Atnaujinkite slapukų nuostatas

El. knyga: Routledge Companion to Cult Cinema

Edited by , Edited by (University of British Columbia, Canada)
Kitos knygos pagal šią temą:
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible).Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever, exploitation films, genre cinema, multiple media formats cult cinema is expressed through, issues of cultural, national, and gender representations, elements of the production culture of cult cinema, and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones. The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East and Latin America, making it an innovative and important resource for researchers and students alike.
List of Images
x
List of contributors
xiii
Acknowledgements xx
Introduction: The cult cinema studies experience 1(6)
PART I Genres and cycles
7(78)
Genres, cycles, and modes
7(4)
1 `Naughty,"nasty','culty': Exploitation film
11(13)
Ernest Mathijs
2 Underground film and cult cinema
24(9)
Glyn Davis
3 Cult-art cinema: Defining cult-art ambivalence
33(7)
David Andrews
4 "It happens by accident": Failed intentions, incompetence, and sincerity in badfilm
40(10)
Becky Bartlett
5 Cult horror cinema
50(9)
Steffen Hantke
6 Cult science fiction cinema
59(10)
Mark Bould
7 Cult comedy cinema and the cultic, comic mode
69(7)
Seth Soulstein
8 The Italian giallo
76(9)
Alexia Kannas
PART II Global and local cult cinema
85(54)
Global and local cult cinema
85(4)
9 Latsploitation
89(9)
Dolores Tierney
10 Iranian cult cinema
98(7)
Babak Tabarraee
11 Rebels without a cause: The Bombay cult film
105(6)
Vibhushan Subba
12 East Asian cult cinema
111(10)
Robyn Citizen
13 Anime is (not) cult: Gainax and the limits of cult cinema
121(10)
Rayna Denison
14 Blaxploitation filmmaking
131(8)
Harry M. Benshqff
PART III Critical concepts
139(60)
Critical concepts
139(4)
15 Cult cinema and gender
143(9)
Brenda Austin-Smith
16 Cult cinema and nostalgia
152(9)
Renee Middlemost
17 Oc/cult film and video
161(9)
Anna Powell
18 Transgression in cult cinema
170(10)
Thomas Joseph Watson
19 Access all areas? Anglo-American film censorship and cult cinema in the digital era
180(10)
Emma Pett
20 Cult cinema and camp
190(9)
Julia Mendenhall
PART IV Exhibition, distribution
199(54)
Cult film distribution and exhibition
199(4)
21 Midnight movies
203(12)
Carter Moulton
22 Drive-in and grindhouse theatres
215(8)
David Church
23 Blood cults: Historicising the North American "shot on video" horror movie
223(10)
Johnny Walker
24 Cult cinema in the digital age
233(11)
Iain Robert Smith
25 Cult cinema and film festivals
244(9)
Russ Hunter
PART V Fandom
253(42)
Cult fandom
253(4)
26 Conventions and cosplay
257(9)
Lynn Zubernis
27 Grown woman shit: A case for Magic Mike XXL as cult text
266(9)
Amanda Ann Klein
28 The cut between us: Digital remix and the expression of self
275(10)
Jenna Ng
29 The professionalised fandom of careers in cult: "Passionate work" within academia and industry
285(10)
Matt Hills
PART VI Music and sound
295(30)
Sound and music in cult film
295(2)
30 Cult musicals
297(10)
Ethan de Seife
31 Cult soundtracks (music)
307(8)
James Wierzbicki
32 Sounding out cult cinema: The `bad', the `weird' and the `old'
315(10)
Nessa Johnston
PART VII Aesthetics and intermediality
325(54)
Cult film aesthetics
325(4)
33 Inside an actor's scrapbook: Heath Ledger's aesthetic practice of unbalancing
329(9)
Jorg Sternagel
34 Special effects and the cult film: Cult film production and analogue nostalgia on the digital effects pipeline
338(11)
Leon Gurevitch
35 Production play: Sets, props, and costumes in cult films
349(9)
Tamao Nakahara
36 Cult film and adaptation
358(8)
J. Q. Hunter
37 Cult film --- cult television
366(13)
Stacey Abbott
PART VIII Auteurs
379(52)
Cult auteurs
379(4)
38 "It's a strange world": David Lynch
383(9)
Jeffrey Andrew Weinstock
39 "You guys always bring me the very best violence": Making the case for Joss Whedon's The Avengers and Serenity as mainstream cult
392(10)
Erin Giannini
40 Anti-auteur: The films of Roberta Findlay
402(9)
Alexandra Heller-Nicholas
41 AnnaBiller
411(11)
Jennifer O'Meara
42 Alejandro Jodorowsky and El Topo
422(9)
Antonio Lazaro-Reboll
PART IX Actors
431(57)
Cult cinema acting
431(4)
43 Judy Garland
435(8)
Steven Cohan
44 From the other side of the wind: Dennis Hopper
443(8)
Adrian Martin
45 Barbara Steele
451(9)
Ma Edwards-Behi
46 Bruce Lee: Cult (film) icon
460(8)
Paul Bowman
47 All he needs is love: The cult of Klaus Kinski
468(10)
Ian Cooper
48 Crispin Glover
478(10)
Sarah Thomas
Index 488
Ernest Mathijs is Professor of Film Studies at the University of British Columbia, Vancouver, Canada. He teaches and writes on cult cinema. With Jamie Sexton he has written Cult Cinema (2011). He is the co-author of 100 Cult Films and the author of The Cinema of David Cronenberg.

Jamie Sexton is Senior Lecturer in Film and Television Studies at Northumbria University, UK. He is author of Cultographies: Stranger Than Paradise (2018) and co-author with Ernest Mathijs of Cult Cinema (2011). He is currently writing a monograph on American independent cinema and indie music cultures.