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Re-Imagining Creative Cities in Twenty-First Century Asia 2020 ed. [Minkštas viršelis]

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  • Formatas: Paperback / softback, 305 pages, aukštis x plotis: 210x148 mm, weight: 432 g, 2 Illustrations, color; 15 Illustrations, black and white; XX, 305 p. 17 illus., 2 illus. in color., 1 Paperback / softback
  • Išleidimo metai: 21-Nov-2021
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030462935
  • ISBN-13: 9783030462932
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 305 pages, aukštis x plotis: 210x148 mm, weight: 432 g, 2 Illustrations, color; 15 Illustrations, black and white; XX, 305 p. 17 illus., 2 illus. in color., 1 Paperback / softback
  • Išleidimo metai: 21-Nov-2021
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030462935
  • ISBN-13: 9783030462932
Kitos knygos pagal šią temą:

This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de-industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re-interpretation and re-imagination of cities as places for cultural production and cultural consumption. Focusing on the ‘Asian century’, it seeks to recognise and highlight the rapid rise of these cities and how they have stepped up to the challenge of transforming and regenerating themselves. The book aims to re-define what it means to be an Asian creative city and generate more dialogue and new debate around different urban issues.


1 Introduction: Re-Imagining Creative Cities in Twenty-First Century Asia
1(10)
Xin Gu
Michael Kho Lim
Justin O'Connor
Part I Conceptualising Creative Cities in Asia
11(64)
2 Creative Cities, Creative Classes and the Global Modern
13(14)
Justin O'Connor
3 Global City as Place Branding Strategy: The Case of Bonifacio Global City (Philippines)
27(14)
Michael Kho Lim
4 Creative Cities, Technological Utopianism and Cultural Retrofitting
41(18)
Xin Gu
5 Rethinking Creative Cities?: UNESCO, Sustainability, and Making Urban Cultures
59(16)
Deborah Stevenson
Part II Resisting Creative Cities
75(68)
6 `Crisis of Values' in Rhetorical Architecture: Creative Cities Discourse and the Urban Landscapes of the Philippines
77(18)
Janine Patricia Santos
7 From Foreign Community to Creative Town? Creativity and Contestation in Itaewon, Seoul
95(18)
Hyunjoon Shin
8 Whose Cultural Memory? Disruptive Tactics by the Creative Collectives in George Town, Malaysia
113(16)
Zaki Habibi
9 A Humble Creative City: Tainan City as a Case Study of Culture-led and Community-supported Transformation of a Historical City
129(14)
Jiun-Yi Wu
Part III Creative Cities and Creative Industries
143(58)
10 From Rubble to the Korean Wave Hub: The Making of the New Digital Media City in Seoul
145(16)
Jun-Min Song
Yu-Min Joo
11 The Role of an Urban Festival: Case Study of the Pingyao International Film Festival
161(14)
Jian Xiao
Lin Jin
12 `Behind the Scenes' of Mumbai's Bollywood
175(12)
Anubha Sarkar
13 Cool Japan, Creative Industries, and Diversity
187(14)
Koichi Iwabuchi
Part IV Governing Creative Cities
201(62)
14 Creative Seoul: A Lesson for Asian Creative Cities
203(18)
Kim-Marie Spence
15 Re-imaging the Guangdong-Hong Kong-Macao Greater Bay Area as a Cluster of Creative Cities
221(18)
Desmond Cheuk Kuen Hui
Charmaine Cheung Man Hui
Patrick Kin Wai Mok
Jason Ka Hei Wong
Ruijie Du
16 Creative City Policy in Second-Tier Cities: The case of Chiang Mai, Thailand
239(14)
Phitchakan Chuangchai
17 City of Music: Post-Conflict Branding of Ambon City
253(10)
Nyak Ina Raseuki
Zeffry Alkatiri
Sonya Indriati Sondakh
Part V Critical Reflections on Creative Cities Policy Making in Asia
263(40)
18 Creative Cities and Sustainable Development: A Framework
265(12)
Helene George
19 Creative Bandung: Interview with Tita Larasati
277(6)
Tita Larasati
Xin Gu
20 UNESCO and Mongolian Cultural Policy: Interview with Bodibaatar Jigjidsuren
283(8)
Bodibaatar Jigjidsuren
Xin Gu
21 Creative Cities in Cambodia: An Impossible Idea? Interview with Milena Dragicevic Sesic
291(12)
Milena Dragicevic Sesic
Justin O'Connor
Index 303
Xin Gu, is part of the UNESCO Expert Facility, supporting the 2005 Convention on the Protection and Promotion of Cultural Diversity (2019-2022). She was Director of the Master of Cultural and Creative Industries at Monash University, Australia.





Michael Kho Lim is Lecturer of Media and Cultural Policy at Cardiff University, UK. He authored Philippine Cinema and the Cultural Economy of Distribution (2019). He is also an independent film producer and has extensive experience in the management of cultural and creative industries.





Justin OConnor is Professor in the School of Creative Industries, University of South Australia. He is also Visiting Professor in the School of Cultural Management, Shanghai Jiao Tong University, China. He was in the UNESCO Expert Facility, supporting the 2005 Convention.