| Notes on contributors |
|
xiii | |
| Acknowledgements |
|
xxi | |
| Introduction |
|
xxiii | |
|
|
|
1 | (108) |
|
|
|
|
A Poetics of Diasporic Domestic Radicalism |
|
|
3 | (8) |
|
|
|
|
|
|
Grounded in the Past, Revisioning the Present |
|
|
11 | (9) |
|
|
|
|
|
|
|
|
20 | (7) |
|
|
|
|
|
|
|
|
27 | (7) |
|
|
|
|
|
|
Understanding the Language of the Imagination |
|
|
34 | (9) |
|
|
|
|
|
|
Twentieth-Century Literary Journeys |
|
|
43 | (7) |
|
|
|
|
|
|
|
|
50 | (7) |
|
|
|
|
|
|
The Poetics and Politics of his Fiction |
|
|
57 | (6) |
|
|
|
|
|
|
The Writer as the Last Free Man |
|
|
63 | (9) |
|
|
|
|
|
|
The Dignity of the Examined Life |
|
|
72 | (6) |
|
|
|
11 Marlene NourbeSe Philip |
|
|
|
This Space/Dis/Place Between: The Poetics and Philosophy of Body, Voice and Silence |
|
|
78 | (7) |
|
|
|
|
|
|
`Grung'/ground(ed) Poetics: `The Voice from the Bottom of the Well' |
|
|
85 | (8) |
|
|
|
|
|
|
On Being a Caribbean Poet |
|
|
93 | (6) |
|
|
|
|
|
|
Insurgent Criticism and a Poetics of Disenchantment |
|
|
99 | (10) |
|
|
|
Part II Critical Generations |
|
|
109 | (38) |
|
15 The Foundational Generation |
|
|
|
From The Beacon to Savacou |
|
|
111 | (13) |
|
|
|
16 The Questioning Generation |
|
|
|
Rights, Representations and Cultural Fractions in the 1980s and 1990s |
|
|
124 | (12) |
|
|
|
17 The Eclectic Generation |
|
|
|
Caribbean Literary Criticism at the Turn of the Twenty-First Century |
|
|
136 | (11) |
|
|
|
Part III Textual Turning Points |
|
|
147 | (96) |
|
18 Early Colonial Narratives of the West Indies |
|
|
|
Lady Nugent, Eliza Fenwick, Matthew Lewis and Frieda Cassin |
|
|
149 | (8) |
|
|
|
19 The Urban-Rural Dialectic and the Changing Role of Black Women |
|
|
|
Jane's Career, Banana Bottom, Mint} Alley and Pocomania |
|
|
157 | (8) |
|
|
|
20 `So Differently From What the Heart Arranged' |
|
|
|
Voices Under the Window, New Day and A Quality of Violence |
|
|
165 | (8) |
|
|
|
|
|
|
Dwellings in In the Castle of My Skin, Palace of the Peacock and A House for Mr Biswas |
|
|
173 | (8) |
|
|
|
22 Prophetic Visions of the Past |
|
|
|
The Arrivants and Another Life |
|
|
181 | (10) |
|
|
|
23 Race, Diaspora and Identity |
|
|
|
The Meeting Point, Brown Girl, Brownstones and The Lonely Londoners |
|
|
191 | (8) |
|
|
|
24 Wordy, Worldly Women Poets |
|
|
|
Louise Bennett, Lorna Goodison and Olive Senior |
|
|
199 | (10) |
|
|
|
25 Writing Gender, Re-writing Nation |
|
|
|
Wide Sargasso Sea, Annie John, Jane and Louisa Will Soon Come Home and Myal |
|
|
209 | (9) |
|
|
|
26 `Fi Wi Story': Moments in the Emergence of a Caribbean Theater We Can Own |
|
|
|
Man Better Man, Pantomime and Lionheart Gal |
|
|
218 | (8) |
|
|
|
27 From Diasporic Sensibility to Close Transnationalism |
|
|
|
The Aguero Sisters, The Dew Breaker and The Brief Wondrous Life of Oscar Wao |
|
|
226 | (8) |
|
|
|
28 Rewriting the Mother/Nation |
|
|
|
No Telephone to Heaven, In Another Place, Not Here and Cereus Blooms at Night |
|
|
234 | (9) |
|
|
|
Part IV Literary Genres and Critical Approaches |
|
|
243 | (102) |
|
29 Migration and Diaspora in Contemporary Caribbean Literature |
|
|
|
`No Nation Now but the Imagination' |
|
|
245 | (10) |
|
|
|
30 Dub Poetry as a Postmodern Art Form |
|
|
|
Self-conscious of Critical Reception |
|
|
255 | (10) |
|
|
|
|
|
|
|
|
265 | (11) |
|
|
|
32 Caribbean Life-Writing and Performative Liberation |
|
|
|
|
|
276 | (9) |
|
|
|
|
|
|
Reading Class in Anglophone Caribbean Literature |
