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El. knyga: Race, Nation and Gender in Modern Italy: Intersectional Representations in Visual Culture

  • Formatas: PDF+DRM
  • Serija: Mapping Global Racisms
  • Išleidimo metai: 29-May-2018
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9781137509178
  • Formatas: PDF+DRM
  • Serija: Mapping Global Racisms
  • Išleidimo metai: 29-May-2018
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9781137509178

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Finalist for the 2019 Edinburgh Gadda Prize

This book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian colonial archive in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the figures of race peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness.





Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
1 General Introduction
1(24)
1.1 Preamble
1(4)
1.2 Methods, Concepts, Texts, and Contexts
5(7)
1.3 Italian and International Debate on Visuality and Race
12(3)
1.4 The Book's Contents
15(10)
Part I Constructions of Whiteness from Unification to Fascism
25(84)
2 Race, Gender, and the Early Colonial Imaginary
31(34)
2.1 A Unified Country and Her Internal Abjects
31(8)
2.2 From the Internal Abject to the Colonising Mission
39(4)
2.3 Race, Imperial Imaginary, and its Margins
43(22)
3 Race, Gender, and the Fascist Colonial Imaginary
65(44)
3.1 Masculinity and Race in Early Fascism
65(11)
3.2 Femininity and Race in Early Fascism
76(10)
3.3 From Roman and Mediterranean to a "Particular Kind of Aryan"
86(23)
Part II Race and Gender in Italians' Post-Fascist Cinematic Imaginaries
109(62)
4 The White Male Gaze in Italian Cine-reportage, Mondo Movie, and Soft-porn, 1960s-1970s
121(28)
4.1 Hegemonic Masculinity and Whiteness at Stake
121(7)
4.2 Rossellini, Pasolini, and Jacopetti
128(10)
4.3 The White Male Gaze in a Postcolonising World
138(11)
5 Black Venuses Between Colonial Memory and Global Horizons
149(22)
5.1 Black Skin, White Gaze
149(6)
5.2 Zeudi Araya and Laura Gemser: Black Venuses in 1970s Italy
155(7)
5.3 Proximity and Distance: Race, Gender, and Italian Hegemonic Whiteness
162(9)
Part III Hyperv isualised Race, Visible Bodies, and Concealed Racism in Italian Television, 1980s-2010s
171(82)
6 Visualising Race in Italian Public and Private Television (1980s-2010s)
179(30)
6.1 Racialised Bodies and Television Advertisements (1980s)
179(8)
6.2 Race and Gender in Variety Shows
187(10)
6.3 Visuality, Popular Culture, and Migration
197(12)
7 Silent and Exoticised, Criminal, or Victim: The New Racial Paradigm
209(32)
7.1 Silenced Exotic Subjectivities in Travel TV Shows
209(8)
7.2 Criminals and Victims: The Migrant/Refugee in the White (TV) Mind
217(7)
7.3 The Other-Within: White Space and Black Voices
224(17)
8 Conclusions
241(12)
Bibliography 253(38)
Index 291
Gaia Giuliani is a Researcher in Postcolonial Studies at the Centro de Estudos Sociais, University of Coimbra, Portugal and a Founding Member of the Interdisciplinary Research Group on Race and Racisms, University of Padova, Italy. She has published widely in the areas of race, nation and gender in Italy.