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Red Sea-Red Square-Red Thread: A Philosophical Detective Story [Kietas viršelis]

(Professor of Philosophy, Columbia University)
  • Formatas: Hardback, 720 pages, aukštis x plotis x storis: 164x243x54 mm, weight: 1179 g
  • Išleidimo metai: 24-Mar-2022
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0197572448
  • ISBN-13: 9780197572443
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 720 pages, aukštis x plotis x storis: 164x243x54 mm, weight: 1179 g
  • Išleidimo metai: 24-Mar-2022
  • Leidėjas: Oxford University Press Inc
  • ISBN-10: 0197572448
  • ISBN-13: 9780197572443
Kitos knygos pagal šią temą:
A profoundly original philosophical detective story tracing the surprising history of an anecdote ranging across centuries of traditions, disciplines, and ideas

Red Sea-Red Square-Red Thread is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows the long history of a short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale?

Designed as a philosophical detective story, Red Sea-Red Square-Red Thread follows the extraordinary number of thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Sųren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohčme, and with Hogarth's modern moral pictures?

The book explores narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?

Recenzijos

An intellectual tour de force in five acts. Goehr traverses broad swathes of European cultural history, including a stunning philosophical and theological reading of Puccini's La Boheme, with brilliance and an underlying smile, offering lovers of the arts a trove of delights as she builds her argument about the nature of art itself * Anne Midgette, music critic, (formerly) The Washington Post, The New York Times * Lydia Goehr's account of narratives and philosophies of emancipation is a stunning achievement of narrative and philosophical emancipation in its own right. Red Sea-Red-Square-Red Thread is tailor-made for addressing the pressing question of where our best images of freedom in history are hiding, especially when the surprisingly difficult answer is: in plain sight. * Gregg Horowitz, The Pratt Institute (Emeritus) * Many books in one: an homage to the great Arthur Danto, an intellectual memoir, a philosophical detective story, an anatomy of anecdotes, and a dazzling display of erudition. Goehr has composed a magical, indeed scintillating synthesis of intellectual history, art history, music history and comparative literaturenot to speak of philosophical inquiry. * Paul Barolsky, University of Virginia * Beginning with the simplest of questions, Red SeaRed SquareRed Thread offers a compelling, insightful, and engaging treatise on the nature of art. It's the Goldberg Variations of philosophical treatises. * James Schmidt, Boston University * A stunning performance of the birth of philosophy from the emancipatory spirit of modernism. * Michael P. Steinberg, Brown University * A wonderful book. Goehr takes the reader on a journeyconsidering how the red square-red sea allegory transforms and appears in unexpected ways in service to a modern idea of freedom and inclusion. A model of how to combine wit and analysis to great effect. * Terry Pinkard, Georgetown University * Bringing together the histories of art, philosophy, and popular culture into a narrative of human possibility, the book is nothing less than a gift to its culture. * Daniel Herwitz, University of Michigan at Ann Arbor * A tour de force of theoretical analysis and cultural criticism, Goehr's book charts an unprecedented path through philosophical, musical, literary, and art history. Dazzling in the wit of its style and depth of its content, it reframes our view of every subject it touches upon. * Jonathan Gilmore, City University of New York * Sprawling and lively, confounding and engaging, and in a word, brilliant...it surely stands as a testament to [ Goehr's] lifetime of teaching, writing, reading, viewing, listening, and conversing. It is a book, that teems with curiosity and erudition. More than once, it made me laugh out loud. It rewards sustained reading, and I am glad I read it cover to cover. But it would also reward the occasional perusal of any given passage, if only to give the reader the chance to marvel at the threads, red and otherwise, that it weaves together. * Lydia Moland, European Journal of Philosophy *

