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El. knyga: Reassessing the 1930s South

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  • Formatas: 280 pages
  • Išleidimo metai: 18-May-2018
  • Leidėjas: Louisiana State University Press
  • Kalba: eng
  • ISBN-13: 9780807169223
  • Formatas: 280 pages
  • Išleidimo metai: 18-May-2018
  • Leidėjas: Louisiana State University Press
  • Kalba: eng
  • ISBN-13: 9780807169223

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Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region.

Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee.

Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.

Editors' Introduction 1(12)
Karen L. Cox
Sarah E. Gardner
PART I LITERARY ALTERNATIVES
Unveiling Black Labor: Sterling Brown, Charles Johnson, and the Depression-era Critique of the Plantation Myth
13(17)
Steven Knepper
Time Is the Longest Distance: Tennessee Williams, New Orleans Tourism, and the Long Shadow of the 1930s
30(17)
Anthony J. Stanonis
E. P. O'Donnell: A Life in a Handful of Leaves
47(22)
Bryan A. Giemza
PART II ART AND THEATER
From Farm to Factory: New Deal Murals Celebrating the Tennessee Valley Authority
69(18)
Lisa Dorrill
Three Dramatic Southerners in Depression New York: Stark Young, Tennessee Williams, and Horton Foote
87(20)
Robert W. Haynes
PART III TOURISM AND MODERNIZATION
Driving Southerners through the Great Depression
107(15)
Douglas E. Thompson
A Forward Glance: TVA Modernism and the Regional Designs of National Progress
122(19)
Ted Atkinson
PART IV RURAL REPRESENTATIONS AND REALITIES
We Shall Not Be Moved: Highlander Folk School's Cultural Radicalism in the Great Depression
141(13)
Emily Senefeld
A Fierce Contest Over Images: Collier's Magazine and the Fight Against Documentary Reportage in Greene County, Georgia, during the Great Depression
154(18)
Scott L. Matthews
Inside the Farmhouse: Ruth Allen and Margaret Jarman Hagood Confront Rural Realities
172(19)
Rebecca Sharpless
Melissa Walker
PART V RACE AND INTERRACIALISM
Redlining Georgia
191(19)
Ella Howard
Empire on Parade: Public Representations of Race at the 1936 Texas Centennial Exposition
210(18)
Nicholas Roland
Interracialism, Socialism, and William R. Amberson's Vision for the Rural South
228(17)
Robert Hunt Ferguson
Contributors 245(4)
Index 249
Karen L. Cox is professor of history at the University of North Carolina at Charlotte, founding director of the graduate public history program, and author of Dreaming of Dixie: How the South Was Created in American Culture and Goat Castle: A True Story of Murder, Race, and the Gothic South.

Sarah E. Gardner is professor of history and director of the Center for Southern Studies at Mercer University. She is the author of Reviewing the South: The Literary Marketplace and the Southern Renaissance, 1920-1941.