Hybrid and mixed media create a huge variety of diagramming and drawing options for landscape representation. From Photoshop mixed with digital maps, to hand drawings overlaid with photos and modelling combined with sketches, the possibilities are endless.
In this book, Amoroso curates over 20 leading voices from around the world to showcase the best in contemporary hybrid design. With over 200 colour images from talented landscape architeture students, this book will explore the options, methods and choices to show the innovative approaches that are offered to students and practitioners of landscape architecture.
With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.
Recenzijos
"Hybrid renderings of landscapes use a combination of hand drawing or model making and digital imaging. This book features chapters by a variety of landscape architects weighing in on hybrid illustrations, along with examples ranging from sophisticated work using CAD and Illustrator to one quick collage sketch layering graph paper, tracing paper, and a photo of the sky." - Landscape Architecture Magazine, June 2017 The discussions surrounding models throughout Representing Landscapes: Hybrid are refreshing examinations of how three-dimensional studies are analytical, intuitive instruments for thinking. - Danika Cooper, JAE Online
| Notes on contributors |
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vii | |
| Foreword |
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xi | |
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| Acknowledgements |
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xiii | |
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1 Hybrid representation: breaking free of the `sameness' in visual communication in landscape architecture |
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1 | (22) |
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23 | (78) |
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2 Maintaining proximity: balancing intersections of analog and digital representations in site design |
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25 | (20) |
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3 Hybrid drawing and the invisible landscape |
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45 | (12) |
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4 Qualitative--quantitative: exploring site dualities through drawing and making |
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57 | (15) |
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5 The hybrid zone in divergent and convergent thinking |
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72 | (14) |
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6 City of Raleigh: testing grounds |
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86 | (15) |
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Carta Radoslovich Delcambre |
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101 | (92) |
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7 The primacy of hybridization within the design process: thinking through making |
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103 | (18) |
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8 Siteless landscapes: hybridization of conceptualizing patterns, working grounds and siting/programming |
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121 | (12) |
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9 Model-minded: conversations in 3D as a means for exploring design alternatives in urban parks |
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133 | (14) |
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10 Ideation of landscape representation |
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147 | (18) |
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165 | (13) |
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12 Make no scenes, reveal the unseen: photographs, photomontages, and mapping |
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178 | (15) |
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193 | (110) |
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13 The means of physical transference |
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195 | (14) |
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14 White Pine County line: redrawing and remaking in the rural landscape medium |
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209 | (11) |
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15 Surveillance practices: drawing the nature of sites |
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220 | (14) |
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16 Memory and forgetting together |
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234 | (11) |
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17 `Con-fusion' of rationality and irrationality |
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245 | (14) |
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18 Bigger MPs (management practices) |
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259 | (16) |
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19 Hybrids: institutional and cartographic |
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275 | (15) |
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20 Complex landscape, simplified representation: integrating data-driven and idea-driven technologies for landscape representation |
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290 | (13) |
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| Afterword |
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303 | (2) |
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| Bibliography |
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305 | (3) |
| Index |
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308 | |
Nadia Amoroso is an expert in landscape architectural visual communication, digital applications, data visualization and creative mapping. She operates a design consulting firm specializing in landscape visual communication and data-design visualization (www.nadiaamoroso.com). She also teaches urban design, visual representation and landscape studios at the University of Guelph. She has held a number of international academic and administrative positions including Lawrence Halprin Fellow at Cornell University, the Garvan Chair Visiting Professor, and Associate Dean. She specializes in visual representation, analogue and digital graphics, and architectural and landscape architectural design. She has a PhD from the Bartlett School of Architecture and degrees in Landscape Architecture and Urban Design from the University of Toronto. She is the author of The Exposed City: Mapping the Urban Invisibles (Routledge, 2010).
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