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Rule and the Model: On the Theory of Architecture and Urbanism [Kietas viršelis]

  • Formatas: Hardback, 516 pages, aukštis x plotis x storis: 235x185x25 mm, weight: 454 g
  • Išleidimo metai: 06-Jun-1997
  • Leidėjas: MIT Press
  • ISBN-10: 0262032260
  • ISBN-13: 9780262032261
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 516 pages, aukštis x plotis x storis: 235x185x25 mm, weight: 454 g
  • Išleidimo metai: 06-Jun-1997
  • Leidėjas: MIT Press
  • ISBN-10: 0262032260
  • ISBN-13: 9780262032261
Kitos knygos pagal šią temą:
"To see the strangeness in writings on urbanism, one must first be willing and able to recognize what is out of the ordinary and improbable in their undertaking, when seen against the background of how, in the cultures of the world, throughout history, humans have gone about organizing and building their settlements. The creation of a specific, autonomous discipline for the construction of space is an enterprise whose uniqueness and audacity are easy to miss because of its present universality and banality."

When it was first published in France in 1980, La Regle et le Modele was awarded the prestigious Grand prix de la critique d'architecture. In this long-awaited translation of her seminal work on architecture and urbanistic theory, Francoise Choay elucidates the entwined fate of two theoretical genres. One is represented by Alberti's architectural rule book De re aedificatoria, the other by Thomas More's idealizing projection of Utopia. Choay pursues the trajectories of these two genres in order to trace the genealogy of a third, more heterogeneous discourse associated with the term "urbanism."

The Rule and the Model elaborates Choay's hypothesis about the specialized tradition of theorizing architecture and urbanism, the origins of which she locates in Western society with its belief in the constitutive role of architecture in founding and transforming human institutions over time. She demonstrates that since its emergence in the fifteenth century, this discourse has been organized by two principal formulations: the rule and the model

Choay surveys and rearranges the landscape of conventional historiography, assigning new value to the familiar landmarks, and tracing down to our own epoch texts descended from Alberti's treatise and More's utopian model. She proposes a coherent system for deciphering our master texts as well as a new means for considering the implications of our de facto mastery of the built environment.
PREFACE XI(4)
ACKNOWLEDGEMENTS XV
INTRODUCTION: THE CHOICE OF WORDS 1(14)
CHAPTER ONE: TEXTS ON ARCHITECTURE AND THE CITY
15(50)
I. TEXTS AS REALIZERS
16(17)
THE DE RE AEDIFICATORIA, INAUGURAL TEXT
16(9)
THE COMMUNAL EDICTS AND THE FATE OF THEIR ARGUMENTATION
25(5)
THE PSEUDO-TREATISES OF THE RENAISSANCE AND THE CLASSICAL AGE
30(3)
II. TRUE AND FALSE UTOPIAS
33(14)
THE UTOPIA OF THOMAS MORE, INAUGURAL TEXT
34(6)
AFTER UTOPIA
40(1)
FROM THELEME TO CLARENS
41(3)
FROM THE NOVA ATLANTIS TO CONTEMPORARY FUTUROLOGY
44(1)
RHETORICAL UTOPIAS
45(2)
III. TEXTS AS COMMENTATORS
47(18)
THE OBJECTIFICATION OF URBAN SPACE
49(10)
COMMENTARIES FOR AND AGAINST THE CITY
59(6)
CHAPTER TWO: THE DE RE AEDIFICATORIA: ALBERTI, OR DESIRE AND TIME
65(72)
I. THE ARCHITECTURE OF THE DE RE AEDIFICATORIA
66(38)
II. A THEORY OF EDIFICATION
104(7)
III. THE BEAUTIFUL AND ITS ANTINOMIES
111(4)
IV. ALBERTI AND VITRUVIUS: OF SUPRA-STRUCTURAL BORROWING
115(7)
V. ALBERTI AND VITRUVIUS: NARRATIVES AND HISTORIES IN THE DE RE AEDIFICATORIA
122(10)
VI. THE ARCHITECT-HERO
132(5)
CHAPTER THREE: UTOPIA, OR BEYOND THE MIRROR
137(36)
I. MODEL SPACE AND SPATIAL MODEL: A PHENOMENOLOGICAL APPROACH
138(11)
PORTRAIT SPACE AND MODEL SPACE
139(2)
A UNIVERSALIZABLE DEVICE
141(4)
MODEL AND ETERNITY
145(2)
THE PHARMAKON
147(2)
II. THE MIRROR STAGE AND THE UTOPIAN STAGE
149(6)
III. THE MYTHIC CONSTRUCTION
155(7)
IV. MORE AND PLATO
162(7)
V. MORE AND THE PROBLEMATICS OF THE RENAISSANCE
169(4)
CHAPTER FOUR: THE POSTERITY OF THE TWO PARADIGMS
173(40)
I. THE FATE OF THE ARCHITECTURAL TREATISES
173(29)
THE FIRST GENERATION
173(9)
THE VITRUVIANIZING REGRESSION
182(10)
TWO EXCEPTIONS: THE TREATISES OF PERRAULT AND SCAMOZZI
192(10)
II. THE RESISTANCE OF THE UTOPIAN FIGURE
202(11)
THE REDUCTIVE UTOPIA OF MORELLY
202(1)
THE CANONIC UTOPIA: SINAPIA AND HYPERSPATIALIZATION
203(10)
CHAPTER FIVE: A NEW FIGURE IN THE MAKING: DRIFT AND DECONSTRUCTION
213(20)
I. SCIENCE AND UTOPIA VERSUS THE ARCHITECTURAL TREATISE: THE FRAGMENTED TREATISE OF PATTE
214(7)
II. PRE-URBANISM
221(12)
CHAPTER SIX: THE THEORY OF URBANISM
233(38)
I. THE TEORIA AS PARADIGM
234(21)
SCIENTISTIC AND SCIENTIFIC DISCOURSE
236(7)
MEDICALIZATION AND UTOPIA
243(4)
THE DOMINANCE OF THE MOREAN FIGURE: THE PSEUDO-ALBERTIAN TRAITS
247(6)
THE WORK OF THE I OF THE TRATTATISTO
253(2)
II. OTHER THEORIES: FROM SITTE TO ALEXANDER
255(16)
SCIENTIFIC DISCOURSE: SIMULATIONS AND REALITIES
256(5)
THE PREDOMINANCE OF THE SIGNS OF UTOPIA
261(4)
THE PSEUDO-ALBERTIAN TRAITS
265(2)
VARIATIONS ON THE I OF THE TRATTATISTO
267(4)
OUVERTURE: FROM WORDS TO THINGS 271(16)
APPENDIX: ANALYSIS OF THE CONSTRUCTION OF THE DE RE AEDIFICATORIA 287(2)
NOTES 289(142)
BIBLIOGRAPHY 431(54)
I. THE CORPUS OF INSTAURATIONAL TEXTS 433(10)
II. REFERENCES BEYOND THE CORPUS 443(42)
INDEX OF NAMES 485(10)
INDEX OF IDEAS 495