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Roy Lichtenstein: Outdoor Painted Sculpture [Minkštas viršelis]

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  • Formatas: Paperback / softback, 168 pages, aukštis x plotis: 254x191 mm, 139 color and 10 b/w illustrations, 13 tables
  • Serija: Artist's Materials
  • Išleidimo metai: 06-Jun-2023
  • Leidėjas: Getty Publications
  • ISBN-10: 1606066692
  • ISBN-13: 9781606066690
  • Formatas: Paperback / softback, 168 pages, aukštis x plotis: 254x191 mm, 139 color and 10 b/w illustrations, 13 tables
  • Serija: Artist's Materials
  • Išleidimo metai: 06-Jun-2023
  • Leidėjas: Getty Publications
  • ISBN-10: 1606066692
  • ISBN-13: 9781606066690
"This richly illustrated book presents important information on the conservation and care of Roy Lichtenstein's painted outdoor sculptures"--

The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture.
 
Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern.
 
This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.

The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture.
Foreword vii
Timothy P. Whalen
Introduction 1(14)
1 Mock Insensitivity: Roy Lichtenstein and the Economics of Form
15(215)
Clare Bell
College and the Formative Years
6(4)
New York
10(2)
The Advent of Pop Art
12(8)
The Exploration of Sculpture
20(210)
2 Making Outdoor Sculpture
230(124)
In the Studio
30(8)
Fabrication
38(316)
3 The Imperative of Color: Painting the Early Sculpture
354(115)
The Importance of Color
55(5)
Painted Sculptures for Outdoor Display
60(1)
Re-Creating the Process
61(7)
Conclusion
68(401)
4 Weathering Change: Painting the Later Sculpture
469(114)
Transitional Changes with Bronzes
69(3)
Industrial Coating Systems
72(4)
Seeking Durability?
76(6)
Later Years
82(1)
5 Vision and Materiality: Preserving Lichtenstein's Outdoor Sculpture
83(1)
Installations
84(3)
The Conservation of Coatings
87(6)
Repainting
93(8)
Conclusion
101(1)
Appendix 1 Improved Color Specification of Paints for Roy Lichtenstein's Outdoor Sculptures
102(13)
Alan Phenix
Julie Wolfe
Appendix 2 Analysis of Roy Lichtenstein's Paint Structure and Composition for Outdoor Painted Sculpture
115(11)
Alan Phenix
Rachel Rivenc
Appendix 3 Scientific Methods and Instrumentation
126(2)
Appendix 4 Spreadsheet of Roy Lichtenstein's Outdoor Painted Sculptures
128(10)
Appendix 5 Colors: Painted Sculpture vs. Reference Materials
138(2)
Appendix 6 Characteristics of Outdoor Paint Systems
140(2)
Notes 142(5)
Bibliography 147(5)
Illustration Credits 152(2)
Acknowledgments 154(1)
About the Authors 155(1)
Index 156
Julie Wolfe is conservator of decorative arts and sculpture at the J. Paul Getty Museum.