the Enigma: Homoeroticism and the Elgarian Paradox
216(29)
Byron Adams
``An Anthology of Friendship'': The Letters from John Ireland to Father Kenneth Thompson
245(26)
Fiona Richards
PART 4: QUEER LISTENING
Tristan's Wounds: On Homosexual Wagnerians at the Fin de Siecle
271(22)
Mitchell Morris
When Subjects Don't Come Out
293(18)
Sherrie Tucker
Contributors 311(4)
Index 315