Atnaujinkite slapukų nuostatas

El. knyga: Robotics in Germany and Japan: Philosophical and Technical Perspectives

Series edited by , Edited by , Edited by

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Germany and Japan have long been at the frontiers of research in robotics. In this short collection of essays, leading researchers from both countries provide their perspectives on the current state-of-the-art research. Throughout, a strong emphasis is on the philosophical implications of research and technology--and the central concept is that of "robots as a philosophical problem." A wide range of issues is discussed within that context: hypermodernity, roboethics, the relation between robotics and culture, epistemic approaches and hermeneutics. An interesting technology assessment follows, tackling the questions of power and control in the presence if autonomous service robots. Then, several papers describe the current interactions between robots and modern popular culture, specifically in the area of music creation and performance: their growing ubiquity in music (particularly in Japanese popular culture) and the challenges of adapting musical instruments to the "robotic" culture. Several essays on the wider ethical and metaphysical issues--identity, responsibility, stereotypes--conclude the collection. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)
Introduction
From Fiction to Science: A German-Japanese Era-Project
11(18)
Walther Ch. Zimmerli
Philosophical Frameworks
Robotics as a Future Vision for Hypermodern Technologies
29(16)
Bernhard Irrgang
Roboethics and the Synthetic Approach
A Perspective on Roboethics from Japanese Robotics Research
45(14)
Kohji Ishihara
Robotic Appearances and Forms of Life. A Phenomenological-Hermeneutical Approach to the Relation between Robotics and Culture
59(10)
Mark Coeckelbergh
Humanoid Robots and Human Knowing
Perspectivity and Hermeneutics in Terms of Material Culture
69(22)
Michael Funk
Technology Assessment
Who is taking over? Technology Assessment of Autonomous (Service) Robots
91(22)
Michael Decker
Popular Culture and Music Robots
Robots in Japanese Popular Culture
113(12)
Maika Nakao
Understanding the Feasibility and Applicability of the Musician-Humanoid Interaction Research: A Study of the Impression of the Musical Interaction
125(10)
Jorge Solis
Atsuo Takanishi
Mozart to Robot -- Cultural Challenges of Musical Instruments
135(12)
Michael Funk
Jorg Jewanski
Essays
Android Robots between Service and the Apocalypse of the Human Being
147(16)
Gerd Grubler
Joseph Weizenbaum, Responsibility and Humanoid Robots
163(8)
Kerstin Palatini
Social Stereotypes as a Guarantee for Proper Human-Robot Interaction? Remarks to an Anthropomorphic Robot Design
171(8)
Manja Unger-Buttner
Authors and Contact 179
Michael Funk and Bernhard Irrgang both work at the Institute for the Philosophy of Technology at TU Dresden (Germany). Funk is Research Assistant and Irrgang holds the chair of the institute. Their current research includes intercultural and transdisciplinary philosophy of technologies and sciences, applied ethics, robotics and life sciences.