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Rembrandt. The Paintings. 40th Ed. [Kietas viršelis]

  • Formatas: Hardback, 512 pages, aukštis x plotis: 217x156 mm
  • Serija: 40th Edition
  • Išleidimo metai: 13-Nov-2024
  • Leidėjas: Taschen GmbH
  • ISBN-10: 3836591758
  • ISBN-13: 9783836591751
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 512 pages, aukštis x plotis: 217x156 mm
  • Serija: 40th Edition
  • Išleidimo metai: 13-Nov-2024
  • Leidėjas: Taschen GmbH
  • ISBN-10: 3836591758
  • ISBN-13: 9783836591751
Kitos knygos pagal šią temą:

Rembrandt was revered as a genius during his lifetime and has fascinated generations of artists and connoisseurs ever since. Rembrandt's trademark – rough, impasto brushwork, his unique lighting and sensitivity – pointed the way forward, not only for portraiture. This edition presents the grand master of the Golden Age of Dutch painting.



Rembrandt was revered as a genius during his lifetime and has fascinated generations of artists and connoisseurs ever since. Rembrandt's trademark – rough, impasto brushwork, his unique lighting and sensitivity – pointed the way forward, not only for portraiture. This edition presents the grand master of the Golden Age of Dutch painting.
Marieke de Winkel studied art history and classical archaeology at the University of Amsterdam and history of dress at the Courtauld Institute in London. From 1993 to 2003, she was a research assistant with the Rembrandt Research Project. Her PhD thesis at the University of Amsterdam focused on dress in the works of Rembrandt.

Rudie van Leeuwen studied art history at Radboud University in Nijmegen. He obtained his PhD in 2018 on the portrait historié in 16th and 17th-century Dutch painting. Together with Volker Manuth he initiated and worked on the Rembrandt Documents Project (RemDoc.org), where he was centrally involved inter alia in the conception and implementation of the integral search function.

Volker Manuth studied art history, philosophy and classical archaeology in Kiel, Bonn, and Berlin. In 1987 he completed his PhD at the Freie Universität Berlin with a thesis on the iconography of Rembrandts Old Testament subjects. From 1988 to 1995 he was an assistant and associate Professor at the FU Berlin, and from 1995 to 2003, he held the A. Bader Chair of Northern Renaissance and Baroque Art at Queens University in Kingston, Ontario (Canada). Since 2003, he has been Professor of Art History at Radboud University in Nijmegen, the Netherlands.