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Reinventing Print: Technology and Craft in Typography [Minkštas viršelis]

(Anglia Ruskin University, UK)
  • Formatas: Paperback / softback, 208 pages, aukštis x plotis: 270x210 mm, weight: 820 g, 200 colour illus
  • Išleidimo metai: 12-Jul-2018
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1474262694
  • ISBN-13: 9781474262699
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 208 pages, aukštis x plotis: 270x210 mm, weight: 820 g, 200 colour illus
  • Išleidimo metai: 12-Jul-2018
  • Leidėjas: Bloomsbury Visual Arts
  • ISBN-10: 1474262694
  • ISBN-13: 9781474262699
Kitos knygos pagal šią temą:

With the rise of digital technology as a design tool and its acceptance as simply part of the tool chest for today's design studios, there has been a re-evaluation and return to exploring pre-digital typography.
Design studios no longer flaunt their digital hardware, in fact quite the opposite. This attitudinal change toward digital technology has coincided with a growing fascination and re-evaluation of those pre-digital skills and processes that had been considered in recent years to be irrelevant.

Mapping the rise of digital technology and examining the infinite possibilities it offers and the profound cultural and technical influence it has had in all aspects of visual communication. This text also focuses on our current post-digital age, in which the technology itself has become sufficiently common-place for us to fully recognize what it excels at and what it does less well.

Reinventing Print focuses on those skills and processes which have been re-appropriated and irreverently liberated by a new generation of typographers, designers, and artists, raised with digital technology in their pockets and forever at their fingertips. In this post-digital age, traditional typographic craft is new, different and therefore exciting, potent and culturally subversive.

Recenzijos

A well rounded take on the revival of post-digital craft For those attempting to track the resurgence of traditional techniques through a landscape dominated by digital production, Jurys book may prove a useful guide. * Eye Magazine * An academic and design historianperhaps one of the best of our timeJury has a lot to say and takes his time doing so. * Communication Arts Magazine * Print is NOT dead or dying, yet it is continually transformed. Jury's book is a necessary reminder of where print design came from, where it is going, and what it means to design as art and craft. * Steven Heller, co-chair SVA MFA Design / Designer As Author, and Entrepreneur * A practical and insightful review of the ever-changing landscape with respect to the interface[ s] between digital and analogue technologies, specifically within creative practices such as graphic design and its related fields. * Dr Sheena Calvert, Camberwell College of Arts, UK * ...provides the balance that a current course in typography needs to prepare the next generation of graphic designers. * Dennis Ichiyama, Purdue University, USA *

Daugiau informacijos

Reinventing Print looks at the rise of digital technology and examine the infinite possibilities it offers and the profound cultural and technical influence it has had in all aspects of visual communication. This book then focuses on our current post-digital age, in which typography embraces both the digital and the traditional craft of typography from letterpress to handrawn fonts.
Introduction: Digital technology and printed media 7(2)
Digital technology and typography 9(4)
Preamble: Nineteenth century perceptions of technology 13(8)
Part 1 Print, technology and revolutions
1 Technology as a driver of creativity
Avant Garde ideas
21(1)
Futurism in Italy
22(2)
Russian Futurism and Constructivism
24(5)
2 Craft and technology, printer and graphic designer
The Deutscher Werkbund
29(3)
The Bauhaus, craft and technology
32(6)
A German alternative to the Bauhaus
38(3)
New Typography
41(4)
3 The graphic design business
Modernism and America
45(3)
Mature Modernism and integrity
48(2)
New Wave, new technology
50(11)
Part 2 Immaterial technology in the physical world
4 Networking before the Internet
Low tech, low cost print opportunities
61(2)
Rise of the Western alternative press
63(3)
Photocopying and zines
66(2)
The Whole Earth Catalog
68(2)
Digital technology and the zine
70(3)
5 Inevitability of digital technology
The computer
73(3)
The Internet and hypertext
76(2)
Paper publishings crisis of confidence
78(3)
The e-book
81(2)
Websites
83(2)
New symbiotic relationships
85(4)
6 The persistence of paper
The advantage of permanence
89(2)
The storage culture
91(1)
Digitising print archives
92(2)
Archiving digital material
94(3)
The resilience of paper
97(4)
7 Democratisating graphic design
Letraset
101(3)
Phototypesetting
104(3)
Adapting letterforms for technologies
107(4)
Typography and the computer
111(2)
Touchscreen handwriting recognition
113(6)
Part 3 The rehabilitation of print and printed media
8 Print media adapting to digital tools
Newspapers: Managing transition
119(5)
From famine to mainstream
124(9)
The end of print (again)
133(6)
9 Transmutations
Terminal printed casualties?
139(1)
The encyclopaedia reinvented
140(4)
The resurrection of the type specimen book
144(9)
10 Celebrating the limitations of print
The diverse characteristics of print
153(2)
The popular printed, novel
155(6)
Books for children
161(4)
Textbooks for students
165(4)
11 The allure of making things
Skills and craftsmanship
169(5)
Print as a `democratic multiple'
174(3)
The physical dilemma of books
177(4)
Printed matter as art
181(2)
Print and craft: New creative possibilities
183(5)
The book art object
188(3)
Post digital
191(4)
Postscript
The reinvention of print
195(4)
References 199(3)
Acknowledgements 202(1)
Index 203
David Jury teaches at Anglia Ruskin University in Cambridge, UK. He is also the author and designer of a number of books including Graphic Design Before Graphic Designers; About Face: Reviving the Rules of Typography; Letterpress: The Allure of the Handmade; and What is Typography? From 1996 to 2006 he was the editor of TypoGraphic, journal of the International Society of Typographic Designers. As a typographer and book designer he has won Awards of Excellence from D&AD, ICOGRADA, ISTD and the New York Type Club.