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Routledge Companion to Theatre and Performance [Minkštas viršelis]

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, (University of Kent, UK)
  • Formatas: Paperback / softback, 240 pages, aukštis x plotis: 234x156 mm, weight: 407 g
  • Serija: Routledge Companions
  • Išleidimo metai: 03-Nov-2005
  • Leidėjas: Routledge
  • ISBN-10: 0415257212
  • ISBN-13: 9780415257213
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 240 pages, aukštis x plotis: 234x156 mm, weight: 407 g
  • Serija: Routledge Companions
  • Išleidimo metai: 03-Nov-2005
  • Leidėjas: Routledge
  • ISBN-10: 0415257212
  • ISBN-13: 9780415257213
Kitos knygos pagal šią temą:

What is theatre? What is performance? What are their connections and differences? What events, people, practices and ideas have shaped theatre and performance in the twentieth century, and, importantly, where are they heading next?

Proposing answers to these big questions, The Routledge Companion to Theatre and Performance provides an informative and engaging introduction to the significant people, events, concepts and practices that have defined the complementary fields of theatre and performance studies.

Including over 120 entries in three easy-to-use, alphabetical sections, this fascinating text presents a wide range of individuals and topics, such as:

  • performance artist Marina Abramovic
  • directors Vsevolod Meyerhold and Robert Wilson
  • The Living Theatre’s Paradise Now
  • the haka
  • multimedia performance
  • political protest
  • visual theatre.

With each entry containing crucial historical and contextual information, extensive cross-referencing, detailed analysis, and an annotated bibliography, The Routledge Companion to Theatre and Performance is undoubtedly a perfect reference guide for the keen student and the passionate theatre-goer alike.

Acknowledgements xii
Introduction 1(10)
Part I People
11(70)
Abramovic, Marina
13(2)
Anderson, Laurie
15(2)
Artaud, Antonin
17(2)
Bakhtin, Mikhail
19(2)
Barba, Eugenio
21(2)
Bausch, Pina and the Wuppertal Dance Theatre
23(2)
Bharucha, Rustom
25(1)
Boal, Augusto
26(2)
Bread and Puppet Theatre
28(1)
Brecht, Bertold
29(2)
Brook, Peter
31(2)
Butler, Judith
33(1)
Cage, John
34(2)
Christo and Jeanne-Claude
36(1)
Cixous, Helene
37(1)
Copeau, Jacques
38(2)
Craig, Edward Gordon
40(1)
Cunningham, Merce
41(1)
Goffman, Erving
42(1)
Gomez-Pena, Guillermo
43(1)
Grotowski, Jerzy
44(2)
Hijikata, Tatsumi
46(1)
Jean-Claude, see Christo and Jeanne-Claude
Kantor, Tadeusz
47(1)
Laban, Rudolf von
48(2)
Lecoq, Jacques
50(1)
Lepage, Robert
51(2)
Madres de la Plaza de Mayo, las
53(1)
Market Theatre
54(2)
Meyerhold, Vsevolod
56(2)
Orlan
58(1)
Phelan, Peggy
59(2)
Schechner, Richard
61(2)
Sistren
63(2)
Soyinka, Wole
65(1)
Split Britches
66(1)
Sprinkle, Annie
67(1)
Stanislavsky, Konstantin
68(3)
Stelarc
71(1)
Suzuki, Tadashi
72(1)
Turner, Victor
73(2)
Wilson, Robert
75(2)
Wooster Group
77(2)
Wuppertal Dance Theatre, see Bausch, Pina and the Wuppertal Dance Theatre
Zeami, Motokiyo
79(2)
Part II Events
81(44)
4' 33''
83(1)
Balinese dance-theatre
84(2)
Cabaret Voltaire
86(1)
Cherry Orchard, The
87(1)
Constant Prince, The
88(1)
Coyote: I Like America and America Likes Me
89(2)
Dead Class, The
91(1)
Dionysus in 69
92(2)
Einstein on the Beach
94(2)
Government Inspector, The
96(1)
Gulf War
97(1)
Haka
98(2)
Holocaust memorials and museums
100(2)
Lady Diana's funeral
102(1)
Mahabharata, The
103(2)
Mother Courage
105(2)
Olympics
107(1)
Paradise Now
108(2)
Raves
110(1)
Reincarnation of Saint Orlan, The
111(1)
Route 1 & 9 (The Last Act)
112(2)
Sports
114(2)
Temple of Confessions, The
116(1)
Tiananmen Square demonstrations
117(2)
Trio A
119(1)
Ubu Roi
120(1)
Waiting for Godot
121(1)
Yaqui Lent and Easter ceremonies
122(3)
Part III Concepts and practices
125(91)
Acting
127(2)
Animals
129(1)
Asian performance
130(2)
Audience and spectator
132(2)
Body adornment, see Masking/body adornment
Body art
134(1)
Butoh
135(2)
Camp
137(1)
Carnival
138(1)
Circus
139(2)
Dada and surrealism
141(1)
Dance
142(3)
Demonstrations, see Protests, demonstrations and parades
Devising
145(1)
Directing
146(2)
Environmental theatre and site-specific performance
148(2)
Everyday life
150(2)
Expressionism
152(1)
Feminism
153(2)
Festivals
155(2)
Futurism
157(1)
Happenings
158(2)
Historiography
160(1)
Improvisation
161(1)
Installation art
162(2)
Interculturalism
164(1)
Internet
165(2)
Lighting and sound
167(1)
Liveness
168(2)
Live art, see Performance art/live art
Masking/body adornment
170(1)
Mise en scene
171(1)
Movement
172(1)
Multimedia performance
173(2)
Museum display
175(1)
Music, theatre and performance
176(2)
Naturalism and realism
178(2)
Parades, see Protests, demonstrations and parades
Paratheatre
180(1)
Performance/performing
181(1)
Performance art/live art
182(3)
Performative/performativity
185(1)
Phenomenology
186(1)
Play
187(2)
Popular theatre
189(2)
Postmodernism
191(2)
Presence
193(1)
Protests, demonstrations and parades
194(1)
Psychoanalysis
195(2)
Puppetry
197(2)
Realism, see Naturalism and realism
Rehearsal
199(2)
Ritual
201(2)
Scenography
203(1)
Semiotics
204(2)
Site-specific performance, see Environmental theatre and site-specific performance
Sound, see Lighting and sound
Space
206(2)
Spectator, see Audience and spectator
Surrealism, see Dada and surrealism
Theatre
208(2)
Theatre anthropology
210(1)
Theatre of images, see Visual theatre and theatre of images
Theatre of the oppressed
211(1)
Training
212(2)
Visual theatre and theatre of images
214(2)
A chronology of world/performance events, births and deaths 216(7)
Select bibliography 223(10)
Index 233


Paul Allain, Professor of Theatre and Performance at the University of Kent, is author of The Art of Stillness: The Theatre Practice of Tadashi Suzuki (Methuen, 2002), and has published extensively on Polish theatre as well as performer processes.









Jen Harvie of Queen Mary, University of London is author of Staging the UK (Manchester, 2005), and has written widely on the relationships between contemporary performance and cultural identities.