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El. knyga: Routledge Companion to Race in Early Modern Artistic, Material, and Visual Production [Taylor & Francis e-book]

Edited by (Yale University, USA), Edited by (Virginia Tech, USA), Edited by (Princeton University, USA)
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Routledge Companion to Race in Early Modern Artistic, Material, and Visual ProductionDidesnis paveikslėlis
Kitos knygos pagal šią temą:
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"This companion analyzes, frames, and provokes race in insightful ways that center non-white communities' artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color. The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection will provide a spectrum of object-based case studies of artistic production-objects and object-types-from six continents between the 1400s to 1800s. Contributions take an art historical approach characterized by close analysis of form, function, and meaning, with a particular focus on questions of cross-cultural dialog and provenance. Additionally, there is an emphasis on material culture. The book will be of interest to scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, early modern studies, and race and racism studies"--

This companion analyzes, frames, and provokes race in insightful ways that center non-white communities’ artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color.
The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection will provide a spectrum of object-based case studies of artistic production—objects and object-types—from six continents between the 1400s and 1800s. Contributions take an art historical approach characterized by close analysis of form, function, and meaning, with a particular focus on questions of cross-cultural dialog and provenance. Additionally, there is an emphasis on material culture.
The book will be of interest to scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, early modern studies, and race and racism studies.



This companion analyzes, frames, and provokes race in insightful ways that center non-white communities’ artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color.

Part 1 Reframing Africa within Europe and the Americas
1. Making Sail
and Making Race in Medieval and Early Modern Portuguese Literature
2.
Studying the Image of the Morisco: Challenges and Pitfalls
3. African Women
in Rembrandts Work
4. The Materiality of "Dressing Up" in Early Modern
Spanish Literature
5. Reconsidering Race and the Colonial Process: Dutch
Self-Imaging in the Long Seventeenth Century
6. AfroSurinamese Flag Shrines:
Materializing Group Identity in the Eighteenth Century
7. Nzinga Ndongos
Depiction in Giovanni Cavazzis Istorica Descrizione (1687): Religious
Conversion, Slave Trade, and Black Otherness
8. Convict Labor, Slavery, and
Race in the Strait of Magellan: The Case of an Anonymous Manuscript in
Elizabethan England (15791589)
9. Viewing Gloster: The Visual Culture of
"Runaway" Advertisements in EighteenthCentury Jamaica
10. Black Matter:
Assegais in Provincia de Venezuela
11. Visualizing Black Knighthood in Early
Modern Iberia: Joao de Sa, the African Knight of Santiago in Chafariz del
rei
12. How to Tame Your Dragon: Saint Martha, Hechiceria, and AfroCatholic
Expressive Culture in SixteenthCentury New Spain
13. Visions of Dignified
Blackness: Labor and Sanctity in Ursula de Jesus Spiritual Diary
14.
Constructing Racial Identity and Power in Music, Ceremonial Practices, and
Indigenous Instruments in Early Modern African Kingdoms
15. Resonances of the
African Baroque among New Spanish Nuns
16. Blackness, Performance, and
Individual Subjectivity between the Seventeenth and Eighteenth Centuries
17.
Beyond "This Line": Visualizing Eleno de Cespedes
18. AfroBrazilian
Religious Architecture and Art
19. The Art of Erasure: The Restoration and
Conservation of the Portrait of Une femme du couleur libre Made in Antebellum
New Orleans Part 2 Indigeneity and Early Decolonial Materials in Abya Yala
and Turtle Island
20. Visions of Maize, Race, and Censorship in Early
Colonial Mexico
21. The Town of Mixcoac and Its Neighborhoods: Notes on Its
Nahua Foundation
22. Corn Is Blood: Pasta de cana de maiz as Purhepecha
Survivance
23. In the Necklace: The Historia de Tlaxcalas Colonial
Representation of Kuskatan
24. Case Studies of the Colonial Chapels of
Multiethnic Yucatec Neighborhoods
25. Dancing Bodies in the Maya Highlands:
The ColonialPeriod Murals of Chajul, Guatemala
26. The Bind of Andean
Ethnicity: Textile Cranial Modification and the Stuff of Social Inequality
27. Beyond Race Constructs: SelfRepresentation and Indigenous Authority in
the Coat of Arms of the Cacique Mayor Sancho Hacho de Velasco
28. Ambiguous
Race in Early Modern Quito Sculpture
29. Race and Visions of Salvation in
Colonial Andes
30. Tracing Cahita Indigenous Architectural Agency in Jesuit
Mission Churches of Northwest Mexico, 15911767
31. Sovereign Stitches:
Indigenous Body Arts on Turtle Island beyond the French Salon Tradition
32.
Itom Hiak Noki: You Can Find Our Strength in Our Words Part 3 Transpacific
Contestations and Reversals
33. Juana Manahin: The Exemplary Christian
Tagalog Heiress (d. 1691)
34. Diabolical Scriptworlds and the Visuality of
Early Modern Multilingualism in the Spanish Philippines
35. Indigenous datus
Constructions of Colonial Enslavement in the Philippines of Spains
Transpacific West
36. "What Thing Is an Indian?" Casta and the "Race"
Question in an EighteenthCentury Manuscript on Mexico and the Philippines
37. Images of Dress as RaceMaking Strategy in Spanish Colonial Philippines
38. The Multiethnic Artists and Artisans of the Spanish Pacific: Navigating
Early Modern Race
39. Writing AntiColonial Resistance and Transculturation
in the Early Modern Spanish Pacific: Letters to the King of Spain from
Chinese Communities in Manila
40. The Arrival of the "Southern Barbarians":
The Europeans and the Other Foreign Others in the Early Modern Japanese
Nanban Screens
41. Re-Signifying of Ritual Practices in Early Modern
Nagasaki: The Suwa Festival and the Christian Procession of Corpus Christi
42. Early Modern Korean Descriptions of Enslaved Black Africans: A Case Study
43. Balancing Act, Woman Passing: Transitions within the Colonial Image in
the Hispanic Philippines
44. Mapping Race or Nation in the Kingdom of Hawaii
Nicholas R. Jones is Assistant Professor of Spanish and Portuguese at Yale University.

Christina H. Lee is Professor in the Department of Spanish and Portuguese at Princeton University.

Dominique E. Polanco is Assistant Professor in the Department of Religion and Culture at Virginia Tech.
Pastovi nuoroda: https://www.kriso.lt/db/9781003308645_pe.html
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