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Respect for Acting: Expanded Version 3rd edition [Kietas viršelis]

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  • Formatas: Hardback, 288 pages, aukštis x plotis x storis: 218x147x28 mm, weight: 408 g
  • Išleidimo metai: 01-May-2023
  • Leidėjas: Jossey-Bass Inc.,U.S.
  • ISBN-10: 1119913578
  • ISBN-13: 9781119913573
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 288 pages, aukštis x plotis x storis: 218x147x28 mm, weight: 408 g
  • Išleidimo metai: 01-May-2023
  • Leidėjas: Jossey-Bass Inc.,U.S.
  • ISBN-10: 1119913578
  • ISBN-13: 9781119913573
Kitos knygos pagal šią temą:
The classic book on acting, in an attractive updated edition

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic and a must-read for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. In this book, Hagen offers an indispensable account of the techniques that professionals use to elevate their acting to an art form. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studioone of the original New York performing arts training and practice spacesand an excerpt from Hagen's autobiography SOURCES.

In working through this book, actors will learn physical, verbal, and emotional practice that empower them to connect their own self-concept to the characters they play. Specific, detailed exercises help actors learn to address a range of problems actors face, like maintaining immediacy and relevance, and developing the dimensions of a role over a long performance run. Respect for Acting is a book for actors and audiences who understand the need for truth in the creative process.









Discover the acting book that has shaped professional theater performances for decades Learn the history and background of Herbert Berghof Studio, one of New York's foremost acting schools Practice the craft of acting with concrete exercises and instruction on technique Delve into the deep questions that arise when actors truly inhabit the lives of their characters

Actors at all levels of their craft will love this stunning updated version of the essential Respect for Acting.
Editor's Note xiii
Jesse Feiler
Foreword xv
Katie Finneran
Foreword xix
David Hyde Pierce
Acknowledgments xxiii
PART ONE The Actor
Introduction
3(8)
1 Concept
11(11)
2 Identity
22(12)
3 Substitution
34(12)
4 Emotional Memory
46(6)
5 Sense Memory
52(8)
6 The Five Senses
60(5)
7 Thinking
65(4)
8 Walking and Talking
69(4)
9 Improvisation
73(2)
10 Reality
75(6)
PART TWO The Object Exercises
Introduction
81(10)
11 The Basic Object Exercise
91(4)
12 Three Entrances
95(7)
13 Immediacy
102(4)
14 The Fourth Wall
106(6)
15 Endowment
112(7)
16 Talking to Yourself
119(5)
17 Outdoors
124(5)
18 Conditioning Forces
129(5)
19 History
134(5)
20 Character Action
139(6)
PART THREE The Play and the Role
Introduction
145(2)
21 First Contact with the Play
147(5)
22 The Character
152(6)
23 Circumstances
158(7)
24 Relationship
165(9)
25 The Objective
174(6)
26 The Obstacle
180(4)
27 The Action
184(8)
28 The Rehearsal
192(9)
29 Practical Problems
201(12)
30 Communication
213(4)
31 Style
217(5)
Epilogue 222(2)
The Studio Story 224(15)
Uta Hagen
Address to the Austrian Academy 239(5)
Herbert Berghof
Sources 244(8)
Uta Hagen
About Uta Hagen 252(2)
About Haskel Frankel 254(1)
Index 255
UTA HAGEN, Tony Award-winning actor and renowned acting teacher, co-founded HB Studio in New York City with her husband, Herbert Berghof, where she trained actors including Al Pacino, Jason Robards, Jack Lemmon, Whoopi Goldberg, and Christine Lahti. On stage she starred in groundbreaking productions with José Ferrer, Paul Robeson, Anthony Quinn, and Marlon Brando. HB Studio is her legacy where new generations of actors come from around the world to study.

HASKEL FRANKEL worked as a journalist and critic for publications including The New York Times, The Saturday Evening Post, Saturday Review, The National Observer, Show and Playbill. He wrote and collaborated on many books including Milton Berle: An Autobiography, The Admirals Daughter with Victoria Fyodorova and All My Patients Are Under the Bed with Louis J. Camuti.