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Richard Wilson and the Transformation of European Landscape Painting [Kietas viršelis]

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  • Formatas: Hardback, 416 pages, aukštis x plotis: 305x241 mm, 280 colour illustrations
  • Serija: Yale Center for British Art
  • Išleidimo metai: 22-Apr-2014
  • Leidėjas: Yale University Press
  • ISBN-10: 0300203853
  • ISBN-13: 9780300203851
  • Formatas: Hardback, 416 pages, aukštis x plotis: 305x241 mm, 280 colour illustrations
  • Serija: Yale Center for British Art
  • Išleidimo metai: 22-Apr-2014
  • Leidėjas: Yale University Press
  • ISBN-10: 0300203853
  • ISBN-13: 9780300203851
Long known as the father of British landscape painting, Richard Wilson (17131782) was in fact at the heart of a profound conceptual shift in European landscape art. This magnificently illustrated volume not only situates Wilson’s art at the beginning of a native tradition that would lead to John Constable and J. M. W. Turner, but compellingly argues that in Rome during the 1750s Wilson was part of an international group of artists who reshaped the art of Europe. Rooted in the work of great seventeenth-century masters such as Claude Lorrain but responding to the early stirrings of neoclassicism, Wilson forged a highly original landscape vision that through the example of his own works and the tutelage of his pupils in Rome and later in London would establish itself throughout northern Europe.

Recenzijos

'[ A] handsome, thorough, and immaculately produced catalogue.'-Jason Rosenfeld, Apollo Magazine -- Jason Rosenfeld Apollo Magazine "[ A] handsome catalog"-Roderick Conway Morris, New York Times -- Roderick Conway Morris New York Times

Directors' Foreword vii
Acknowledgments x
1 Richard Wilson, Rome, and the Transformation of European Art
1(34)
Robin Simon
2 Rome and its British and Irish Artists, 1730--1750
35(18)
Jason M. Kelly
3 "This so important a Crisis of my life": Wilson in Rome and the Vernet Effect
53(18)
Lars Kokkonen
4 Marketing Wilson in Rome: The Role of Thomas Jenkins
71(18)
Jonathan Yarker
5 Adolf Friedrich Harper and the Reception of Richard Wilson in Germany
89(18)
Steffen Egle
6 Wilson, Mengs, and some British Connections
107(12)
Ana Maria Suarez Huerta
7 Inspiration and Imitation: Wilson, London, and "The School of Rome"
119(30)
Martin Postle
8 "Relenting Fortune weeps o'er Wilson's fate"
149(12)
Scott Wilcox
Rosie Ibbotson
9 An Artist in his own Country: Richard Wilson and Wales
161(12)
Oliver Fairclough
10 "This delightful Artist": Cultural Trends in the Historiography of Richard Wilson
173(14)
Paul Spencer-Longhurst
11 Richard Wilson: Methods and Materials
187(18)
Kate Lowry
Catalogue
Rome in the 1750s (cats. 1--44)
205(32)
Wilson and the Grand Tour (cats. 45--71)
237(22)
Imitation and Inspiration (cats. 72--87)
259(14)
Buying and Selling (cats. 88--120)
273(26)
In the Footsteps of Wilson (cats. 121--61)
299(32)
Appendix: Wilson's Family and his Early Training 331(3)
Robin Simon
Bibliography 334(4)
Abbreviations 338(1)
Index 339(9)
Photography Credits 348
Martin Postle is assistant director of the Paul Mellon Centre for Studies in British Art. Robin Simon is honorary professor of English at University College London, and editor of The British Art Journal.