Preface |
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xiii | |
Acknowledgments |
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xv | |
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1 Elements of Rhetorical Criticism: The Big Picture |
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1 | (6) |
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Part I: Overview of Rhetorical Criticism |
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7 | (14) |
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A Concise Sketch of the Rhetorical Tradition |
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8 | (2) |
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The Many Meanings of Rhetoric Today |
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10 | (5) |
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The Strategic Nature of Rhetoric |
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10 | (2) |
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Rhetoric as Goal-Oriented Communication |
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12 | (2) |
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The Moral Dimensions of Rhetoric |
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14 | (1) |
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A Larger Conception of Rhetoric |
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15 | (2) |
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What Future for Rhetoric? |
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17 | (1) |
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18 | (3) |
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3 Rhetorical Criticism as Art |
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21 | (20) |
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22 | (1) |
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23 | (5) |
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23 | (1) |
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24 | (4) |
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The Countercommunication Stage |
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28 | (1) |
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28 | (7) |
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28 | (4) |
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Choice of Theoretical Perspective |
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32 | (1) |
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33 | (1) |
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Objectivity or Subjectivity? |
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34 | (1) |
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35 | (1) |
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36 | (5) |
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4 Understanding Rhetorical Situations |
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41 | (6) |
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Using the Rhetorical Situation |
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41 | (2) |
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Public Knowledge and Rhetorical Situations |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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Situational Perspective Top Picks |
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45 | (2) |
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5 Generic Elements in Rhetoric |
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47 | (16) |
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The Theory and Practice of Generic Rhetorical Criticism |
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49 | (3) |
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49 | (1) |
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50 | (2) |
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Generic Description: An Inductive Approach |
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52 | (3) |
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Identifying Defining Characteristic |
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53 | (1) |
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54 | (1) |
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Explaining Observed Similarities |
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55 | (1) |
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Generic Application: A Deductive Approach |
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55 | (2) |
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57 | (1) |
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Generic Rhetorical Criticism Top Picks |
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58 | (5) |
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6 On Objectivity and Politics in Criticism |
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63 | (6) |
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Part II: Perspectives on Criticism |
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7 The Traditional Perspective |
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69 | (22) |
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69 | (11) |
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Recreating the Context of Rhetorical Events |
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71 | (1) |
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Constructing Audiences for Rhetorical Events |
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71 | (2) |
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Describing the Source of the Message |
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73 | (1) |
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74 | (5) |
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79 | (1) |
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80 | (7) |
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Mr. Douglass's Fifth of July |
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80 | (7) |
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87 | (1) |
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87 | (1) |
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Traditional Criticism Top Picks |
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88 | (3) |
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8 Close Textual Analysis: Approaches and Applications |
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91 | (14) |
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92 | (4) |
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Principle 1: Rhetorical Texts Are Sites of Symbolic Action |
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92 | (1) |
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Principle 2: Form and Content Cannot Be Divorced |
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92 | (1) |
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Principle 3: Text Informs Context, and Vice Versa |
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93 | (1) |
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Principle 4: Rhetorical Texts Exhibit Artistic Density |
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94 | (2) |
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96 | (5) |
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Close Textual Analysis of Barack Obama's March 18, 2008, Speech in Philadelphia |
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96 | (5) |
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101 | (1) |
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101 | (2) |
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103 | (2) |
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105 | (20) |
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106 | (5) |
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Rhetorical Functions of Metaphor |
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106 | (2) |
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Metaphor in Political Discourse |
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108 | (3) |
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111 | (2) |
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113 | (5) |
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Mario Cuomo's Keynote Address to the 1984 Democratic National Convention |
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113 | (5) |
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118 | (1) |
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119 | (1) |
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Metaphor Criticism Top Picks |
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120 | (5) |
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10 The Narrative Perspective |
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125 | (22) |
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Describing Narrative Form and Function |
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126 | (4) |
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126 | (2) |
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128 | (2) |
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Approaches to Narrative Rhetorical Criticism |
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130 | (1) |
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The Narrative Paradigm and Rhetorical Criticism |
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130 | (1) |
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Applications of the Narrative Paradigm |
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131 | (2) |
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Narrative Analysis: A Systematic Perspective |
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133 | (2) |
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Summary of a Systematic Perspective on Narrative Analysis |
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135 | (1) |
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135 | (6) |
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A Narrative Analysis of Stories about Children Abducted to Saudi Arabia |
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136 | (5) |
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141 | (1) |
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141 | (2) |
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Narrative Analysis Top Picks |
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143 | (4) |
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11 Dramatism and Kenneth Burke's Pentadic Criticism |
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147 | (20) |
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147 | (1) |
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148 | (1) |
