| Introduction |
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Chapter One Building a Photoshop System |
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1 | (14) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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5 | (4) |
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9 | (3) |
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12 | (3) |
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Chapter Two Image Essentials |
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15 | (24) |
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16 | (1) |
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17 | (4) |
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21 | (2) |
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How Much Resolution is Enough? |
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23 | (4) |
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Using the Image Size Dialog |
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27 | (3) |
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30 | (3) |
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33 | (6) |
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Chapter Three Color Essentials |
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39 | (10) |
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40 | (1) |
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41 | (3) |
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How Colors Affect Each Other |
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44 | (1) |
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Device-Independent Lab Color |
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45 | (3) |
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48 | (1) |
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Chapter Four Color Settings |
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49 | (52) |
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What is Color Management Anyway? |
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50 | (2) |
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Color Management Systems Explained |
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52 | (6) |
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Choosing Your Working Spaces |
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58 | (4) |
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Handling Color-Space Conversions |
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62 | (14) |
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Photoshop and Your Monitor |
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76 | (8) |
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Assign Profile and Convert to Profile |
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84 | (5) |
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Soft-Proofing Other Color Spaces |
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89 | (6) |
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Converting Colors When You Print |
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95 | (3) |
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Printing to Desktop Printers |
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98 | (1) |
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Troubleshoot by Isolating Variables |
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99 | (2) |
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Chapter Five Building a Digital Workflow |
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101 | (138) |
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Choosing a Digital Workflow |
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102 | (5) |
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Copying Files from a Camera |
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107 | (3) |
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110 | (2) |
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Refining a Shoot Using Bridge |
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112 | (2) |
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Opening Images into Camera Raw |
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114 | (3) |
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117 | (15) |
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132 | (3) |
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135 | (1) |
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Camera Raw Workflow Options |
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136 | (3) |
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Camera Raw Image Control Tabs |
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139 | (1) |
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139 | (11) |
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150 | (5) |
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155 | (5) |
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160 | (4) |
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164 | (1) |
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165 | (7) |
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172 | (2) |
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The Camera Calibration Tab |
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174 | (6) |
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180 | (1) |
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181 | (1) |
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182 | (3) |
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Copying Adjustments to More Images |
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185 | (1) |
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Generating Adjusted Images |
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186 | (4) |
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190 | (4) |
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194 | (8) |
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202 | (6) |
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Image Previews and the Cache |
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208 | (3) |
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Evaluating and Comparing Images |
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211 | (3) |
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Rating and Labeling Images |
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214 | (2) |
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Applying Metadata and Keywords |
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216 | (8) |
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Finding and Filtering Files |
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224 | (4) |
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228 | (4) |
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Exporting to Online Albums and Folders on Disk |
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232 | (2) |
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234 | (1) |
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About Automating with Actions |
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235 | (1) |
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235 | (4) |
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Chapter Six Essential Photoshop Tips and Tricks |
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239 | (58) |
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240 | (3) |
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243 | (7) |
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250 | (2) |
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Guide and Grid Viewing Tips |
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252 | (1) |
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253 | (3) |
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256 | (1) |
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257 | (2) |
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259 | (1) |
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260 | (12) |
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272 | (17) |
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289 | (7) |
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296 | (1) |
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Chapter Seven Image Adjustment Fundamentals |
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297 | (68) |
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What is Image Quality, Anyway? |
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298 | (1) |
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Visualizing Tonal Values with the Histogram |
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299 | (2) |
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The Three Basic Tonal Adjustments |
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301 | (1) |
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Making Adjustments Using Levels |
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302 | (4) |
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Adjusting Levels for Color Images |
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306 | (4) |
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Controlling Auto Corrections |
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310 | (2) |
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312 | (1) |
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313 | (2) |
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Eyedroppers in Levels and Curves |
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315 | (3) |
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Preserving Quality as You Edit |
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318 | (6) |
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Making Adjustments Using Curves |
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324 | (8) |
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332 | (10) |
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342 | (1) |
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343 | (3) |
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Hue, Saturation, and Lightness |
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346 | (7) |
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353 | (1) |
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Choosing a Color Mode for Editing |
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354 | (4) |
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358 | (2) |
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360 | (1) |
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361 | (1) |
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361 | (1) |
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362 | (1) |
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Tools of Limited Usefulness |
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363 | (2) |
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Chapter Eight The Digital Darkroom |
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365 | (32) |
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366 | (2) |
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Creating Adjustment Layers |
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368 | (1) |
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Controlling Adjustment Layers |
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369 | (2) |
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Selections, Masks, and Channels |
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371 | (5) |
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376 | (4) |
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Adjusting Images Using Blending Modes |
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380 | (8) |
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Dodging and Burning by Hand |
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388 | (2) |
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Using History to Mix Adjustments |
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390 | (2) |
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Soft-Proofing an Image for Print |
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392 | (5) |
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Chapter Nine Making Selections |
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397 | (36) |
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398 | (1) |
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398 | (1) |
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399 | (2) |
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Selecting with Edge Detection Tools |
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401 | (4) |
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Tips for Using Selection Tools |
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405 | (2) |
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Selecting by Tone or Color |
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407 | (5) |
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Anti-Aliasing and Feathering |
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412 | (2) |
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Selecting Difficult Edges |
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414 | (8) |
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422 | (2) |
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424 | (1) |
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425 | (1) |
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426 | (4) |
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Selections, Layers, and Masks |
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430 | (3) |
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Chapter Ten Sharpness, Detail, and Noise Reduction |
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433 | (30) |
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What's Sharpening All About? |
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434 | (1) |
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435 | (5) |
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A Practical Sharpening Workflow |
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440 | (6) |
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446 | (6) |
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Sharpening in Photoshop vs. Camera Raw |
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452 | (1) |
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453 | (4) |
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457 | (6) |
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Chapter Eleven Essential Image Techniques |
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463 | (66) |
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464 | (2) |
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466 | (9) |
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475 | (8) |
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Using the Clone Source Panel |
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483 | (5) |
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Correcting Lens Distortions |
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488 | (4) |
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Blending Images Automatically |
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492 | (4) |
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496 | (2) |
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498 | (2) |
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500 | (9) |
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509 | (3) |
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The Nondestructive Workflow |
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512 | (1) |
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513 | (3) |
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516 | (2) |
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518 | (11) |
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Chapter Twelve Image Storage and Output |
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529 | (34) |
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530 | (3) |
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533 | (1) |
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533 | (4) |
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Preparing Images for Online Services |
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537 | (1) |
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Creating Output for Prepress |
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538 | (3) |
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Creating Images for the Web |
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541 | (4) |
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Saving Images for the Web |
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545 | (5) |
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550 | (10) |
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560 | (3) |
| Index |
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563 | |
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