"This volume collects the majority of papers given at a conference held at Yale University in 2007. That conference, also entitled Reception and the Classics, sought to define and articulate the particular role of Classics and classicists in the project of Reception Studies.1 The field of Reception Studies ranges over a vast stretch of time and material, from classical antiquity to the present day, from literature to art, music, and film; it is thus an inherently interdisciplinary field in its encompassing of a great variety of departments and disciplines, each with its own canons, practices, and shared working assumptions. This interdisciplinary practice has formed the intellectual foundation for the present collection: although Reception Studies as a field has grown in scope and energy between conference and publication, we feel that the question of where Classics stands in relation to its peer disciplines remains alive and crucial"--
Provided by publisher.
Daugiau informacijos
Scholars from several disciplines recast reception studies and the classical tradition through the lens of philology and early modern studies.
Notes on contributors |
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Acknowledgements |
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1 | (18) |
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PART I RECEPTION BETWEEN TRANSMISSION AND PHILOLOGY |
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2 "Arouse the dead": Mai, Leopardi, and Cicero's commonwealth in Restoration Italy |
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19 | (26) |
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3 Honor culture, praise, and Servius' Aeneid |
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45 | (12) |
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4 Joyce and modernist Latinity |
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57 | (15) |
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5 Lyricus vates: musical settings of Horace's Odes |
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72 | (25) |
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PART II RECEPTION AS SELF-FASHIONING |
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6 Petrarch's epistolary epic: Letters on Familiar Matters (Rerum familiarum libri) |
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97 | (11) |
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7 The first British Aeneid: a case study in reception |
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108 | (16) |
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124 | (10) |
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9 The streets of Rome: the classical Dylan |
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134 | (29) |
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10 Reception and the Classics |
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163 | (11) |
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Bibliography |
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174 | (12) |
Index |
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186 | |
William Brockliss is currently completing his PhD at Yale University, Connecticut. For his dissertation, he has been studying the relationship between the metaphorical associations of flowers in Homeric poetry and the characteristics of flora in the Greek natural environment. In the future, he intends to develop his studies of metaphoricity by exploring the contrasting treatments of everyday metaphor in Greek poetry and philosophy. Pramit Chaudhuri is Associate Professor of Classics at the University of Texas, Austin. He specializes in the Latin poetry of the early Roman empire, set within a broader study of classical epic and tragedy. His current work explores literary depictions of 'theomachy' (conflicts between humans and gods) and their mediation of issues such as religious conflict, philosophical iconoclasm, political struggle and poetic rivalry. He also studies the reception of classical antiquity in early modern epic and tragedy and in Renaissance art. Ayelet Haimson Lushkov is Assistant Professor of Classics at the University of Texas, Austin. She specializes in the political culture and historiography of the Roman Republic, with a particular focus on the conjunction of literary technique and historical subject matter. Her current work includes a book-length study of the construction and experience of political authority in the Republic, focusing especially on Livy and Cicero. She has also published on intertextuality and source criticism in Livy. Katherine Wasdin currently teaches at The George Washington University, Washington DC. Her work focuses on imperial Latin poetry, with a particular emphasis on minor and occasional genres. She is currently working on a diachronic study of the use of shared poetic language and tropes in erotic and nuptial verse in Greek and Latin poetry from Sappho to Claudian, exploring how and why these types of poetry borrow from each other to express ideas of union, desire and community. She also has interests in Archaic Greek poetry and the reception of antiquity in contemporary literature.