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Rethinking Theatre [Minkštas viršelis]

(Brunel University)
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 216x138x25 mm, weight: 454 g
  • Serija: Theatre Makers
  • Išleidimo metai: 23-Mar-2025
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350030988
  • ISBN-13: 9781350030985
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 216x138x25 mm, weight: 454 g
  • Serija: Theatre Makers
  • Išleidimo metai: 23-Mar-2025
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350030988
  • ISBN-13: 9781350030985
Kitos knygos pagal šią temą:

Sean Holmes's career in the theatre spans over 20 years, directing productions at the RSC, Donmar Warehouse, Old Vic, Royal Court, Filter Theatre and the Oxford Stage Company. He took over as Artistic Director of the Lyric Hammersmith, London, in 2009 where he has overseen the renovation of the building and has introduced a whole new audience to the venue through ventures like Secret Theatre – one of the most ambitious theatrical experiments that has happened; premiering radical new work, such as Simon Stephens's controversial Three Kingdoms; and launching groundbreaking revivals such as Edward Bond's Saved, Sarah Kane's Blasted and Mark Ravenhill's Shopping and F***ing.

In this collection of essays, Sean Holmes considers where theatre is at today through the lens of his own experience and career. He explores the process of creating theatre and his own approaches to directing; the experience of being in the rehearsal room; the power of the dramatic gesture; the role of dramaturgy; the process of casting; the importance of moving away from literalism; how you can reinvent expectations in what you do; and what theatre does, what traditions influence it, and why we do it.

Remarkably fresh and insightful, these essays are an invaluable way to learn about contemporary theatre and to find out what it is like to be at the centre of the creation of theatre from one of the foremost theatre makers of today.

Introduction

Chapter 1


Direct Less - Learning to let go.
With particular reference to Shakespeare. From Measure for Measure at the RSC to Twelfth Night with Filter.

Chapter 2

Start Well - The crucial establishing of tone.
Focusing on Sebastian Nuebling's opening images and words influence on A Streetcar Named Desire, Herons (both at the Lyric ) and The Plough and the Stars ( Abbey Theatre Dublin)

Chapter 3

Why, Not How - the power of the dramatic gesture
Focusing on how Three Kingdoms influenced Secret Theatre and beyond

Chapter 4

The Other Brain In The Room - the place of Dramaturgy
Secret Theatre, with special focus on A Series Of Increasingly Impossible Acts, Bugsy Malone and Herons

Chapter 5

Not The Usual Suspects - Casting the unexpected.
Richard lll at the RSC through Filter's A Midsummers Night Dream to Secret Theatre and the politics of a permanent company of actors

Chapter 6

The Spirt Versus The Letter - Moving away from literalism
From Arthur Miller (The Man Who Had All The Luck - Donmar and The Price - Tricycle/West End) and David Storey (In Celebration - Chichester and The Contractor - Oxford Stage Company ) through to Three Sisters, A Midsummer Night's Dream and Shopping and Fucking (Lyric)

Chapter 7


The Secret Theatre Experience - Failing gloriously
(Lyric Hammersmith 2013-2015)

Chapter 8

The Plough and the Stars - Reinventing expectations.
(Abbey Theatre Dublin 2016)

Chapter 9

Fusion, Synthesis and Collision - the influence of European theatre culture on the British tradition
Focusing on Three Kingdoms (Lyric)