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Real Traviata: The Song of Marie Duplessis [Minkštas viršelis]

3.62/5 (33 ratings by Goodreads)
(Professor of English, UCL)
  • Formatas: Paperback / softback, 416 pages, aukštis x plotis x storis: 215x143x23 mm, weight: 514 g, 38 b&w halftones; 2 maps
  • Išleidimo metai: 21-Jan-2019
  • Leidėjas: Oxford University Press
  • ISBN-10: 0198828292
  • ISBN-13: 9780198828297
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 416 pages, aukštis x plotis x storis: 215x143x23 mm, weight: 514 g, 38 b&w halftones; 2 maps
  • Išleidimo metai: 21-Jan-2019
  • Leidėjas: Oxford University Press
  • ISBN-10: 0198828292
  • ISBN-13: 9780198828297
Kitos knygos pagal šią temą:
The Real Traviata is the rags-to-riches story of a tragic young woman whose life inspired one of the most famous operas of all time, Verdi's masterpiece La traviata, as well as one of the most scandalous and successful French novels of the nineteenth century, La Dame aux Camelias, by Alexandre Dumas fils.

The woman at the centre of the story, Marie Duplessis, escaped from her life as an abused teenage girl in provincial Normandy, rising in an amazingly short space of time to the apex of fashionable life in nineteenth century Paris, where she was considered the queen of the Parisian courtesans. Her life was painfully short, but by sheer willpower, intelligence, talent, and stunning looks she attained such prominence in the French capital that ministers of the government and even members of the French royal family fell under her spell.

In the 1840s, she commanded the kind of 'paparazzi' attention that today we associate only with major royalty or the biggest Hollywood stars. Aside from the younger Dumas, her conquests included a host of writers and artists, including the greatest pianist of the century, Franz Liszt, with whom she once hoped to elope. When she died Theophile Gautier, one of the most important Parisian writers of the day, penned an obituary fit for a princess. Indeed, he boldly claimed that she had been a princess, notwithstanding her peasant origin and her distinctly demi-monde existence.

And although now largely forgotten, in the years immediately after her death, Marie's legend if anything grew in stature, with her immortalization in Verdi's La traviata, an opera in which the great Romantic composer tried to capture her essence in some of the most heart-wrenching and lyrical music ever composed.

Recenzijos

Weis traces his protagonist's short but event-filled life - she died at the age of 23 - in painstaking detail. He also offers new insights into the genesis of Alexandre Dumas's fictionalised accounts of her life and of Verdi's opera. This book will intrigue fans of La traviata, but its broader account of the treatment of women in early 19th-century France deserves a wider readership. * Alexandra Wilson, BBC Music Magazine * Impeccably researched and astutely observed, Weis's book sifts through facts and myth, and conjures up the texture of life in 19th-century Paris, with its many flāneurs, boulevards and cafés. Bravo. * Juanita Coulson, The Lady * [ An] immensely detailed biography ... impeccably researched ... an entertaining and informative account. * Susan Elkin, Ink Pellet * The author pieces together exhaustively the details of the courtesan's life which history and literature have failed to do. * Rebecca Ruiz, Ópera Actual (translated from Spanish) * This diligently researched book casts an astutely observant light upon [ Duplessis's] memory and myth. * Aisté Anusaité, Londonieté * The detailed and well-researched book plots the life of this remarkable woman and the extraordinary life she led in Paris in the early 19th-century. With 24 pages of detailed end-notes and a timeline of her life, René Weis successfully combines scholarly research with telling a good story. * Andrew Benson-Wilson, Early Music Reviews * Weis has done a superior job of not only presenting the rags-to-riches story of Duplessis, but also of illuminating the distinct social issues at play that coalesced to create the platform for Verdi's famed masterwork. * John Aiello, Electric Review *

List of Illustrations
xiii
1 Prologue: A weekend in the country
1(12)
2 A mother and daughter: 1824--1837
13(23)
3 L'affaire Plantier: Exmes 1837
36(9)
4 Working girls in Paris: 1839--1841
45(13)
5 A fair lady meets Pygmalion: 1840--1841
58(6)
6 The baby of a traviata: Versailles, May 1841
64(11)
7 Stallions and flaneurs on the boulevard des Italiens: 1841--1842
75(16)
8 An old count in Baden-Baden: July 1842
91(14)
9 Partying in Paris and London with Antinous: 1842--1843
105(16)
10 A summer idyll on a bend in the river: 1843
121(27)
11 Sin and luxury at 11 boulevard de la Madeleine: 1844--1847
148(16)
12 Alexandre Dumas fils, Lola Montez, and Olympe Aguado: 1844--1845
164(19)
13 The pianist, the baroness, and the actress: October 1845--February 1846
183(17)
14 A registry wedding in London: 21 February 1846
200(8)
15 A summer sunset in the spas of Europe: 1846
208(7)
16 Agony and death of a maiden: October 1846--3 February 1847
215(17)
17 Two winter funerals in Montmartre: February 1847
232(10)
18 Auction at 11 boulevard de la Madeleine: February 1847
242(7)
19 La Dame aux Camelias, by Alexandre Dumas fils: 1848
249(18)
20 La Dame aux Camelias at the Vaudeville: February 1852
267(17)
21 Verdi and the Barezzis---The genesis of La traviata: 1823--1852
284(20)
22 La traviata 1853--4: The apotheosis of Marie Duplessis
304(34)
23 Epilogue: Memory and myth
338(9)
Main Characters 347(2)
Marie Duplessis's life at a glance 349(3)
Notes 352(25)
A bibliographical note 377(3)
References 380(7)
Picture credits 387(3)
Index 390
René Weis is a freelance author and Professor of English at University College London. He has a written on a wide variety of subjects, including Edith Thompson (of the infamous 'Thompson and Bywaters' murder case in the 1920s), the last Cathar insurgency in the Pyrenees in the Middle Ages, and a biography of Shakespeare. As a professional Shakespearian, he has published extensively on Shakespeare and Renaissance drama, his publications including editions of Romeo and Juliet, King Lear, Henry IV Part 2, and an Oxford World's Classics edition of the works of John Webster. A lifelong lover of opera, he also contributes regular pieces to the programmes for Royal Opera House productions.