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El. knyga: Russians in Britain: British Theatre and the Russian Tradition of Actor Training [Taylor & Francis e-book]

Edited by (University of Leeds, UK)
  • Formatas: 232 pages, 22 Halftones, black and white
  • Išleidimo metai: 02-Dec-2011
  • Leidėjas: Routledge
  • ISBN-13: 9780203146590
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 232 pages, 22 Halftones, black and white
  • Išleidimo metai: 02-Dec-2011
  • Leidėjas: Routledge
  • ISBN-13: 9780203146590
Kitos knygos pagal šią temą:
From Komisarjevsky in the 1920s, to Cheek by Jowls Russian sister company almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries theatrical traditions as continuous as it is complex.

Unravelling new strands of transmission and translation linking the great Russian émigré practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in:











Komisarjevsky and the British theatre establishment.





Stanislavsky in the British conservatoire.





Meyerhold in the academy.





Michael Chekhov in the private studio.





Littlewoods Theatre Workshop and the Northern Stage Ensemble.





Katie Mitchell, Declan Donnellan and Michael Boyd.

Charting a hitherto untold story with historical and contemporary implications, these nine essays present a compelling alternative history of theatrical practice in the UK.
List of figures
ix
Contributors x
Acknowledgements xiii
Introduction: the mechanics of tradition making 1(12)
Jonathan Pitches
1 A tradition in transition: Komisarjevsky's seduction of the British theatre
13(25)
Jonathan Pitches
2 Stanislavsky's passage into the British conservatoire
38(24)
David Shirley
3 Michael Chekhov and the Studio in Dartington: the remembering of a tradition
62(24)
Jerri Daboo
4 Riding the waves: uncovering biomechanics in Britain
86(24)
Amy Skinner
5 `Who is Skivvy?': the Russian influence on Theatre Workshop
110(29)
Robert Leach
6 Shared Utopias?: Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble
139(28)
Duska Radosavljevic
7 Re-visioned directions: Stanislavsky in the twenty-first century
167(25)
Bella Merlin
Katya Kamotskaia
Conclusion: a common theatre history? The Russian tradition in Britain today: Declan Donnellan, Katie Mitchell and Michael Boyd 192(19)
Jonathan Pitches
Index 211
Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author of two books on Russian actor training, Vsevolod Meyerhold and Science and the Stanislavsky Tradition of Acting. He has taught masterclasses on Russian actor training at the RSC and in Tokyo, Malta and Shanghai and is the founding co-editor of the Routledge journal Theatre, Dance and Performance Training.