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Reading the Pre-Raphaelites Revised edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 192 pages, aukštis x plotis: 235x165 mm, weight: 499 g, 90 color + 30 b-w illus.
  • Išleidimo metai: 24-Apr-2012
  • Leidėjas: Yale University Press
  • ISBN-10: 030017733X
  • ISBN-13: 9780300177336
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 192 pages, aukštis x plotis: 235x165 mm, weight: 499 g, 90 color + 30 b-w illus.
  • Išleidimo metai: 24-Apr-2012
  • Leidėjas: Yale University Press
  • ISBN-10: 030017733X
  • ISBN-13: 9780300177336
Kitos knygos pagal šią temą:
Traces the history of the Pre-Raphaelite movement, drawing on a selection of paintings, drawings, and photographs to suggest that the dynamic energy of Pre-Raphaelitism arose out of the paradoxes at its heart.

Noted for its vivid colors, elaborate use of symbols, and dedication to close observation of the natural world, the work of Pre-Raphaelite artists combines a deep engagement with the past and a modern realism that exemplifies the concerns of the age of steam travel. In Reading the Pre-Raphaelites, author Tim Barringer draws on an imaginative selection of paintings, drawings, and photographs to suggest that the dynamic energy of Pre-Raphaelitism arose out of the paradoxes at its heart. Past and present, historicism and modernity, symbolism and realism, as well as the tensions between city and country, men and women, worker and capitalist, colonizer and colonized all make appearances within Pre-Raphaelite art. By focusing on these issues, Barringer draws together the strands of revisionist thought on the Pre-Raphaelites and provides a range of stimulating new interpretations of their work.

Beautifully illustrated, the revised edition of this authoritative survey traces the history of the Pre-Raphaelite movement, and includes new sections on photography as well as a revised introduction and bibliography.

Acknowledgments 6(1)
Note on the Revised Edition 7(2)
Introduction 9(14)
Past and Present
9(4)
Pre-Raphaelite Identities
13(3)
Contexts
16(3)
Art History and Pre-Raphaelitism
19(4)
One Rebellion and Revivalism
23(34)
Architecture and Society
26(4)
Ford Madox Brown and the Westminster Frescoes
30(4)
The Brotherhood
34(5)
Revivalism and Realism
39(8)
Rossetti and his Followers in the 1850s
47(6)
Pre-Raphaelitism to Socialism
53(4)
Two Truth to Nature
57(40)
Ruskin and Turner
59(3)
Modern Painters and Pre-Raphaelite Painting
62(6)
Peculiarly English: Madox Brown's View from the Suburbs
68(5)
Young Ruskinians: Brett and Inchbold
73(8)
Photography and Pre-Raphaelitism
81(3)
A Multitude of Minute Details
84(7)
Time, Mood and Nostalgia: Victorian Landscape after Pre-Raphaelitism
91(6)
Three Modern Life
97(24)
Modern Life and Genre
99(2)
Separate Spheres
101(5)
The Fallen Woman
106(6)
Men at Work
112(9)
Four Art, Religion and Empire
121(26)
Tractarian Tendencies
122(4)
Muscular Christianity
126(2)
The Light of the World
128(2)
Religion, Race and Empire: Holman Hunt in the Holy Land
130(10)
Typological Symbolism
140(7)
Five Pre-Raphaelites and Aesthetes
147(37)
Millais in 1856: Evocations of Mood
148(4)
Rossetti and Elizabeth Siddall
152(6)
Bocca Baciata
158(3)
The Condition of Music
161(6)
Bohemianism and the Erotic
167(4)
Aestheticism and Pre-Raphaelite Photography
171(4)
Burne-Jones: Pre-Raphaelite to Aesthete
175(5)
The Whistler - Ruskin Trial
180(4)
Epilogue 184(2)
Further Reading 186(3)
Picture Credits 189(1)
Index 190
Tim Barringer is Paul Mellon Professor of the History of Art at Yale University. His books include Men at Work: Art and Labour in Victorian Britain (Yale) and the exhibition catalogues American Sublime, Art and Emancipation in Jamaica (Yale), Opulence and Anxiety, and Before and After Modernism.