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El. knyga: Routledge Companion to Jazz and Gender [Taylor & Francis e-book]

Edited by (Western Oregon University, USA), Edited by (Indiana University, USA), Edited by (University of Music and Performing Arts Graz, Austria)
  • Formatas: 500 pages, 4 Tables, black and white; 15 Line drawings, black and white; 9 Halftones, black and white; 24 Illustrations, black and white
  • Serija: Routledge Music Companions
  • Išleidimo metai: 19-Aug-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003081876
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 240,04 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 342,91 €
  • Sutaupote 30%
  • Formatas: 500 pages, 4 Tables, black and white; 15 Line drawings, black and white; 9 Halftones, black and white; 24 Illustrations, black and white
  • Serija: Routledge Music Companions
  • Išleidimo metai: 19-Aug-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003081876
Kitos knygos pagal šią temą:
The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present, in four parts:





Historical Perspectives Identity and Culture Society and Education Policy and Advocacy

Acknowledging the art forms troubled relationship with gender, contributors seek to define the construct to include all possible definitionsnot only female and malewithout binary limitations, contextualizing gender and jazz in both place and time. As gender identity becomes an increasingly important consideration in both education and scholarship, The Routledge Companion to Jazz and Gender provides a broad and inclusive resource of research for the academic community, addressing an urgent need to reconcile the construct of gender in jazz in all its forms.
List of Figures and Tables
xi
Preface xiii
Acknowledgements xv
PART 1 Historical Perspectives
1(140)
1 "The Frivolous, Scantily Clad `Jazzing Flapper,' Irresponsible and Undisciplined": Jazz as a Feminine Domain
3(12)
Bruce Johnson
2 "I've Got the Haitian Blues": Mamie Desdunes and the Gendered Inflections of the Common Wind
15(17)
Benjamin Barson
3 Lil Hardin Armstrong and Helen Joyner: The Forgotten Patrons of Jazz
32(11)
Jeremy Brown
4 Queer Aesthetics and the Performing Subject in Jazz in the 1920s
43(11)
Magdalena Furnkranz
5 Black Against the Stave: Black Modern Girls in British Interwar Jazz
54(15)
Jessica Chow
6 Trumpet Men: Performances of Masculinity in Jazz
69(12)
Aaron J. Johnson
7 Hard Bop Cool Pose: Bebop, the Blues, and Masculinity in the Music of Lee Morgan
81(11)
Keith Karns
8 Toward a Feminist Understanding of Jazz Curatorship
92(13)
Kara Attrep
9 The Girl in the Other Room: Generating New Open Knowledge for the Women of Jazz
105(14)
M. Cristina Pattuelli
Karen Li-Lun Hwang
10 The Rise of Queermisia in Jazz: Medicalization, Legislation, and Its Effects
119(12)
Chloe Resler
11 Constructing a Diverse and Inclusive Jazz Tradition: A Uchronic Narrative
131(10)
Michael Kahr
PART 2 Identity and Culture
141(112)
12 Playing the Part: A Social-Psychological Perspective on Being a Girl in Jazz
143(13)
Erin L. Wehr
13 Gender, Sexuality, and Jazz Saxophone Performance
156(12)
Yoke Suzuki
14 A Clash of Identities: How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception
168(9)
Wolfram Knauer
15 "I'm Just One of Them": Gender in Jazz Competitions
177(13)
Matthias Heyman
16 Gendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks
190(15)
Kristin Mcgee
17 Resurrecting Masculinity: Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass
205(13)
Ken Tianyuan Ge
18 Jazz Dance, Gender, and the Commodification of the Moving Body: Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms
218(12)
Brandi Coleman
19 Women's Access to Professional Jazz: From Limiting Processes to Levers for Transgression
230(13)
Marie Buscatto
20 "It Ain't Who You Are": Authenticity, Sexuality, and Masculinity in Jazz
243(10)
Ann Cotterrell
PART 3 Society and Education
253(146)
21 Oppression and Hope: Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History
255(10)
James Reddan
22 Picturing Women in Jazz: An Analysis of Three Jazz History Textbooks
265(13)
Ramsey Castaneda
Amanda Quinlan
23 Degendering Jazz Guitar: Reimagining the Past---Realigning the Future
278(12)
Tom Williams
24 "Music Saved My Life": Jennifer Leitham on Life, Music, and Gender
290(13)
Joshua Palkki
Carl Oser
Jennifer Leitham
25 Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz
303(19)
Wendy Hargreaves
Melissa Forbes
26 Inclusive Jazz History Pedagogy
322(14)
Sony A. R. Lawson
27 Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education
336(12)
Clare Hall
Robert Burke
28 Jazzwomen in Higher Education: Experiences, Attitudes, and Personality Traits
348(11)
Natalie Boeyink
29 The Gender Imperative in Jazz: The Role of Intercultural Maturity in Jazz Curricula
359(13)
Lenora Helm Hammonds
30 In Her Own Words: Documenting the Current Realities of Women-in-Jazz
372(14)
Kiernan Steiner
Alexandra Manfredo
31 Call and (Her) Response: Improvisation and The Myth of Absence
386(13)
Dana Reason
PART 4 Policy and Advocacy
399(79)
32 Victims No More: How Women and Non-Binary Musicians Are Collaborating for Gender Justice in Jazz
401(11)
Beatrix Nunes
Leonor Arnaut
33 Women in Jazz: A Failed Brand
412(11)
Rebecca Zola
34 Accessing Jazz's Gendered Places and Spaces
423(12)
Sarah Caissie Provost
35 Breaking Down Barriers: Female Jazz Musicians in Spain
435(13)
Rebeca Munoz-Garcia
36 The Pale Image of the Jazz Female Instrumentalists in Southeastern Europe
448(10)
Jasna Jovicevic
37 Addressing Gender Imbalance through Mentorship and Advocacy
458(10)
Ellen Rowe
38 Sheroes: The Role of All-Women Groups
468(10)
Monika Herzig
Notes on Contributors 478(8)
Index 486
James Reddan is Associate Professor and Director of Choral Activities and Music Education at Western Oregon University, USA.

Monika Herzig is Senior Lecturer in the Paul H. ONeill School of Public and Environmental Affairs at Indiana University, USA.

Michael Kahr is Chair of Jazz at the Gustav Mahler Private University of Music in Klagenfurt and Senior Lecturer at the Institute for Jazz at the University of Music and Performing Arts in Graz, Austria.