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Routledge Companion to Jazz Studies [Minkštas viršelis]

Edited by (Birmingham City University, UK), Edited by (Birmingham City University, UK), Edited by
  • Formatas: Paperback / softback, 514 pages, aukštis x plotis: 254x178 mm, weight: 884 g
  • Serija: Routledge Music Companions
  • Išleidimo metai: 13-Dec-2021
  • Leidėjas: Routledge
  • ISBN-10: 1032241713
  • ISBN-13: 9781032241715
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 514 pages, aukštis x plotis: 254x178 mm, weight: 884 g
  • Serija: Routledge Music Companions
  • Išleidimo metai: 13-Dec-2021
  • Leidėjas: Routledge
  • ISBN-10: 1032241713
  • ISBN-13: 9781032241715
Kitos knygos pagal šią temą:

The Routledge Companion to Jazz Studies presents over forty articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquiry. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date. It extends the critical debates about jazz that were set in motion by formative texts in the 1990s, and sets the agenda for the future scholarship by focusing on key issues and providing a framework for new lines of enquiry. It is organized around six themes: I. Historical Perspectives, II. Methodologies, III. Core Issues and Topics, IV. Individuals, Collectives and Communities, V. Politics, Discourse and Ideology and VI. New Directions and Debates.



The Routledge Companion to Jazz Studies presents over forty commissioned articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquirey. Each chapter reflects on developments within jazz studies over the last twenty-five years.

Recenzijos

"The Routledge Companion to Jazz Studies is a thoroughly stimulating, provocative collection that challenges myriad assumptions about jazz cultures. The beauty of it is that it raises just as many questions, as all good research should, as it answers."

Ian Patterson, All About Jazz

List of Figures ix
List of Images xi
List of Tables xiii
List of Examples xv
List of Contributors xvii
Preface xxvii
Nicholas Gebhardt
Nichole Rustin-Paschal
Tony Whyton
Acknowledgments xxxi
Part I Historical Perspectives 1(74)
1 Wilkie's Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz
3(14)
Tony Whyton
2 Diasporic Jazz
17(10)
Bruce Johnson
3 I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories
27(10)
Julianne Lindberg
4 "That Ain't No Creole, It's a...!": Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz
37(8)
Bruce Boyd Raeburn
5 Jazz Education: Historical and Critical Perspectives
45(10)
Ken Prouty
6 Swan Songs: Jazz, Death, and Famous Last Concerts
55(10)
Walter van de Leur
7 Jazz on Radio
65(10)
Tim Wall
Part II Methodologies 75(76)
8 After Wynton: Narrating Jazz in the Postneotraditional Era
77(10)
David Ake
9 Jazz and the Material Turn
87(10)
Floris Schuiling
10 Jazz Meets Pop in the United Kingdom
97(8)
Catherine Tackley
11 On Billboard, Isaac Hayes, and the "Swinging Relationship" Between Jazz and Its Popular Music Cousins, 1950-1973
105(12)
John Howland
12 "Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans": Rethinking Jazz and Jazz Studies Through Jason Moran's Multimedia Performance
117(12)
John Gennari
13 Conceptualizing Jazz as a Cultural Practice in Soviet Estonia
129(10)
Heli Reimann
14 And Then I Don't Feel So Bad: Jazz, Sentimentality, and Popular Song
139(12)
Alan Stanbridge
Part III Core Issues and Topics 151(88)
15 Space and Place in Jazz
153(10)
Andrew Berish
16 Time in Jazz
163(10)
Mark Doffman
17 Jazz and Disability
173(12)
George McKay
18 Race in the New Jazz Studies
185(12)
Patrick Burke
19 The Vocalized Tone
197(12)
Tom Perchard
20 Jazz and the Recording Process
209(12)
Benjamin Bierman
21 Figuring Improvisation
221(10)
Peter Elsdon
22 Listening for Empire in Transnational Jazz Studies
231(8)
Frederick J. Schenker
Part IV Individuals, Collectives, and Communities 239(74)
23 New Orleans, the "Creole Concept," and Jazz
241(10)
Wolfram Knauer
24 Sitting In and Subbing Out: The Gig Economy of 1960s New York
251(10)
Marian Jago
25 George Lewis's Voyager
261(10)
Paul Steinbeck
26 Quiet About It-Jazz in Japan
271(10)
Michael Pronko
27 Performing Improvisation: Bill Evans and Jean-Yves Thibaudet
281(12)
Deborah Mawer
28 Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness
293(10)
Eduardo Vicente
29 Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution
303(10)
Scott Currie
Part V Politics, Discourse, and Ideology 313(86)
30 The Birth of Jazz Diplomacy: American Jazz in Italy, 1945-1963
315(12)
Anna Harwell Celenza
31 Jazzing for a Better Future: South Africa and Beyond
327(12)
Christopher Ballantine
32 Eric Hobsbawm
339(8)
Roger Fagge
33 Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s
347(10)
David Brackett
34 The Rhetoric of Jazz
357(10)
Gregory Clark
35 Unfinalizable: Dialog and Self-Expression in Jazz
367(10)
Charles Hersch
36 Improvisation: What Is It Good for?
377(12)
Raymond MacDonald
Graeme Wilson
37 Friends and Neighbors: Jazz and Everyday Aesthetics
389(10)
Nicholas Gebhardt
Part VI New Directions and Debates 399(76)
38 "The Reason I Play the Way I Do Is": Jazzmen, Emotion, and Creating in Jazz
401(10)
Nichole Rustin-Paschal
39 The Art of Improvisation in the Age of Computational Participation
411(12)
David Borgo
40 Renaissance or Afterlife? Nostalgia in the New Jazz Films
423(10)
Bjorn Heile
41 Comics as Criticism: Harvey Pekar, Jazz Writer
433(10)
Nicolas Pillai
42 Free Spirits: The Performativity of Free Improvisation
443(12)
Petter Frost Fadnes
43 My Jazz World: The Rise and Fall of a Digital Utopia
455(10)
Simon Barber
44 Writing the Jazz Life
465(10)
Krin Gabbard
Index 475
Nicholas Gebhardt is Professor of Jazz and Popular Music Studies at Birmingham City University and Director of the Birmingham Centre for Media and Cultural Research. His work focuses on jazz and popular music in American culture, and his publications include Going For Jazz: Musical Practices and American Ideology and Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929.

Nichole Rustin-Paschal earned a J.D. from the University of Virginia and a Ph.D. from New York University. She is the author of The Kind of Man I Am: Jazzmasculinity and the World of Charles Mingus Jr. and co-editor with Sherrie Tucker of Big Ears: Listening for Gender in Jazz Studies.

Tony Whyton is Professor of Jazz Studies at Birmingham City University and author of Jazz Icons: Heroes, Myths and the Jazz Tradition and Beyond A Love Supreme: John Coltrane and the Legacy of an Album. As an editor, Whyton has worked as the co-editor of the Jazz Research Journal since 2004 and he currently co-edits the Routledge series Transnational Studies in Jazz.