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El. knyga: Re-Inventing Traditions: On the Transmission of Artistic Patterns in Late Medieval Manuscript Illumination

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Art historians and medievalists present new studies on the transmission of artistic patterns in late medieval manuscript illumination both north and south of the Alps, a means of artistic production that played an essential role throughout the Middle Ages. They cover the transmission of pictorial cycles and isolated patterns; aspects of artistic exchange between layout, decoration, and illumination; workshops and their models--on the local and transregional transformation of artistic patterns; artistic itineraries and the rapport between illumination and monumental painting; and the re-use of artistic patterns in books of hours. The 16 papers--eight in French--are from a June 2012 conference in Berlin. Annotation ©2015 Ringgold, Inc., Portland, OR (protoview.com)
Introduction 11(22)
Re-Inventing Traditions? Preliminary thoughts on the transmission of artistic patterns in late medieval manuscript illumination
15(18)
Joris C. Heyder
I The Transmission of Pictorial Cycles and Isolated Patterns
La transmission de Piconographie des vertus dans les manuscrits italiens du 14e siecle: la reinvention de la Somme le roi
33(16)
Bertrand Cosnet
La transmission du cycle enlumine d'un traite didactique profane de 1379 a la fin du XVe siecle: le Livre des deduis de Henri de Ferrieres
49(18)
Sandrine Pagenot
II Aspects of Artistic Exchange between Layout, Decoration and Illumination
Manuscript and Charter Decoration: The Transmission of Artistic Patterns
67(22)
Natasa Kavcic
La reproduction des modeles dans des manuscrits hispaniques du XVe siecle
89(16)
Gemma Avenoza Vera
Marion Coderch
Sano di Pietro and the `Illustrated Initial'
105(18)
Maria Ferroni
O sainct Gond tu as merite: le cas d'un saint oublie
123(22)
Katja Monier
III Workshops and Their Models -- On the Local and Transregional Tranformation of Artistic Patterns
The Master of Jeanne de France, duchesse de Bourbon: a bridge between Jean Fouquet and the artists in the Jouvenel Group
145(26)
Samuel Gras
Fouquet redivivus: Migrant Motifs in Tours, 1480--1520
171(24)
Nicholas Herman
Beyond the 1520s: A Bellemare Workshop Manuscript in Liege (MS Wittert 29)
195(24)
Elizabeth L'Estrange
IV Artistic Itineraries and the Rapport between Illumination and Monumental Painting
Itineraire artistique et polyvalence technique: le cas d'Antoine de Lonhy
219(12)
Frederic Elsig
Les modeles romains d'un enlumineur curial du Quattrocento
231(20)
Valerie Gueant
Exemplary martyrdoms -- lost examples. Some theses on the miniatures in the so-called "martyrology" in the Cini Foundation and three related copy drawings
251(28)
Marion Heisterberg
Floral Borders: Some comparative aspects
279(24)
Natasa Golob
V Re-use of Artiste Patterns in Books of Hours
De la pierre au parchemin: le livre d'heures de Lodewijk van Boghem et le monastere royal de Brou
303(18)
Laurence Riviere Ciavaldini
Du multiple a l'unique: le cas du livre d'heures de Philibert de Viry (Geneve, BGE, lat. 367)
321(16)
Brigitte Roux
Index 337(8)
Color plates 345(14)
List of contributors 359(2)
Photo credits 361
Joris Corin Heyder holds a scholarship of the Gerda Henkel Foundation and works on his PhD at the Freie Universität Berlin. Christine Seidel got her PhD at the Freie Universität Berlin and was Silvia Foundation Interdisciplinary Fellow at the Alan B. Slifka Foundation at the Metropolitan Museum of Art, New York.
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