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El. knyga: Raoul Peck: Power, Politics, and the Cinematic Imagination

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  • Formatas: PDF+DRM
  • Išleidimo metai: 03-Dec-2015
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9780739198797
  • Formatas: PDF+DRM
  • Išleidimo metai: 03-Dec-2015
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9780739198797

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This comprehensive collection of essays dedicated to the work of filmmaker Raoul Peck is the first of its kind. The essays, interview, and keynote addresses collected in Raoul Peck: Power, Politics, and the Cinematic Imagination focus on the ways in which power and politics traverse the work of Peck and are central to his cinematic vision. At the heart of this project is the wish to gather diverse interpretations of Raoul Pecks films in a single volume. The essays included herein are written by scholars from different disciplines and are placed alongside Pecks own articulations around the nature of power and politics.

Raoul Peck: Power, Politics, and the Cinematic Imagination provides an introduction to Pecks better-known films, interpretations of his rarely seen and recently released early films, and original analyses of his more recent films. It endeavors to explore the ways in which the dual themes of power and politics inform the work of Peck by taking a multidisciplinary approach to contextualizing his filmography. It culls contributions from scholars who write from a wide range of disciplines including history, film studies, literary studies, postcolonial studies, French and Francophone studies and African studies. The result is a volume that offers divergent perspectives and frames of expertise by which to understand Pecks oeuvre that continues to expand and deepen.

Recenzijos

This splendid and unrivaled collection by noted scholars and declarations by the filmmaker himself marks a decisive intervention in the study of Raoul Peckfilmmaker extraordinaire and citizen engage. -- Michael T. Martin, Indiana University

Introduction 1(12)
Sophie Saint-Just
Toni Pressley-Sanon
1 History Is Too Important to Leave to Hollywood: Colonialism, Genocide, and Memory in the Films of Raoul Peck
13(24)
Alyssa Goldstein Sepinwall
2 Disrupting Conventional Film Structure: Letters, Voice-Over, and Traumatic Irruption in Raoul Peck's Films
37(24)
Joelle Vitiello
3 "My Story is Not a Nice Story": Sometimes in April (2005) and the Rwandan Genocide Film
61(26)
Jane Bryce
4 Framing the Dispersal in Diaspora: Raoul Peck, Transnational Filmmaker
87(20)
Sophie Saint-Just
5 On the Edge of Silence: L'(in)-imaginable and Gendered Representations of the Rwandan Genocide from Photography to Raoul Peck's Sometimes in April
107(20)
Myriam J. A. Chancy
6 Haitian National Identity and Gender in Raoul Peck's Moloch Tropical
127(26)
Tama Hamilton-Wray
7 Interrogating Images: Lumumba: Death of a Prophet as Reflexive Autobiographical Documentary
153(18)
Rachel Gabara
8 Postcolonialism and the Poetics of Pragmatism: Raoul Peck's Fatal Assistance and Alain Resnais's Hiroshima mon amour
171(24)
Alessandra Benedicty-Kokken
9 "Haiti mon amour"
195(22)
John P. Walsh
10 Lot Bo and Anba Dlo: The Dialectics of Raoul Peck's Desounen: Dialogue with Death
217(16)
Toni Pressley-Sanon
11 Politics, Masculinity, and Apocalyptic Memory in L'homme sur les quais
233(10)
Martin Munro
12 Lessons from the Cinema of Raoul Peck
243(22)
Olivier Barlet
Sophie Saint-Just
13 Stolen Images or Footnotes: Keynote Address to the 2013 Haitian Studies Association Conference
265(8)
Raoul Peck
Sophie Saint-Just
14 "Beyond Help?": Address by Raoul Peck, Conference on "Beyond Aid: From Charity to Solidarity," Frankfurt, Germany---February 20, 2014
273(8)
Raoul Peck
Alyssa Goldstein Sepinwall
Index 281(8)
About the Contributors 289
Toni Pressley-Sanon is assistant professor in the Department of Africology and African American Studies at Eastern Michigan University.

Sophie Saint-Just is visiting assistant professor of French at Williams College.