|
|
285 | (10) |
|
|
|
34 Modernism and Anglophone Caribbean Literature |
|
|
295 | (9) |
|
|
|
35 Hybridity and Subalternity in the Postcolonial Caribbean |
|
|
|
|
|
304 | (1) |
|
|
|
36 Psychoanalysis in Caribbean Literature |
|
|
304 | (19) |
|
|
|
37 Queer Theory and Caribbean Writing |
|
|
323 | (9) |
|
|
|
38 Strategies of Caribbean Feminism |
|
|
332 | (13) |
|
|
|
Part V Caribbean Literature and ... |
|
|
345 | (228) |
|
|
|
|
a Anglophone Caribbean Literature and the Canon |
|
|
347 | (9) |
|
|
|
b Canons, Curriculums and Critics |
|
|
356 | (9) |
|
|
|
|
|
|
a Authorial Reckoning with the Dougla in Trinidad Literature, 1929--1997 |
|
|
365 | (10) |
|
|
|
b Chinese Characters in Anglo-Caribbean Literature |
|
|
375 | (8) |
|
|
|
|
|
383 | (20) |
|
a `Folking up the Criticism' |
|
|
|
The Politics of `the Folk' in Caribbean Discourse |
|
|
383 | (10) |
|
|
|
b The Folk in Caribbean Theater |
|
|
393 | (10) |
|
|
|
|
|
403 | (19) |
|
a Caribbean Literature and Sexuality |
|
|
403 | (9) |
|
|
|
b Male Same-Sex Relationality as Critical Trauma |
|
|
|
Un-knowing the Language of Heteronormative Dominance in Anglo-Caribbean Gender Discourse |
|
|
412 | (10) |
|
|
|
|
|
422 | (19) |
|
|
|
|
Happenings, Histories and Literary Healing |
|
|
422 | (10) |
|
|
|
|
|
|
The Aesthetics of Ruins in West Indian Postcolonial Poetry |
|
|
432 | (9) |
|
|
|
|
|
441 | (19) |
|
a `There Once Was an Indian' Who Imagined Elsewhere and Others |
|
|
441 | (9) |
|
|
|
|
|
|
Indigenous Spirituality and Caribbean Literature |
|
|
450 | (10) |
|
|
|
|
|
460 | (20) |
|
a Language and the Downpressed |
|
|
|
The Rasta Man in Jamaican Creative Writing |
|
|
460 | (10) |
|
|
|
b Language Use and West Indian Literary Criticism |
|
|
470 | (10) |
|
|
|
|
|
480 | (19) |
|
a The Language of Landscape |
|
|
|
A Lexicon of the Caribbean Spatial Imaginary |
|
|
480 | (10) |
|
|
|
b Memory-Work, Field-Work |
|
|
|
Reading Merle Collins and the Poetics of Place |
|
|
490 | (9) |
|
|
|
|
|
499 | (18) |
|
a Returns and Redirections in Caribbean Diaspora Literary Politics `Tom Say' |
|
|
499 | (9) |
|
|
|
|
|
|
Literary Pathways of Caribbean Migration and Diaspora |
|
|
508 | (9) |
|
|
|
|
|
517 | (17) |
|
a At the Border -- What Remains, Abides |
|
|
|
Fragmentation, Nation and the Arrivant |
|
|
517 | (9) |
|
|
|
b Rewriting the Caribbean Nation |
|
|
|
Literary Authorship and the Diasporic Imagination |
|
|
526 | (8) |
|
|
|
|
|
534 | (20) |
|
a What is the `Popular' in Caribbean Popular Culture? |
|
|
|
|
|
534 | (10) |
|
|
|
|
|
|
Postmodernism and the Popular -- Violence and Jamaican Dancehall Music |
|
|
544 | (10) |
|
|
|
|
|
554 | (19) |
|
|
|
554 | (9) |
|
|
|
b The Divisions that Bind |
|
|
|
Thinking Through Race in Anglophone Caribbean Literature |
|
|
563 | (10) |
|
|
|
Part VI Dissemination and Material Textuality |
|
|
573 | (63) |
|
51 Anthologizing the Caribbean |
|
|
575 | (10) |
|
|
|
52 Political Tensions and Caribbean Voices |
|
|
|
The Swanzy Years, 1946--1954 |
|
|
585 | (6) |
|
|
|
|
|
|
The Interface between Film and Literature |
|
|
591 | (8) |
|
|
|
|
|
|
Visual/Verbal Expressions - Caribbean Writers Who Paint |
|
|
599 | (10) |
|
|
|
55 The Ideology of the Literary in the Little Magazines of the 1940s |
|
|
609 | (7) |
|
|
|
56 Local and Metropolitan Publishing |
|
|
616 | (10) |
|
|
|
|
|
|
Toward Social and Digital Islands |
|
|
626 | (10) |
|
|
| Index |
|
636 | |
Daugiau apie elektronines knygas