List of Figures |
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ix | |
List of Images |
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xi | |
List of Tables |
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xiii | |
List of Examples |
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xv | |
List of Contributors |
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xvii | |
Preface |
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xxvii | |
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Acknowledgments |
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xxxi | |
Part I Historical Perspectives |
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1 | (74) |
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1 Wilkie's Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz |
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3 | (14) |
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17 | (10) |
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3 I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories |
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27 | (10) |
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4 "That Ain't No Creole, It's a...!": Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz |
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37 | (8) |
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5 Jazz Education: Historical and Critical Perspectives |
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45 | (10) |
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6 Swan Songs: Jazz, Death, and Famous Last Concerts |
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55 | (10) |
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65 | (10) |
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Part II Methodologies |
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75 | (76) |
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8 After Wynton: Narrating Jazz in the Postneotraditional Era |
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77 | (10) |
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9 Jazz and the Material Turn |
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87 | (10) |
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10 Jazz Meets Pop in the United Kingdom |
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97 | (8) |
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11 On Billboard, Isaac Hayes, and the "Swinging Relationship" Between Jazz and Its Popular Music Cousins, 1950-1973 |
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105 | (12) |
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12 "Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans": Rethinking Jazz and Jazz Studies Through Jason Moran's Multimedia Performance |
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117 | (12) |
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13 Conceptualizing Jazz as a Cultural Practice in Soviet Estonia |
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129 | (10) |
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14 And Then I Don't Feel So Bad: Jazz, Sentimentality, and Popular Song |
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139 | (12) |
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Part III Core Issues and Topics |
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151 | (88) |
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15 Space and Place in Jazz |
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153 | (10) |
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163 | (10) |
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173 | (12) |
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18 Race in the New Jazz Studies |
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185 | (12) |
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197 | (12) |
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20 Jazz and the Recording Process |
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209 | (12) |
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21 Figuring Improvisation |
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221 | (10) |
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22 Listening for Empire in Transnational Jazz Studies |
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231 | (8) |
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Part IV Individuals, Collectives, and Communities |
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239 | (74) |
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23 New Orleans, the "Creole Concept," and Jazz |
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241 | (10) |
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24 Sitting In and Subbing Out: The Gig Economy of 1960s New York |
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251 | (10) |
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25 George Lewis's Voyager |
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261 | (10) |
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26 Quiet About It-Jazz in Japan |
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271 | (10) |
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27 Performing Improvisation: Bill Evans and Jean-Yves Thibaudet |
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281 | (12) |
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28 Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness |
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293 | (10) |
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29 Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution |
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303 | (10) |
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Part V Politics, Discourse, and Ideology |
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313 | (86) |
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30 The Birth of Jazz Diplomacy: American Jazz in Italy, 1945-1963 |
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315 | (12) |
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31 Jazzing for a Better Future: South Africa and Beyond |
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327 | (12) |
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339 | (8) |
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33 Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s |
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347 | (10) |
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357 | (10) |
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35 Unfinalizable: Dialog and Self-Expression in Jazz |
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367 | (10) |
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36 Improvisation: What Is It Good for? |
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377 | (12) |
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37 Friends and Neighbors: Jazz and Everyday Aesthetics |
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389 | (10) |
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Part VI New Directions and Debates |
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399 | (76) |
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38 "The Reason I Play the Way I Do Is": Jazzmen, Emotion, and Creating in Jazz |
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401 | (10) |
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39 The Art of Improvisation in the Age of Computational Participation |
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411 | (12) |
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40 Renaissance or Afterlife? Nostalgia in the New Jazz Films |
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423 | (10) |
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41 Comics as Criticism: Harvey Pekar, Jazz Writer |
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433 | (10) |
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42 Free Spirits: The Performativity of Free Improvisation |
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443 | (12) |
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43 My Jazz World: The Rise and Fall of a Digital Utopia |
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455 | (10) |
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465 | (10) |
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Index |
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475 | |