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Routledge Companion to Theatre, Performance and Cognitive Science [Kietas viršelis]

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  • Formatas: Hardback, 386 pages, aukštis x plotis: 246x174 mm, weight: 852 g, 3 Tables, black and white; 11 Line drawings, black and white; 2 Halftones, black and white
  • Serija: Routledge Companions
  • Išleidimo metai: 02-Oct-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138048895
  • ISBN-13: 9781138048898
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 386 pages, aukštis x plotis: 246x174 mm, weight: 852 g, 3 Tables, black and white; 11 Line drawings, black and white; 2 Halftones, black and white
  • Serija: Routledge Companions
  • Išleidimo metai: 02-Oct-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138048895
  • ISBN-13: 9781138048898
Kitos knygos pagal šią temą:
The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences (cognitive psychology, neuroscience, evolutionary studies and relevant social sciences) with insights from theatre and performance studies. This rapidly expanding interdisciplinary field dynamically advances critical and theoretical knowledge, as well as driving innovation in practice. The anthology includes 30 specially commissioned chapters, many written by authors who have been at the cutting-edge of research and practice in the field over the last 15 years. These authors offer many empirical answers to four significant questions:











How can performances in theatre, dance and other media achieve more emotional and social impact?





How can we become more adept teachers and learners of performance both within and outside of classrooms?





What can the cognitive sciences reveal about the nature of drama and human nature in general?





How can knowledge transfer, from a synthesis of science and performance, assist professionals such as nurses, care-givers, therapists and emergency workers in their jobs?

A wide-ranging and authoritative guide, The Routledge Companion to Theatre, Performance and Cognitive Science is an accessible tool for not only students, but practitioners and researchers in the arts and sciences as well.
List of figures and tables
xi
Notes on contributors xii
General introduction 1(10)
Bruce McConachie
PART I ARTISTRY
Introduction
11(4)
Rick Kemp
1 Stanislavsky's prescience: the conscious self in the system and Active Analysis as a theory of mind
15(14)
Sharon Marie Carnicke
2 The improviser's lazy brain: improvisation and cognition
29(19)
Gunter Losel
3 Devising --- embodied creativity in distributed systems
48(10)
Rick Kemp
4 Embodied cognition and Shakespearean performance
58(8)
Darren Tunstall
5 The remains of ancient action: understanding affect and empathy in Greek drama
66(9)
Peter Meineck
6 Minding implicit constraints in dance improvisation
75(8)
Pil Hansen
7 Applying developmental epistemic cognition to theatre for young audiences
83(8)
Jeanne Klein
8 4E cognition for directing: Thornton Wilder's Our Town and Caryl Churchill's Light Shining in Buckinghamshire
91(9)
Rhonda Blair
9 Acting and emotion
100(15)
Vladimir Mirodan
PART II LEARNING
Introduction
115(3)
Bruce McConachie
10 Improvising communication in Pleistocene performances
118(6)
Bruce McConachie
11 Ritual transformation and transmission
124(11)
David Mason
12 Communities of gesture: empathy and embodiment in Bill T. Jones/Arnie Zane Dance Company's 100 Migrations
135(9)
Ariel Nereson
13 Creative storytelling, crossing boundaries, high-impact learning and social engagement
144(13)
Nancy Kindelan
14 From banana phones to the bard: the developmental psychology of acting
157(13)
Thalia R. Goldstein
15 `I'm giving everybody notes using his body': framing actors' observation of performance
170(7)
Claire Syler
16 Acting technique, Jacques Lecoq and embodied meaning
177(14)
Rick Kemp
PART III SCHOLARSHIP
Introduction
191(4)
Bruce McConachie
17 Systems theory, enaction and performing arts
195(8)
Gabricle Sofia
18 Watching movement: phenomenology, cognition, performance
203(13)
Stanton B. Garner, Jr.
19 Attention to theatrical performances
216(9)
James Hamilton
20 Emergence, meaning and presence: an interdisciplinary approach to a disciplinary question
225(10)
Amy Cook
21 Relishing performance: rasa as participatory sense-making
235(4)
Erin B. Mee
22 The self, ethics, agency and tragedy
239(7)
David Palmer
23 Aesthetics and the sensible
246(9)
John Lutterbie
24 Talk this dance: on the conceptualisation of dance as fictive conversation
255(9)
Ana Margarida Abrantes
Esther Pascual
25 Distributed cognition: studying theatre in the wild
264(13)
Evelyn Tribble
Robin Dixon
PART IV TRANSLATIONAL APPLICATIONS
Introduction
277(3)
Rick Kemp
26 A theatrical intervention to lower the risk of Alzheimer's and other forms of dementia
280(11)
Tony Noice
Helga Noice
27 The performance of caring: theatre, empathetic communication and healthcare
291(13)
Rick Kemp
Rachel DeSoto-Jackson
28 Awareness performing: practice to protocol
304(12)
Experience Bryon
29 Imagining the ecologies of autism
316(14)
Melissa Trimingham
Nicola Shaughnessy
30 Towards consilience: integrating performance history with the co-evolution of our species
330(13)
Bruce McConachie
Glossary 343(12)
Shelby Brewster
Index 355
Rick Kemp is Professor of Theatre and Head of Acting and Directing at Indiana University of Pennsylvania, USA. An actor, director and Fellow of the Salzburg Global Seminar on Neuroscience and Art, his publications include Embodied Acting: What Neuroscience Tells Us About Performance (2012) and The Routledge Companion to Jacques Lecoq (2016).

Bruce McConachie, Emeritus Professor at the University of Pittsburgh, USA, has published widely in theatre history and cognitive studies. His scholarship includes Engaging Audiences (2008), Evolution, Cognition, and Performance (2015), and chapters in Theatre Histories: An Introduction (3rd edition, 2016). A former president of the American Society for Theatre Research, McConachie also acts and directs.