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List of Figures and Tables |
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xi | |
Preface |
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xiii | |
Acknowledgements |
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xv | |
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PART 1 Historical Perspectives |
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1 | (140) |
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1 "The Frivolous, Scantily Clad `Jazzing Flapper,' Irresponsible and Undisciplined": Jazz as a Feminine Domain |
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3 | (12) |
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2 "I've Got the Haitian Blues": Mamie Desdunes and the Gendered Inflections of the Common Wind |
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15 | (17) |
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3 Lil Hardin Armstrong and Helen Joyner: The Forgotten Patrons of Jazz |
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32 | (11) |
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4 Queer Aesthetics and the Performing Subject in Jazz in the 1920s |
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43 | (11) |
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5 Black Against the Stave: Black Modern Girls in British Interwar Jazz |
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54 | (15) |
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6 Trumpet Men: Performances of Masculinity in Jazz |
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69 | (12) |
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7 Hard Bop Cool Pose: Bebop, the Blues, and Masculinity in the Music of Lee Morgan |
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81 | (11) |
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8 Toward a Feminist Understanding of Jazz Curatorship |
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92 | (13) |
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9 The Girl in the Other Room: Generating New Open Knowledge for the Women of Jazz |
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105 | (14) |
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10 The Rise of Queermisia in Jazz: Medicalization, Legislation, and Its Effects |
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119 | (12) |
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11 Constructing a Diverse and Inclusive Jazz Tradition: A Uchronic Narrative |
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131 | (10) |
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PART 2 Identity and Culture |
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141 | (112) |
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12 Playing the Part: A Social-Psychological Perspective on Being a Girl in Jazz |
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143 | (13) |
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13 Gender, Sexuality, and Jazz Saxophone Performance |
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156 | (12) |
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14 A Clash of Identities: How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception |
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168 | (9) |
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15 "I'm Just One of Them": Gender in Jazz Competitions |
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177 | (13) |
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16 Gendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks |
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190 | (15) |
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17 Resurrecting Masculinity: Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass |
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205 | (13) |
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18 Jazz Dance, Gender, and the Commodification of the Moving Body: Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms |
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218 | (12) |
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19 Women's Access to Professional Jazz: From Limiting Processes to Levers for Transgression |
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230 | (13) |
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20 "It Ain't Who You Are": Authenticity, Sexuality, and Masculinity in Jazz |
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243 | (10) |
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PART 3 Society and Education |
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253 | (146) |
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21 Oppression and Hope: Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History |
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255 | (10) |
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22 Picturing Women in Jazz: An Analysis of Three Jazz History Textbooks |
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265 | (13) |
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23 Degendering Jazz Guitar: Reimagining the Past---Realigning the Future |
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278 | (12) |
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24 "Music Saved My Life": Jennifer Leitham on Life, Music, and Gender |
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290 | (13) |
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25 Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz |
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303 | (19) |
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26 Inclusive Jazz History Pedagogy |
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322 | (14) |
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27 Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education |
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336 | (12) |
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28 Jazzwomen in Higher Education: Experiences, Attitudes, and Personality Traits |
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348 | (11) |
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29 The Gender Imperative in Jazz: The Role of Intercultural Maturity in Jazz Curricula |
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359 | (13) |
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30 In Her Own Words: Documenting the Current Realities of Women-in-Jazz |
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372 | (14) |
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31 Call and (Her) Response: Improvisation and The Myth of Absence |
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386 | (13) |
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PART 4 Policy and Advocacy |
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399 | (79) |
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32 Victims No More: How Women and Non-Binary Musicians Are Collaborating for Gender Justice in Jazz |
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401 | (11) |
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33 Women in Jazz: A Failed Brand |
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412 | (11) |
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34 Accessing Jazz's Gendered Places and Spaces |
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423 | (12) |
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35 Breaking Down Barriers: Female Jazz Musicians in Spain |
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435 | (13) |
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36 The Pale Image of the Jazz Female Instrumentalists in Southeastern Europe |
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448 | (10) |
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37 Addressing Gender Imbalance through Mentorship and Advocacy |
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458 | (10) |
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38 Sheroes: The Role of All-Women Groups |
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468 | (10) |
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Notes on Contributors |
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478 | (8) |
Index |
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486 | |