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El. knyga: Romeo and Juliet: Third Series

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This major new edition of Shakespeare’s greatest tragedy of love argues that the play is ultimately Juliet’s. It’s richly illustrated introduction looks at the play’s exceptionally beautiful and complex language and focuses on the figure of Juliet as being at its center. Rene Weis also discusses the play’s critical, stage, and film history, including West Side Story and Baz Lurhmann’s seminal film adaptation. This authoritative edition from a leading scholar gives the reader a penetrating and wide-ranging insight into this ever-popular play.

Like every Arden edition, it includes expertly edited play text and on-page commentary notes discussing issues of staging, theme, meaning, and Shakespeare’s use of his sources to give the reader deep and engaging insights into the play.

Recenzijos

Romeo and Juliet continues to be a perennial favourite in the English classroom. As well as offering students a clear and spacious text to read and annotate, the latest Arden edition provides a wealth of critical and contextual material - so crucial to today's study of Shakespeare. Ideal for teachers looking to refresh and update their reading of the text, René Weis's introduction combines close attention to dramatic language with a comprehensive overview of the history of the play in performance. However familiar a reader might be with Romeo and Juliet, this new edition will bring a range of fresh perspectives, dispelling some oft-repeated myths along the way. * Dr Jenny Stevens, Teacher and Lecturer in English * ... this new Arden is a thoroughly usable edition... Both introduction and commentary are sensitive, sharp-eyed and clear. Weis's account of the play's performance history brings out the excitement of modern productions by Michael Bogdanov and Tim Carroll, and the innovations of Baz Luhrmann's film... this Romeo and Juliet will serve well. -- Duncan Salkeld * Times Literary Supplement * If you are looking for something for your A-level students, particularly to start off study for Edexcel's unit four for A level, this is the perfect edition. The notes are detailed and scholarly, and there are many essays and appendices which students would find useful, including a look at playing the love scenes through the ages and some reflection on the various adaptations and original setting for Romeo and Juliet over the centuries. * Teaching Drama * Rene Weiss Romeo and Juliet lives up to the high standards of the Arden Shakespeare, with an extensive introduction, expansive editorial glosses, and even a facsimile reproduction of Q1 in an appendix. -- Garrett A. Sullivan, Jr., Rice University * Studies in English Literature, Vol. 53, No. 2 * Prof. Weis' edition of Romeo and Juliet implements a number of important updates from the second Arden edition of the test. With a comprehensive introduction, and in-depth textual notations, it has easily become the definitive edition of the play. * Jarrod DePrado, Sacred Heart University, USA *

Daugiau informacijos

A major new edition of Shakespeare's tragedy arguing that the play is ultimately Juliet's. The illustrated introduction discusses the play's stage and screen history, its language and the many critical issues surrounding it. It gives a comprehensive, penetrating introduction to the play. On-page notes to deepen understanding.
List of illustrations
ix
General editors' preface xi
Preface xvi
Introduction 1(1)
Writing love
1(32)
`All the daughters of my father's house'
2(5)
Love's young sweet song: `an excellent conceited tragedy'
7(12)
Love and literary form
19(5)
Time's winged chariot
24(9)
The dales of first performance and publication
33(10)
Lord Hunsdon's servants and Will Kemp at the Curtain (1596-7?)
33(3)
Earth tremors and thirteen-year-old children
36(3)
Nashe's Have With You to Saffron Walden (1596) and Romeo and Juliet
39(2)
A Midsummer Night's Dream
41(2)
Sources
43(9)
Brooke's Tragical History of Romeus and Juliet
44(3)
Tybalt, Mercutio and Paris
47(5)
Performing love
52(42)
From London (c. 1596) and Cambridge (c 1598-1601) to Douai (1694-5)
53(7)
From Garrick (1748) to Berlioz (1839) and Cushman (1845)
60(9)
From Gounod (1867) and Tchaikovsky (1870/80) to Gielgud and Prokofiev (1935)
69(8)
From West Side Story (1957) to Old Pronunciation Shakespeare (2004)
77(17)
The age of Zeffirelli (1960-8)
79(6)
Bogdanov and Luhrmann: from Alfa Romeo to Clockwork Orange Shakespeare and beyond (1986-)
85(9)
The texts: Q1 (1597) and Q2 (1599)
94(21)
Nurse's italics and Capulet's Wife's speech prefixes
98(2)
Shakespeare's handwriting and what it has left us
100(2)
Second thoughts: Queen Mab and others
102(3)
From Q1 to Q2
105(5)
Q1's stage directions: a record of performance or `literary' ornaments?
110(5)
Editorial procedures
115(224)
Romeo and Juliet
117(222)
Appendices
339(88)
1 Q1 and Q4 readings
339(2)
2 Q1 Romeo and Juliet
341(77)
3 Rhyme
418(3)
4 Casting and doubling
421(6)
Abbreviations and references
427(14)
Abbreviations used in notes
427(1)
Works by and partly by Shakespeare
427(1)
Editions of Shakespeare collated
428(3)
Other works cited or used
431(10)
Index 441
René Weis is Professor of English at University College London and a distinguished editor and biographer of Shakespeare.
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