Preface xv
Borrowing an Anecdote
Flouting Expectations
Seeking Wit
Passage to Port
Marseille to Manhattan
Freezing the Frame
Sketch and Shudder
Drawing Out the Anecdote
Diversionary Method
Piracy and Luck
Rogue Wit
All Is Nothing
Exemplary Anecdote
Division and Discernment
Naming Predecessors
Predecessor Studies
Exodus Concept
Bloodlines
Refiguring Modernity
Stepping on Toes
Critique and Complaint
How to Read for the Red Thread
PART I
1 Thought Experiment
3(24)
The Brief
Disengaging the Mind
Uncommon Reader
First Lines
First Sight
Shadowplay on Nothing
First Strike
Draining Art's Concept
Shakespearean Overtones
Shattering Expectation
Exacting Images
Warehouse Test
No Decision
Less Is More
Red and Square
Cataloguing the Commonplace
Enraged Painter
Before and After the Law
Smiling at the End of Art
2 Emancipation Narrative
27(28)
Same and Different
Caves of Discrimination
Exclusion in World-History
Beyond the Pale
Last Master Narrative
Reviewing the End of Art
Last Strike
Headlines of History
Extending Monism
Living with Pluralism
Plying Paint
Mind the Gap
Egalitarian Attitude
Abusing Beauty
Choice without Commandment
Choice beyond Capital
Slogans of Freedom
Ending in Good Humor
3 From Sea to Square to Sea
55(28)
Hitch and Hike
Self-Evidence
Attuning the Eye
Stubborn Pigeon
Sober Citizen
Re-Visioning the Anecdote
Anecdote in the Air
East/West
Mosaic Mimesis
Unnatural Wonders
Getting It
Impossible Masterpiece
Madonna of the Present
Painting Is Dead
Two New Men
Beginning Again
PART II
4 Passages of Boheme
83(45)
Preface
Scenes/Book/Play
Making and Unmaking a Class
City of Dreams
Adaptation
Reception and Conflict
Paradox
Dogma
Poverty and Mobility
La Tromperie
Failing to Finish
Musketeers / Marketeers
Wither and Waste
Bohemia Undelivered
War and Doubt
Graves of Revenge
Delimiting the Concept
Acid Wit / Counterfeit Coin
Trapped Poet
Who Would Be King
Water/Color / Cloth
Avenging Painter
Trafficking Ideals
Watershed
Misery and Poverty
Eyes and Ears
5 Testament and Table
128(32)
Prelude
Stages on Life's Way
Strategic Disfigurement
Diapsalmata
Knocking on Wood
Fragmenting a Life
Penny for a Thought
Poet's Cry
Age of Youth
Philosophical Fire
Pockets of Idle Thoughts
Philosophical Furniture
Desks of Detection
Bearing Witness
Mood of an Aesthete
All That Nothing Is
Expectation/Explanation
Standing Apart
Leveling Conceits
Retrieving Waste
Saving Scraps
Postlude
6 Contesting Opera
160(21)
Paragone/Ekphrasis
First Images
Bird Brain and Black Magic
Turks and Zouaves
Queste Marine
Competitive Words
Staging the Red Sea
Speedy Delivery by Foot and Mouth
Refiguring a Prophet
Artist of the Future
Sacred Cloth/Secular Criticism
Shadowing Wagner
Reproductive Justice
Blues Musician
Moment of Menace
In and Out of Time
7 Sea Scenes
181(28)
Staking a Claim
Competitive Operas
Questa Roma
Questo Mar
Egotism and Lament
Breaking Barriers
Questa Mimi
Dying of Beauty
Trembling Strings
Lost Illusions
M for Murder
Figure in Grey
Reviewing the Opera
Opera in the Background
Crossed Paths
Red Sea/Red Ideal
Stitching a Worn Cloth
8 Between Fact and Fiction
209(26)
What Could Have Been
The Real Marcels
Refiguring a Passage
Killing Offspring
Put Down Six
No Contest
Sausages
Exemplary Lives
In a Hurry
Picking on the Spanish
Torture for Art's Sake
Pharamond
Fooling the Cognoscenti
Painter up a Sleeve
Costumed Ball
Looking Out for Parasites
PART III
9 Refiguring Exodus
235(33)
Typology
Event
Naming
Biblical Brothers
Overwhelming Power
Leaving the Enemy Behind
Revealed Remainder
So Hard a Task
Preparation and Promise
Horns and Rays
Second Figure / Second City
Absenting Moses
Chosen Lines
Visible Prototypes
Grave Hand/Grave Song
Broken Tablets
Reverting to Type
Perpetuating Types
Trading Descriptions
International Exodus and Red Boheme
Making Lists
Rites of Passage
10 Bohemia-Bohemian-Boheme
268(25)
On Foot
Winter's Tale
Four Winds
Winter's Night, a Traveler
Meeting on the Path
Unfitting Shoes
Changing Landscape
Also by Name, Egyptians
Down and Out in Paris and London
Grub Street
Wasting a Toast
Elective Eccentricities
Recoloring La Bohemienne
Bohemian Philosophers
Trading Tales
Education and Inheritance
Winter's Return
11 Egyptian-Jewish Boheme
293(19)
Dispelling a Thesis
Expulsion
Egyptians, We Call Them
Diminishing Description
Names
