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El. knyga: Relational Improvisation: Music, Dance and Contemporary Art [Taylor & Francis e-book]

  • Formatas: 250 pages, 19 Halftones, black and white; 19 Illustrations, black and white
  • Išleidimo metai: 27-Jun-2024
  • Leidėjas: Routledge
  • ISBN-13: 9781003276197
  • Taylor & Francis e-book
  • Kaina: 152,33 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 217,62 €
  • Sutaupote 30%
  • Formatas: 250 pages, 19 Halftones, black and white; 19 Illustrations, black and white
  • Išleidimo metai: 27-Jun-2024
  • Leidėjas: Routledge
  • ISBN-13: 9781003276197

Relational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance.



Relational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance. Building upon the growing research into improvisation, the book explores contemporary transdisciplinary collaborations between improvised music and other fields including dance and visual arts, offering insights from a wide range of practitioners. Author Simon Rose takes a ground-up approach that places value on lived experience and reflects the value of collaboration. Mirroring improvisation’s relationality, chapters are co-authored by musicians, dancers and visual artists from diverse backgrounds who are engaged in active artistic collaborations with the author.

The relational approach allows for the inclusion of improvisation’s scope and many levels. Showcasing a range of different voices, the chapters address topics in artistic improvisation including cybernetics, interspecies work, working with light, phenomenology, sympoiesis, and identity, and utilise a range of approaches including autoethnography and philosophical analysis. Considering the relationships of improvisation to emotion, space, embodiment and philosophy, this book shows how improvisation, collaboration, and transdisciplinary artistic practices combine to generate new creative possibilities. It provides vital insights for practicing artists, arts researchers, philosophy and pedagogy, and all those studying improvisation and collaborative creativity in contemporary music, dance, and visual arts.

Contents

Chapter 1 Double-resonance: improvisation, relationality and
transdisciplinarity. Simon Rose

Chapter 2 The performance of improvised music: what do we mean when we talk
about performance? Simon Rose

Chapter 3 Contemporary Art and Improvisation. Simon Rose and Julie Myers

Chapter 4 The shared space of improvisation in dance and music. Simon Rose
and Ingo Reulecke

Chapter 5 Levels of improvisation and neocybernetic relations. Simon Rose and
Adam Pultz Melbye

Chapter 6 Interspecies improvisation. Simon Rose and Barbara Berti.

Chapter 7 A phenomenology of improvisation in dance and music: peripatetic
symphilosophein. Simon Rose and Andrew Wass

Chapter 8 From South Korea to Berlin: moving between the notes in
collaborative and improvisation. Simon Rose and Youjin Sung

Chapter 9 Sympoiesis and improvisation: how I work, how you work and how we
work.

Simon Rose and Paul Stapleton

Chapter 10 Musical identity and exchange in improvisation. Simon Rose and
Kriton Beyer

Chapter 11 Light, music and improvisation. Simon Rose, Lena Czerniawska,
Emese Csornai and Viola Yip

Chapter 12 Improvisation and uncovering collaboration. Simon Rose and Nicola
L. Hein.
Simon Rose is an independent researcher and professional musician. He holds a PhD from Glasgow Caledonian University and is the author of The Lived Experience of Improvisation: In Music, Learning and Life.