In America, lipstick is the foundation of empires; its a signature of identity; its propaganda, self-expression, oppression, freedom, and rebellion. Its a multi-billion-dollar industry and one of our most iconic accessories of gender. This engaging and entertaining history of lipstick in America throughout the twentieth century and into the present will give readers a new view of the little tubes big place in modern America; marching with the Suffragettes, building Fortune 500 businesses, being present at Stonewall, and engineered for space travel.
Lipstick has served as both a witness and a catalyst to history; it went to war with women, it gave women of color previously unheard of business opportunities, and was part of the development of celebrity and mass media. In the Twentieth Century alone, lipstick evolved from the mark of the underclass, to a required essential for well turned-out women; a sophisticated statement about race, class, gender, consumerism, and sexuality.
How has this mainstay of the makeup kit remained relevant for over a century? Beauty journalist Ilise S. Carter suggests that its because the simple lipstick says a lot. From the provocative allure of a classic red lip to the subtle sophistication of a neutral to the powerful statement of drag, the American love affair with lipstick is linked to every aspect of the female experience, from venturing into the working world or running for the presidency. Red Menace will capture all of those dimensions, with a dishy dose of fabulosity that makes it an amusing read for lipsticks fiercest disciples, its harshest critics, and everyone in between.
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Chapter One Red Coats of Another Sort: The Colonies to the Civil War |
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1 | (12) |
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Chapter Two The Rouge Badge of Courage: The Civil War to the Twentieth Century |
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13 | (16) |
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Chapter Three Speak Softly and Carry a Lip Stick: 1900-1918 |
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29 | (14) |
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Chapter Four The Glossed Generation: The 1920s |
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43 | (12) |
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Chapter Five In the Red: The 1930s |
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55 | (18) |
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Chapter Six Beauty Is Your Duty: World War II |
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73 | (14) |
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Chapter Seven The Red Menace: The 1950s |
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87 | (14) |
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Chapter Eight The Cosmetic Counterculture: The 1960s |
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101 | (12) |
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Chapter Nine Never Mind the Lipsticks: The 1970s |
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113 | (12) |
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Chapter Ten Glossed in Space: The 1980s |
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125 | (10) |
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Chapter Eleven Smells Like Teen Lipstick: The 1990s |
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135 | (10) |
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Chapter Twelve The You Tube: The New Millennium |
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145 | (14) |
| Epilogue: Mask and You Shall Receive |
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159 | (8) |
| Acknowledgments |
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167 | (2) |
| Notes |
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169 | (18) |
| Index |
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187 | |
ILISE S. CARTER is freelance writer, consulting copywriter to the beauty industry, and sideshow performer based in New York City. She has written for Allure, New York Times, Racked, Wall Street Journal, and others, with a focus on pop culture. In addition, shes spent over a decade as a consulting copywriter for beauty brands such as Shiseido, bliss, Laura Mercier, Avon, LOréal, and Madame CJ Walker, specializing in brand voice and identity. As her stage persona, The Lady Aye, she has worked as professional sideshow performer (sword swallower, fire eater, blockhead, and pain-proof girl) and MC with acts ranging from Rob Zombie to Cirque du Soleil, and has appeared on TVs Gossip Girl, Odditties, The President Show, Mysteries at the Museum and Dickinson. Carter holds a BA in American Studies from Barnard College at Columbia University and a Certificate in Film Production from NYU.
