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El. knyga: Routledge Companion to Puppetry and Material Performance [Taylor & Francis e-book]

Edited by (Northwestern University, USA), Edited by (Hunter College, New York, USA), Edited by (Emerson College, USA)
  • Formatas: 352 pages, 26 Halftones, black and white
  • Serija: Routledge Companions
  • Išleidimo metai: 15-Jul-2014
  • Leidėjas: Routledge
  • ISBN-13: 9781315850115
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 244,66 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 349,51 €
  • Sutaupote 30%
  • Formatas: 352 pages, 26 Halftones, black and white
  • Serija: Routledge Companions
  • Išleidimo metai: 15-Jul-2014
  • Leidėjas: Routledge
  • ISBN-13: 9781315850115
Kitos knygos pagal šią temą:
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging

perspective on how scholars and artists are currently re-evaluating the theoretical, historical,

and theatrical significance of performance that embraces the agency of inanimate objects.

This book proposes a collaborative, responsive model for broader artistic engagement in and

with the material world. Its 28 chapters aim to advance the study of the puppet not only as a

theatrical object but also as a vibrant artistic and scholarly discipline.

This Companion looks at puppetry and material performance from six perspectives: theoretical

approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition,

material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which

span 15 countries over five continents, encompasses:

visual dramaturgy

theatrical juxtapositions of robots and humans

contemporary transformations of Indonesian wayang kulit

Japanese ritual body substitutes

recent European productions featuring toys, clay, and food.

The book features newly commissioned essays by leading scholars such as Matthew Isaac

Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor.

It also celebrates the vital link between puppetry as a discipline and as a creative practice

with chapters by active practitioners, including Handspring Puppet Companys Basil Jones,

Redmoons Jim Lasko, and Bread and Puppets Peter Schumann. Fully illustrated with more

than 60 images, this volume comprises the most expansive English-language collection of

international puppetry scholarship to date.
List of Figures
xi
Notes on Contributors xvi
Acknowledgments xxi
Foreword xxiii
Kenneth Gross
Introduction 1(12)
Dassia N. Posner
Claudia Orenstein
John Bell
PART I Theory and Practice
13(98)
John Bell
Section I Theoretical Approaches to the Puppet
17(1)
1 The Death of "The Puppet"?
18(12)
Margaret Williams
2 The Co-Presence and Ontological Ambiguity of the Puppet
30(13)
Paul Piris
3 Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects
43(11)
John Bell
Section II Perspectives from Practitioners
53(1)
4 Visual Dramaturgy: Some Thoughts for Puppet Theatre-Makers
54(7)
Eric Bass
5 Puppetry, Authorship, and the Ur-Narrative
61(8)
Basil Jones
6 Petrushka's Voice
69(7)
Alexander Gref
Elena Slonimskaya
7 "Clouds Are Made of White!": The Intersection of Live Art and Puppetry as an Approach to Postdramatic Children's Theatre
76(8)
Rike Reiniger
8 Movement Is Consciousness
84(7)
Kate Brehm
9 The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond
91(7)
Stephen Kaplin
10 The Third Thing
98(7)
Jim Lasko
11 Post-Decivilization Efforts in the Nonsense Suburb of Art
105(6)
Peter Schumann
PART II New Dialogues with History and Tradition
111(114)
Claudia Orenstein
Section III Revisiting History
115(1)
12 Making a Troublemaker: Charlotte Charke's Proto-Feminist Punch
116(14)
Amber West
13 Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet
130(14)
Dassia N. Posner
14 The Saracen of Opera dei Pupi: A Study of Race, Representation, and Identity
144(10)
Lisa Morse
15 Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking through Puppetry Performances
154(10)
Jane Marie Law
16 Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia
164(14)
Debra Hilborn
Section IV Negotiating Tradition
177(1)
17 Traditional and Post-Traditional Wayang Kulit in Java Today
178(14)
Matthew Isaac Cohen
18 Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition
192(13)
Kathy Foley
19 Forging New Paths for Kerala's Tolpavakoothu Leather Shadow Puppetry Tradition
205(13)
Claudia Orenstein
20 Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern Europe
218(7)
Ida Hledikova
PART III Contemporary Investigations and Hybridizations
225(111)
Dassia N. Posner
Section V Material Performances in Contemporary Theatre
229(1)
21 From Props to Prosopopeia: Making After Cardenio
230(15)
Jane Taylor
22 "A Total Spectacle but a Divided One": Redefining Character in Handspring Puppet Company's Or You Could Kiss Me
245(10)
Dawn Tracey Brandes
23 Reading a Puppet Show: Understanding the Three-Dimensional Narrative
255(13)
Robert Smythe
24 Notes on New Model Theatres
268(12)
Mark J. Sussman
Section VI New Directions and Hybrid Forms
279(1)
25 From Puppet to Robot: Technology and the Human in Japanese Theatre
280(14)
Cody Poulton
26 Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation
294(14)
Colette Searls
27 Programming Play: Puppets, Robots, and Engineering
308(14)
Elizabeth Ann Jochum
Todd Murphey
28 Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost
322(14)
Eleanor Margolies
Index 336
John Bell is Director of the Ballard Institute and Museum of Puppetry and Associate Professor of Dramatic Arts at the University of Connecticut. An active puppeteer with Great Small Works and Bread & Puppet Theater, as well as a theatre historian, his publications include American Puppet Modernism (2008) and Puppets, Masks, and Performing Objects (2001).



Claudia Orenstein is Associate Professor of Theatre at Hunter College and the Graduate Center at CUNY. Publications include The World of Theatre: Tradition and Innovation, and Festive Revolutions: The Politics of Popular Theatre and the San Francisco Mime Troupe. She is a board member of UNIMA-USA and Associate Editor of Asian Theatre Journal.



Dassia N. Posner is Assistant Professor of Theatre at Northwestern University. A theatre historian, dramaturg, and puppeteer, she is the author of numerous articles and chapters on Russian theatre, the history of directing, and puppetry and is Peer-Review Editor for Puppetry International. Recent dramaturgy includes Three Sisters and Russian Transport at Steppenwolf.