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| Foreword |
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| Introduction |
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1 | (2) |
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3 | (78) |
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Introduction: On Musicals |
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5 | (4) |
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1 Musical Theatre Mobilities: Around the World in Eighty Years |
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9 | (16) |
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2 An American in Tokyo? Musical Theatre Dance's Transnational Movements |
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25 | (14) |
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3 "How a World Can Seem So Vast": The Craft of Musical Theatre Dramaturgy |
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39 | (15) |
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54 | (14) |
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5 "The Song Is You": Song Types and Genres in Musical Theatre |
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68 | (13) |
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81 | (84) |
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Introduction: Dark Primal Energy, Ancestor Memory, and American Exceptionalism |
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83 | (8) |
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6 From Ballad Opera to Minstrelsy and Back: Social Class, Race, and Gender on the North American Musical Stage |
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91 | (14) |
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7 From the 1870s Through World War I: The Spectre and Spectacle of the Human Body |
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105 | (16) |
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8 Boom to Bust: Genre Borders, Color Lines, and Women Stars in the Musical Between the World Wars |
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121 | (15) |
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9 World War II and the Cold War: Reflections and Refractions of Ourselves, Then and Now |
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136 | (14) |
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Dominic Broomjield-McHugh |
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10 Since the 1980s: The Global Musical Theatre Ecology |
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150 | (15) |
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165 | (82) |
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Introduction: Who Makes a Musical? |
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167 | (5) |
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11 Musical Theatre Training in the Twenty-First Century: A Primer |
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172 | (15) |
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12 "Forget About the Boy": Women and Creative Collaborations in Musical Theatre |
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187 | (15) |
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13 Good Gals Wear Black: Offstage Labor and the Musical |
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202 | (15) |
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14 Mediated Taste: The Role of Critics |
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217 | (15) |
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15 From Stage Door to Cyberspace: The Digital Evolution of Musical Theatre Fandom |
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232 | (15) |
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247 | (128) |
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Introduction: How Musicals Work: A Press Representative's View |
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249 | (5) |
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16 Fitting the Slipper: The Art of Adaptation for the Musical Stage |
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254 | (14) |
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17 Harnessing Technology: The Evolving Labor of Design in Musical Theatre |
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268 | (16) |
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18 Humming the Scenery: The Aesthetics of Musical Theatre Spectacle |
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284 | (14) |
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19 "That's Showbiz, Kid": Casting as Process and Product |
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298 | (15) |
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20 The Foundation, Function, and Future of the Musical Theatre Director |
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313 | (16) |
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21 How Choreographers and Dancers Work: The Laboring Bodies of Musical Theatre |
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329 | (13) |
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22 "The Name on Everybody's Lips": Marketing Musical Theatre |
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342 | (17) |
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23 A Critical Guide to Code-Meshing, Multilingualism, and Musicals |
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359 | (16) |
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375 | (104) |
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Introduction: Scenes From a Showbiz Couple's Travelogue |
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377 | (6) |
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24 Centers of Musical Theatre |
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383 | (17) |
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25 Pilots and Petticoats: Original Musicals in Continental Europe |
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400 | (18) |
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26 The Broadway-Style Musical in/and Global Asias: 1920-2019 |
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418 | (18) |
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27 "One of the Best Ways to Please the Locals Is to Go to New York": US American Regional Theatres and New Musical Theatre Development |
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436 | (14) |
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28 "We're All in This Together": Student and Amateur Musical Theatre Performances |
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450 | (15) |
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29 Mediated Musical Theatre |
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465 | (14) |
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479 | (103) |
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Introduction: Into the Theatre |
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481 | (5) |
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30 Journeys to the Past: The Uses of Memory and Nostalgia in Musical Theatre |
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486 | (16) |
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31 What's in a Name? The Multiplicities of the Musical |
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502 | (19) |
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32 Interrogating America's National Myth Onstage: Case Studies on the Individual and the Community in US Musical Theatre |
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521 | (16) |
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33 Translating Race in Musical Theatre |
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537 | (15) |
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34 Art Isn't Easy (and Neither Is Commerce): The Musical Stays in the Money |
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552 | (15) |
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35 "World"-Traveling, Diversity, Inclusion, and the Making of Musicals in the Twenty-First Century |
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567 | (15) |
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| Appendix: Towards a Taxonomy of Music Theatre Genres, A-Z |
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582 | (3) |
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| Index |
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585 | |
