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Runes: a Handbook [Minkštas viršelis]

4.35/5 (42 ratings by Goodreads)
  • Formatas: Paperback / softback, 256 pages, aukštis x plotis: 234x156 mm, weight: 461 g, 40 b/w, 34 line illus.
  • Išleidimo metai: 27-May-2022
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783276975
  • ISBN-13: 9781783276974
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 256 pages, aukštis x plotis: 234x156 mm, weight: 461 g, 40 b/w, 34 line illus.
  • Išleidimo metai: 27-May-2022
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783276975
  • ISBN-13: 9781783276974
Kitos knygos pagal šią temą:
Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas).This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them.Professor MICHAEL P. BARNES is Emeritus Professor of Scandinavian Studies, University College London.

Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation.

Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas).
This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them.

Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.

Recenzijos

A clear and authoritative textbook as well as an attractive, amply illustrated, and well-made artifact. It is written in an accessible style that nevertheless does not oversimplify. Michael Barnes has set a new standard, providing us with a clear and dedicated textbook for teaching the study of runes. * STUDIES IN MEDIEVAL AND RENAISSANCE TEACHING * Barnes has succeeded in systematizing for students an elusive body of knowledge, and models...a careful, logical approach. * MEDIEVAL REVIEW * Extremely welcome [ and] likely to attract an international readership. The book covers essential aspects of runology and it provides us with a succinct research overview. * NOWELE * An accessible and useful introduction to the topic. * YEARS WORK IN ENGLISH STUDIES * Provides students with an introduction to the topic which is both accessible and erudite. It brings the reader up to date on current issues in the discipline and demonstrates the concern with methodological rigour for which its author is well known. * HISTORY * Not only a handbook but a textbook for the study of runes. * CHOICE * A prudently structured, lucidly written, and judiciously reasoned overview of a subject that has engendered much divisiveness among experts. [ ...] A first-rate contribution. * ANGLIA * [ An] immaculately produced book. [ ...] This book is both a pioneering textbook of runic studies and a reference resource on runes, thus serving the needs of students of language studies, medieval history and cultural matters, and the just plain curious. * REFERENCE REVIEWS * Overall, the book is abundant in interesting material, well-written, and.is a rare reliable source on this often overdramatized aspect of our field. * COMITATUS * An immaculately scholarly and notably rational introduction to runology. [ It] tells the reader everything he or she needs to know about runes and how to study them. It will be invaluable to students. * TIMES LITERARY SUPPLEMENT *

List of illustrations
viii
Preface xii
Abbreviations xiv
1 Introduction
1(8)
1.1 Rune and runic
1(1)
1.2 Runic writing/runic inscriptions
2(1)
1.3 Transliteration
3(1)
1.4 Rune-rows
4(3)
1.5 Runology and runologists
7(2)
2 The origin of the runes
9(8)
2.1 Questions
9(1)
2.2 Four basic points
9(1)
2.3 Context
10(2)
2.4 Source alphabets, writing practices, and phonological systems
12(2)
2.5 Conclusion
14(3)
3 The older fupark
17(10)
3.1 Preamble
17(1)
3.2 The fupark order
17(1)
3.3 Rune forms
18(3)
3.4 Rune names
21(1)
3.5 The languages and orthographic system(s) of the older-fupark inscriptions
22(5)
4 Inscriptions in the older fupark
27(10)
4.1 Problems
27(2)
4.2 Solutions
29(5)
4.3 Summary
34(3)
5 The development of runes in Anglo-Saxon England and Frisia
37(5)
5.1 Anglo-Frisian innovations
37(2)
5.2 English innovations
39(3)
6 The English and Frisian inscriptions
42(12)
6.1 The English inscriptions
42(10)
6.2 The Frisian inscriptions
52(2)
7 The development of runes in Scandinavia
54(12)
7.1 Introduction
54(1)
7.2 The reduction of the fupark: evolution or design?
54(6)
7.3 The younger fupark: a new, phonetically multifunctional writing system
60(1)
7.4 The younger fupark: variety of form
61(2)
7.5 Summary
63(1)
7.6 The staveless runes
64(2)
8 Scandinavian inscriptions of the Viking Age
66(26)
8.1 The Viking-Age rune-stone
66(1)
8.2 Dating and the typology of rune-stones
66(5)
8.3 Content
71(15)
8.4 The rune-stone fashion
86(2)
8.5 Inscriptions in materials other than stone
88(4)
9 The late Viking-Age and medieval runes
92(7)
9.1 The diversification of runic usage
92(3)
9.2 The status of the additional characters
95(1)
9.3 The medieval runic writing system
96(3)
10 Scandinavian inscriptions of the Middle Ages
99(30)
10.1 Introduction
99(1)
10.2 Formal inscriptions
100(6)
10.3 Informal inscriptions on loose objects
106(10)
10.4 Graffiti
116(4)
10.5 Antiquarian text-types
120(2)
10.6 Inscriptions in Latin
122(4)
10.7 The two-script community
126(3)
11 Runic writing in the post-Reformation era
129(15)
11.1 Introduction
129(1)
11.2 The survival of traditional runic writing after 1500
129(4)
11.3 Learned interest in runes in the sixteenth and seventeenth centuries
133(2)
11.4 Runes and runic inscriptions as re-creations
135(9)
12 Cryptic inscriptions and cryptic runes
144(9)
12.1 Introduction
144(1)
12.2 Cryptic and pseudo-cryptic
144(3)
12.3 Cryptic inscriptions written with plain runes
147(1)
12.4 Cryptic inscriptions written with cryptic (graphically deviant) runes
148(4)
12.5 Final thoughts
152(1)
13 Runica manuscripta and rune names
153(12)
13.1 Introduction
153(1)
13.2 Runes in manuscripts
153(4)
13.3 Rune names
157(8)
14 The making of runic inscriptions
165(7)
14.1 Introduction
165(1)
14.2 Inscriptions in stone
165(6)
14.3 Inscriptions in wood and bone
171(1)
144 Inscriptions in metal
172(1)
145 Inscriptions in other materials
173(4)
14.6 Rune-carvers
174(3)
15 The reading and interpretation of runic inscriptions
177(13)
15.1 General considerations
177(3)
15.2 Example 1: Kjølevik
180(3)
15.3 Example 2: St Albans 2
183(3)
15.4 Example 3: Birsay 1
186(3)
15.5 Conclusion
189(1)
16 Runes and the imagination: literature and politics
190(7)
16.1 Literature
190(4)
16.2 Politics
194(2)
16.3 Conclusion
196(1)
17 A brief history of runology
197(6)
17.1 Introduction
197(1)
17.2 The documentation, editing and publication of inscriptions
197(6)
173 Broader runological research
203(10)
17.4 Reference works
211(2)
18 Where to find runic inscriptions
213(5)
Glossary 218(3)
Phonetic and phonemic symbols 221(5)
Index of inscriptions 226