Gypsy-Egyptians in Britain
Rewriting the Origin
Epidemic of Errors
Plague to Port
Race of Science
Disguise
Persecution and Rescue
Religion by Reason Alone
Leaving Everything and Nothing Behind
12 Mastering the Cant in Cafes of Complaint
312(27)
Artspeak
Household Words
Talk about Town
Banter
Red Cant/Red Jews
Beggar-Industry
Writing on the Wall
Gone with the Wind
Hanging from a Tree
Masters of Cause
Pharaoh in London Town
Gain in Translation
Patronizing Wit
Expulsion/Exile
Momus/Midas/Moses
Buffoons by Paper and Toast
To Whom the Red Sea Appeared
Fishing in the Red Sea
Portraiture by Pen and Brush
PART IV
13 Reds of Art and War
339(18)
Everywhere Red
Wine-Dark Sea
Sinking and Spreading in Red
Red for Exit
Red Sea of Claret
Little Red Man
Red Sea Song and Seal
Sinking Red Sun
Championing Red
Vanishing Civilizations
Red Wall/Red Death
Sewer Songs
14 Grey Days for a Gay Science
357(35)
Mothering Invention
Gay Science as Critique
Immortalizing Life
Sustaining Loss and Life
Egotism and Irony
Spoils of Earth and Ground
Dismal Science
Heavy and Light Steps
Sun Rise
Homelessness
On Land/At Sea
Wasting a Song
Abusing Art
Vain Rewards
Birds of Passage
Birds of a Feather
Onto the Ladder
Ladder with Bracket
Ladder Going Nowhere
Descending Scale
15 Proverbs on the Path to the Absolute
392(33)
Black/White
Proverbs
Deaf Ears/Fat Cats
Sweet Elbow/Sour Grapes
Public Secret
Downcast Eyes
Mastering Contraries
The Wit of Mind
A Saying for Everyone
Absolute Cows
When the Owl Takes Flight
Reviewing Hegel
Revolving Wit and Revolution
Philosophic Animals
Domesticating a Proverb
Raining Cats and Dogs
Philosophy of Proverbs
Updating Cats and Cows
16 Thought Experiments in Color
425(31)
Seriously Mocking Monochromes
Shades of Grey
Originating Red
Experiments and Maxims
Trusting Instruments
Authorizing Epigraphs
Monochrome/Monochord
Marginalia
Incoherent Monochromes
Pitch in Black and Red
Dangerous Waters
Paint It Black
Waiting Game
Wit in Grey and Red
17 Red Thread
456(29)
Why Red/Why Thread
True to the Letter
Curious Work
Twinned Legacies
Threads for the Pen
Golden Threads and Red-Sea Ropes
Thread without Red
Thread Inner and Outer
Borrowed Threads
Piracy and Shipwreck
Knotty Problems of Identity
Jarred Rope
Rogues-Yarn and Flag-Ships
Trials by Fire and Hot Air
Hanging by a Thread
Stealing Away with the Literal
Lost and Found
Endgame
PART V
18 Painter of Moods, Poverties, and Professions
485(29)
Absent Image
Musician Inside and Out
Who's Who
All the World a Stage
Sound Drowning
Lydian Measure
Irregular Dance
Prostituted Professions
Touch and Turn
Deafening Silence
Distressed Poet
Mood and Mind Changes
Scene and Sea Changes
Falling Fortunes
Falling Pictures
Speculating about a Painting
Coda: Enraged Critic
19 Street Signs of Libation and Liberation
514(32)
Warning Signs
Unsober Paths to Sobriety* First Histories
The End of Signs
First Signs of Abuse
Name-Dropping Signs
Ludic Origins
Flattening Signs
Amplifying Complaints
Times Squared
Worn Visions
Vaudeville to Opera
Rain Check/Watering Signs
Delivering Pharaoh's Beer
Red Sea of Beer and Gin
Found Children
Found Art
Quill and Brush
20 Spreading the Anecdote
546(33)
By Order of the Day
Seeking a Red Wall
In-House Evidence
London Luck
Deleting the Anecdote
Millerism
Three Suspects
Chasing a Tale
Making Headway
Quick Return
Theme and Variation
Tone-Painting in the Red Sea
Hermeneutics
Master Painter
Barefooted Truth
Master of Letters
Checkered Wall
Master Poet
Mirror, Mirror
Not-So-Simple Simon
Fishing in Yiddish
Cheese and Arms
Danes by the Red Sea
Stopping in Copenhagen
Back to the Beginning
21 Tying the Knot
579(34)
Love's Labor Lost
Laboring in Vain
Brush and Sweep
Being Smart
Midwife Delivered
Red Thread Rewound
Old Wives Tale
Brothers-in-Arms
Measure for Measure
Foot under Foote
Wit's Gravity
Contracting Marriage
Corners/Comets/Squares
Huge Heaps of Littleness
Sinking Blood Sport
Breaking the Bond
Back to Square One
Acknowledgments 613(2)
Bibliography (Non-Fiction since 1900) 615(40)
Index 655
Lydia Goehr is Professor of Philosophy at Columbia University. She is the author of The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music; The Quest for Voice: Music, Politics, and the Limits of Philosophy, and of Elective Affinities: Musical Essays on the History of Aesthetic Theory.