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El. knyga: Routledge Companion to Theatre-Fiction

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Novelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia Woolf, and Margaret Atwood, some of historys most influential novelists have written theatre-fiction, and this Companion discusses many of these figures from new angles. But it also spotlights writers who have received less critical attention, such as Dorothy Leighton, Agustķn de Rojas Villandrando, Ronald Firbank, Syed Mustafa Siraj, Li Yu, and Vicente Blasco Ibańez, bringing their work into conversation with a vital field. A valuable resource for students, scholars, and admirers of both theatre and novels, The Routledge Companion to Theatre-Fiction offers a wealth of new perspectives on topics of increasing critical concern, including intermediality, theatricality, antitheatricality, mimesis, diegesis, and performativity.
Acknowledgements

List of Contributors

Introduction: When Novels Turn to Theatre

Graham Wolfe

Curtain Raiser: The Comic Romance of Theatre and Novel

Graham Wolfe

Part I. Theatre-Fictional Histories and Hauntings

1. Theatre-Fiction-History: The Personal and Professional Industry of Theatre
in Roja's El viaje entretenido

Lisa Jackson-Schebetta

2. "The Archive in the Fiction": A Look into the Interiority of Classical
Theatre

Odai Johnson

3. Echoes of Theatre Past: Blasco Ibańezs El comediante Fonseca and
Cozarinskys El rufiįn moldavo

Stefano Boselli

4. Ghosting in Jamess The Tragic Muse: The Haunted Body and the Haunted
House

Sophie Stringfellow

5. The Stage Properties of Willa Cathers Theatre-Fiction

Kevin Riordan

6. Spectral Effects: Dual Roles, Doubling, and Invisibility in Robertson
Daviess World of Wonders

Katrina Dunn

Part II. Theatre-Fiction, Form, and Style

7. Mishima Yukios "Onnagata" as a Shingeki Theatre-Fiction: "Amalgamation"
of the Theatrical and the Literary in a Kabuki-World Tale

Maki Isaka

8. Elegy for a Lost World: Reading Syed Mustafa Sirajs Mayamridanga as
Theatre-Fiction

Tamalika Roy

9. "What Does it Matterthe Plot?": "Sapphic" and Theatrical Reading
Strategies in Ronald Firbanks Vainglory, Inclinations, and Caprice

John R. Severn

10. Theatre-Fiction in the Present Tense: Reflections on Temporality and the
Other in Margaret Atwoods Hag-Seed and Eleanor Cattons The Rehearsal

Alexandra Ksenofontova

11. Method Acting, the Narrator, and the Figure of the Doppelganger in The
Confessions of Edward Day

Roweena Yip

12. "No Curtains": Generic Divides and Ethical Connections in Ian McEwans
Atonement

Cara Hersh

13. Making a Scene: The Craft of Writing Theatre-Fiction

A Dialogue Between Mona Awad and Jessica Riley

Part III. Performing Selfhood and Authorship through Theatre-Fiction

14. Dorothy Leightons Disillusion and New Woman Experimentation

Renata Kobetts Miller

15. "I Sniff at a Red Artificial Geranium": Theatre, the Senses and the Self
in Colettes novel The Vagabond

William McEvoy

16. "A Real Actress": Theatre and Selfhood in Antonia Whites Frost in May
Quartet

Frances Babbage

17. "Does it Have to be a Play?" Autofiction as Theatrical Failure in Sheila
Hetis How Should a Person Be?

Chloe R. Green

18. Mikhail Bulgakovs Black Snow: Getting First-Personal with Stanislavski

Graham Wolfe

Part IV. Theatre-Fiction and Young People

19. Playing and Scripting the Past while Imagining Futures in Charlotte
Yonges 1864 Historical Dramas

Heather Fitzsimmons Frey

20. "A few Scenes of Humble Life": Theatre-making in the Novels of Louisa May
Alcott

Karen Quigley

21. "Closer to Being Grown Up than Ever Before": Theatre as a Site of Passage
in Childrens Fiction

Stephanie Tillotson

22. "A Theatre, thats No Drawing Room, nor is it a House on a Raft":
Discovering Theatre in Moominsummer Madness

Deniz Baar

23. The Bildungsroman Goes to Acting School

Chris Hay

24. Stage Struck: Theatre as Vocation in Penelope Fitzgeralds At Freddies

Sheila Rabillard

Part V. Theatre-Fiction, Asymmetries, and Antitheatricalities

25. Theatre-Stories in Early Modern China

Mei Chun

26. Against Anti-Theatricality: The Stage as Respectable Profession in
Florence Marryats Theatre-Novels

Catherine Quirk

27. Affect in the Theatre-Novel: Performing Shame(lessness) in Wilkie
Collinss No Name

Anja Hartl

28. "Waiting in the Wings": The Economics and Ethereality of Theatrical Space
in Angela Carters Nights at the Circus

Rachael Newberry

29. Spectatorship and Myth: Zolas Theatre Episodes in The Kill and Nana

Juliana Starr

30. Theatrical Extraneity: John Irvings A Prayer for Owen Meany and
Dickensian Theatre-Fiction

Graham Wolfe

Selected List of Theatre-Fiction

Index
Graham Wolfe is Associate Professor of Theatre and Performance Studies at the National University of Singapore. His monograph, Theatre-Fiction in Britain from Henry James to Doris Lessing, was published by Routledge in 2020, and his articles have appeared in journals including Modern Drama, Mosaic, Adaptation, and Performance Research.
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