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El. knyga: Reading Like a Girl: Narrative Intimacy in Contemporary American Young Adult Literature

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By examining the novels of critically and commercially successful authors such as Sarah Dessen (Someone Like You), Stephenie Meyer (the Twilight series), and Laurie Halse Anderson (Speak), Reading Like a Girl: Narrative Intimacy in Contemporary AmericanYoung Adult Literature explores the use of narrative intimacy as a means of reflecting and reinforcing larger, often contradictory, cultural expectations regarding adolescent women, interpersonal relationships, and intimacy. Reading Like a Girl explains the construction of narrator-reader relationships in recent American novels written about adolescent women and marketed to adolescent women. Sara K. Day explains, though, that such levels of imagined friendship lead to contradictory cultural expectations for the young women so deeply obsessed with reading these novels. Day coins the term narrative intimacy to refer to the implicit relationship between narrator and reader that depends on an imaginary disclosure and trust between the storys narrator and the reader. Through critical examination, the inherent contradictions between this enclosed, imagined relationship and the real expectations for adolescent womens relations prove to be problematic. In many novels for young women, adolescent female narrators construct conceptions of the adolescent woman reader, constructions that allow the narrator to understand the reader as a confidant, a safe and appropriate location for disclosure. At the same time, such novels offer frequent warnings against the sortof unfettered confession the narrators perform. Friendships are marked as potential sites of betrayal and rejection. Romantic relationships are presented as inherently threatening to physical and emotional health. And so, the narrator turns to the readerfor an ally who cannot judge. The reader, in turn, may come to depend upon narrative intimacy in order to vicariously explore her own understanding of human expression and bonds-- By examining the novels of critically and commercially successful authors such as Sarah Dessen (Someone Like You), Stephenie Meyer (the Twilight series), and Laurie Halse Anderson (Speak), Reading Like a Girl: Narrative Intimacy in Contemporary American Young Adult Literature explores the use of narrative intimacy as a means of reflecting and reinforcing larger, often contradictory, cultural expectations regarding adolescent women, interpersonal relationships, and intimacy. Reading Like a Girl explains the construction of narrator-reader relationships in recent American novels written about adolescent women and marketed to adolescent women. Sara K. Day explains, though, that such levels of imagined friendship lead to contradictory cultural expectations for the young women so deeply obsessed with reading these novels. Day coins the term narrative intimacy to refer to the implicit relationship between narrator and reader that depends on an imaginary disclosure and trust between the storys narrator and the reader. Through critical examination, the inherent contradictions between this enclosed, imagined relationship and the real expectations for adolescent womens relations prove to be problematic. In many novels for young women, adolescent female narrators construct conceptions of the adolescent woman reader, constructions that allow the narrator to understand the reader as a confidant, a safe and appropriate location for disclosure. At the same time, such novels offer frequent warnings against the sort of unfettered confession the narrators perform. Friendships are marked as potential sites of betrayal and rejection. Romantic relationships are presented as inherently threatening to physical and emotional health. And so, the narrator turns to the reader for an ally who cannot judge. The reader, in turn, may come to depend upon narrative intimacy in order to vicariously explore her own understanding of human expression and bonds.
Acknowledgments ix
1 "She Is a Creature Designed for Reading" Narrative Intimacy and the Adolescent Woman Reader
3(26)
2 "Opening Myself Like a Book to the Spine" Disclosure and Discretion in Constructions of Friendship
29(35)
3 "He Couldn't Get Close Enough" The Exploration and Relegation of Desire
64(37)
4 "She Doesn't Say a Word" Violations and Reclamations of Intimacy
101(43)
5 "What if Someone Reads It?" Concealment and Revelation in Diary Fiction
144(37)
6 "Let Me Know What You Think" Fan Fiction and the Reimagining of Narrative Intimacy
181(24)
Appendix 205(2)
Notes 207(12)
References 219(12)
Index 231
Sara K. Day, Magnolia, Arkansas, is assistant professor of English at Southern Arkansas University. Her work has appeared in Studies of the Novel and North Carolina Literary Review.