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149 | (9) |
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149 | (2) |
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151 | (1) |
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How Does It Work? Or, The Naming of the Parts |
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152 | (3) |
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155 | (3) |
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158 | (2) |
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Example One: Purpose and Agency in Obama's Second Inaugural Address |
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158 | (1) |
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Example Two: Stressing the Agent |
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159 | (1) |
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Example Three: Agrarian Concerns |
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159 | (1) |
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Motives and Competing Frames |
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160 | (1) |
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Finding the Dominant Term, Grappling with the Text |
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161 | (1) |
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162 | (1) |
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162 | (1) |
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163 | (4) |
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12 Fantasy-Theme Criticism |
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167 | (24) |
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168 | (3) |
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168 | (1) |
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169 | (1) |
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169 | (1) |
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170 | (1) |
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How to Conduct Fantasy-Theme Criticism |
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171 | (2) |
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171 | (1) |
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171 | (1) |
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Constructing Rhetorical Visions |
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172 | (1) |
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About Symbolic Convergence Theory |
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173 | (3) |
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174 | (1) |
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175 | (1) |
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It Is an Epistemic Theory |
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175 | (1) |
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176 | (9) |
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Fantasy Themes for College |
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177 | (8) |
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185 | (1) |
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185 | (1) |
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Fantasy-Theme Analysis Top Picks |
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186 | (5) |
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191 | (24) |
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191 | (2) |
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An Introduction to Feminist Rhetorical Criticism |
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193 | (2) |
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Feminist Criticism and the Challenge to Rhetoric |
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195 | (1) |
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Approaches to Using Feminist Criticism |
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195 | (4) |
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196 | (1) |
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197 | (1) |
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198 | (1) |
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198 | (1) |
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199 | (9) |
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A Feminist Rhetorical Analysis of Shallow Hal |
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200 | (8) |
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208 | (1) |
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209 | (1) |
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Feminist Analysis Top Picks |
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210 | (5) |
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215 | (24) |
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215 | (1) |
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Ideological Turn in Criticism |
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216 | (3) |
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217 | (1) |
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217 | (1) |
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218 | (1) |
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219 | (2) |
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221 | (3) |
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224 | (1) |
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225 | (7) |
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The Conundrum of <Loyalty> and the <Market>: The Discourses Surrounding LeBron James's Leaving and Returning Home |
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225 | (7) |
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232 | (1) |
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232 | (1) |
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Ideographic Analysis Top Picks |
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233 | (6) |
Part III: Expanding Our Critical Horizons |
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15 An Eclectic Approach to Criticism |
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239 | (14) |
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240 | (1) |
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241 | (8) |
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Joseph M. Valenzano III on "Cowboys..." |
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241 | (2) |
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Mary Evelyn Collings on "Texas..." |
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243 | (2) |
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M. Lane Bruner on "Carnivalesque..." |
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245 | (3) |
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Jim A. Kuypers on "From Science..." |
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248 | (1) |
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249 | (1) |
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Eclectic Criticism Top Picks |
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250 | (3) |
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16 Critical Rhetoric: An Orientation toward Criticism |
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253 | (16) |
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Starting Points: Critical Rhetoric |
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254 | (1) |
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Differentiating Critiques of Domination and Freedom |
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255 | (2) |
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Enacting a Critical Stance |
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257 | (3) |
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257 | (1) |
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258 | (1) |
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259 | (1) |
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260 | (1) |
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260 | (4) |
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Using and/or Extending a Critical Orientation |
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260 | (4) |
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264 | (1) |
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264 | (2) |
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Critical Rhetoric Top Picks |
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266 | (3) |
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17 Criticism of Popular Culture and Social Media |
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269 | (20) |
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Theorizing the Relationship between Culture and Power |
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270 | (3) |
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Strategies for Interpreting Popular Culture and Social Media |
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273 | (5) |
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Selecting/Constructing the Text |
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273 | (2) |
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275 | (2) |
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277 | (1) |
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278 | (4) |
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Critical Essay 1: The Hunger Games as Allegory for Class Struggle |
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278 | (2) |
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Critical Essay 2: The Hunger Games as the Production of Authentic Whiteness and Natural Femininity |
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280 | (1) |
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Critical Essay 3: The Hunger Games Franchise as Promotional Cynicism |
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281 | (1) |
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282 | (1) |
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283 | (2) |
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Rhetorical Criticism of Popular Culture and Social Media Top Picks |
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285 | (4) |
Appendix A: Writing Criticism: Getting Started |
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289 | (6) |
Appendix B: Additional Rhetorical Perspectives and Genres |
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295 | (6) |
Appendix C: Glossary of Terms |
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301 | (6) |
Index |
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307 | (18) |
About the Contributors |
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325 | |