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El. knyga: Robert Seymour and Nineteenth-Century Print Culture: Sketches by Seymour and Comic Illustration

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Robert Seymour’s Sketches by Seymour was one of the nineteenth century’s most enduring and widely reprinted books. Each new edition added fresh layers of text, textual annotation, and paratextual elements, with the result that Sketches offers an exemplary account of the dynamics of Victorian publishing. In the first book-length study of Seymour’s work, Brian Maidment sheds light on the relationship between texts and illustrations in the late Regency and Victorian eras and the ways in which comic and satirical graphic images were increasingly assimilated into complex layers of textuality. Maidment shows that Seymour’s Sketches introduced a new naturalism into urban images that, despite their comic intent, prefigured the graphic methods of urban reportage in the Victorian press. He also considers the extent to which the publication of new forms of graphic comedy drove the consumer market in the 1820s and 1830s and why interest in comic and satirical graphic images produced in the late Regency period continued throughout the Victorian age. Richly illustrated and informed by extensive bibliographical research, Maidment’s book broadens our understanding of an important nineteenth-century illustrator at the same time that it contributes to scholarship on issues related to Victorian theories of comedy and the function of illustration.

Recenzijos

"Maidments book is not only a text which broadens our understanding of an important nineteenth-century illustrator, but a study of how the late eighteenth- century and early-nineteenth century printing industry developed[ ] this work would be of particular interest to researchers in this field, and its highly readable form would make it accessible also to a non-scholarly audience."

--Jessica Thomas, Early Popular Visual Culture

"Maidment continues a two decade long exegesis of the ways Seymour also depicted the struggles of Londons growing population to make sense of a dramatically transformed world. He is unmatched in his ability to ferret out long ignored popular books and periodicals displaying Seymours talent[ ] seriously and importantly relevant to any reconsideration of Dickenss work through the 1830s and 1840s."

--Robert Patten, The Dickensian

List of Illustrations

Acknowledgements

Introduction

Chapter
1. Getting to know Seymour

Chapter
2. Seymour and the publishers

Chapter
3. Social satires: the march of intellect and other social
transformations

Chapter
4. The Comic Magazine (18321834)

Chapter
5. New Readings of Old Authors (18321834)

Chapter
6. The Humorous Sketches and their Victorian afterlife

Chapter
7. Coda: reading Pickwick through Seymour

Appendix 1 Chronological listing of titles of books, periodials and
sequences of prints illustrated by Robert Seymour

Appendix 2 - A chronological list of the main editions of Seymours Sketches

Bibliography

Index
Brian Maidment is Emeritus Professor of the History of Print in the English Department at Liverpool John Moores University and an ex-president of the Research Society for Victorian Periodicals. His books include The Poorhouse Fugitives (1987), Reading Popular Prints (1996), Dusty Bob: A Cultural History of Dustmen (2007) and Comedy, Caricature and the Social Order 18201850 (2013). He is currently completing a book on magazine illustration between 1820 and 1840.