This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de-industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re-interpretation and re-imagination of cities as places for cultural production and cultural consumption. Focusing on the Asian century, it seeks to recognise and highlight the rapid rise of these cities and how they have stepped up to the challenge of transforming and regenerating themselves. The book aims to re-define what it means to be an Asian creative city and generate more dialogue and new debate around different urban issues.
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1 Introduction: Re-Imagining Creative Cities in Twenty-First Century Asia |
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1 | (10) |
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Part I Conceptualising Creative Cities in Asia |
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11 | (64) |
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2 Creative Cities, Creative Classes and the Global Modern |
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13 | (14) |
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3 Global City as Place Branding Strategy: The Case of Bonifacio Global City (Philippines) |
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27 | (14) |
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4 Creative Cities, Technological Utopianism and Cultural Retrofitting |
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41 | (18) |
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5 Rethinking Creative Cities?: UNESCO, Sustainability, and Making Urban Cultures |
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59 | (16) |
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Part II Resisting Creative Cities |
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75 | (68) |
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6 `Crisis of Values' in Rhetorical Architecture: Creative Cities Discourse and the Urban Landscapes of the Philippines |
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77 | (18) |
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7 From Foreign Community to Creative Town? Creativity and Contestation in Itaewon, Seoul |
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95 | (18) |
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8 Whose Cultural Memory? Disruptive Tactics by the Creative Collectives in George Town, Malaysia |
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113 | (16) |
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9 A Humble Creative City: Tainan City as a Case Study of Culture-led and Community-supported Transformation of a Historical City |
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129 | (14) |
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Part III Creative Cities and Creative Industries |
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143 | (58) |
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10 From Rubble to the Korean Wave Hub: The Making of the New Digital Media City in Seoul |
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145 | (16) |
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11 The Role of an Urban Festival: Case Study of the Pingyao International Film Festival |
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161 | (14) |
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12 `Behind the Scenes' of Mumbai's Bollywood |
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175 | (12) |
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13 Cool Japan, Creative Industries, and Diversity |
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187 | (14) |
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Part IV Governing Creative Cities |
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201 | (62) |
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14 Creative Seoul: A Lesson for Asian Creative Cities |
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203 | (18) |
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15 Re-imaging the Guangdong-Hong Kong-Macao Greater Bay Area as a Cluster of Creative Cities |
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221 | (18) |
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16 Creative City Policy in Second-Tier Cities: The case of Chiang Mai, Thailand |
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239 | (14) |
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17 City of Music: Post-Conflict Branding of Ambon City |
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253 | (10) |
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Part V Critical Reflections on Creative Cities Policy Making in Asia |
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263 | (40) |
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18 Creative Cities and Sustainable Development: A Framework |
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265 | (12) |
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19 Creative Bandung: Interview with Tita Larasati |
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277 | (6) |
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20 UNESCO and Mongolian Cultural Policy: Interview with Bodibaatar Jigjidsuren |
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283 | (8) |
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21 Creative Cities in Cambodia: An Impossible Idea? Interview with Milena Dragicevic Sesic |
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291 | (12) |
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Index |
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303 | |
Xin Gu, is part of the UNESCO Expert Facility, supporting the 2005 Convention on the Protection and Promotion of Cultural Diversity (2019-2022). She was Director of the Master of Cultural and Creative Industries at Monash University, Australia.
Michael Kho Lim is Lecturer of Media and Cultural Policy at Cardiff University, UK. He authored Philippine Cinema and the Cultural Economy of Distribution (2019). He is also an independent film producer and has extensive experience in the management of cultural and creative industries.
Justin OConnor is Professor in the School of Creative Industries, University of South Australia. He is also Visiting Professor in the School of Cultural Management, Shanghai Jiao Tong University, China. He was in the UNESCO Expert Facility, supporting the 2005 Convention.