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Romanticism and the Rule of Law: Coleridge, Blake, and the Autonomous Reader 2021 ed. [Kietas viršelis]

  • Formatas: Hardback, 244 pages, aukštis x plotis: 210x148 mm, weight: 462 g, X, 244 p., 1 Hardback
  • Išleidimo metai: 07-Aug-2021
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030748774
  • ISBN-13: 9783030748777
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 244 pages, aukštis x plotis: 210x148 mm, weight: 462 g, X, 244 p., 1 Hardback
  • Išleidimo metai: 07-Aug-2021
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030748774
  • ISBN-13: 9783030748777
Kitos knygos pagal šią temą:
This book frames British Romanticism as the artistic counterpart to a revolution in subjectivity occasioned by the rise of "The Rule of Law" and as a traumatic response to the challenges mounted against that ideal after the French Revolution. The bulk of this study focuses on Romantic literary replies to these events (primarily in the work of Samuel Taylor Coleridge and William Blake), but its latter stages also explore how Romantic poetry's construction of the autonomous reading subject continues to influence legal and literary critical reactions to two modern crises in the rule of law: European Fascism and the continuing instability of legal interpretive strategy.

Recenzijos

Barr has succeeded in producing an effective piece of scholarship, giving a lively account of the legal issues of the day, and developing an ingenious, thought-provoking approach to the intersections between law and cultural production. Barr has established his place in this field, and anyone who wants to work in Romanticism and law will have to engage with this account one way or another. I look forward to any future work from this scholar . (Richard Ian Berkeley, The Coleridge Bulletin, Vol. 62, 2023)

1 Introduction: Legal Reason and the Ordeal of Romantic Reading
1(18)
References
16(3)
2 A Legal Genealogy of the Romantic Imagination
19(38)
Legal Bowers
23(15)
Romantic Reading at the End of History
38(12)
Romantic Justice in "The Solitary Reaper"
50(4)
References
54(3)
3 Coleridge's Poetic Dispensation
57(54)
Lyric Space and the Prophetic Subject
60(8)
The Fall of Robespierre and the "Cottag'd Vale"
68(7)
"Effusion XXXV" and the Regulation of Autonomy
75(7)
Poetic Transportation and the Lyric Subject
82(10)
The Limitations of Lyric Space
92(9)
(Un)Restrained Liberty
101(6)
References
107(4)
4 Imagination and the Lyric Constitution
111(42)
The Ancient Mariner: Regulating Print and Innovation
111(18)
Institutionalizing the Lyric
129(19)
A Moderate Radical
148(1)
References
149(4)
5 Blake's Perpetual Revolution
153(32)
Toward a New Justice: "The Proverbs of Hell"
154(6)
The Fires of Prophecy
160(16)
Of Law and Forgetting
176(5)
References
181(4)
6 The Gospel of Minute Particulars
185(40)
Jury Nullification and Radical Autonomy
188(5)
The Bard's Song
193(5)
Self-Annihilation as Legal Aesthetic
198(5)
Reading Jerusalem: Revelations Beyond the Rule of Law
203(19)
References
222(3)
7 Epilogue: Law at the Limits of Imagination
225(12)
References
234(3)
Index 237
Mark L. Barr is an Associate Professor in the Department of English Language and Literature at Saint Marys University in Halifax, Nova Scotia.